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Known as "the golden era," the period from 1880 to 1920 brought unbridled growth, prosperity, and national note to the second largest city in Massachusetts. Worcester's population increased by more than one hundred twenty thousand people in this forty-year period, and the city produced the greatest variety of manufactured goods in the country. Worcester: 1880-1920 captures the expansion of the city through the images that feature a variety of subjects, such as the erection of the three-decker buildings in the early working-class neighborhoods, the construction of the new Union Station, and the vitality of the downtown stores and marketplaces. These photographs, most of which have been taken from glass-plate negatives, chronicle the rapid growth of a diverse economy fueled by an expanding multiethnic community.
Focusing on the city of Worcester, Massachusetts the author takes the reader to the saloons, the amusement parks, and the movie houses where American industrial workers spent their leisure hours, to explore the nature of working-class culture and class relations during this era.
Industrial expansion in New England gave impetus to large-scale Swedish immigration by the last quarter of the nineteenth century. Swedish American communities were established in many areas, including Worcester County in Massachusetts and adjacent northern Windham County in Connecticut. Swedes of Greater Worcester Revisited, a companion to Swedes of Greater Worcester (2002), expands upon the story of the region's Swedish American population. Vintage images capture the immigration experience, family and organizational life, and religious aspects of the community.
From 1880 to 1920, the first truly national visual culture developed in the United States as a result of the completion of the Pacific Railroad. Women, especially young and beautiful ones, found new lives shaped by their participation in that visual culture. This rapidly evolving age left behind the "cult of domesticity" that reigned in the nineteenth century to give rise to new "types" of women based on a single feature--a type of hair, skin, dress, or prop--including the Gibson Girl, the sob sister, the stunt girl, the hoochy-coochy dancer, and the bearded lady. Exploring both high and low culture, from the circus and film to newspapers and magazines, this work examines depictions of women at the dawn of "mass media," depictions that would remain influential throughout the twentieth century.
Interpretations of women in the antebellum period have long dwelt upon the notion of public versus private gender spheres. As part of the ongoing reevaluation of the prehistory of the women's movement, Carolyn Lawes challenges this paradigm and the primacy of class motivation. She studies the women of antebellum Worcester, Massachusetts, discovering that whatever their economic background, women there publicly worked to remake and improve their community in their own image. Lawes analyzes the organized social activism of the mostly middle-class, urban, white women of Worcester and finds that they were at the center of community life and leadership. Drawing on rich local history collections, Lawes weaves together information from city and state documents, court cases, medical records, church collections, newspapers, and diaries and letters to create a portrait of a group of women for whom constant personal and social change was the norm. Throughout Women and Reform in a New England Community, conventional women make seemingly unconventional choices. A wealthy Worcester matron helped spark a women-led rebellion against ministerial authority in the town's orthodox Calvinist church. Similarly, a close look at the town's sewing circles reveals that they were vehicles for political exchange as well as social gatherings that included men but intentionally restricted them to a subordinate role. By the middle of the nineteenth century, the women of Worcester had taken up explicitly political and social causes, such as an orphan asylum they founded, funded, and directed. Lawes argues that economic and personal instability rather than a desire for social control motivated women, even relatively privileged ones, into social activism. She concludes that the local activism of the women of Worcester stimulated, and was stimulated by, their interest in the first two national women's rights conventions, held in Worcester in 1850 and 1851. Far from being marginalized from the vital economic, social, and political issues of their day, the women of this antebellum New England community insisted upon being active and ongoing participants in the debates and decisions of their society and nation.
Anthropologist Brighton (Maryland) offers a historical archaeological investigation of the diaspora of Ireland, reflecting the migration of Irish immigrants to the US during a turbulent period in Irish history from the mid-1840s to the 1850s. Brighton's work is the first to offer a study through an archaeological lens connecting Irish communities spanning two continents and covering four sites: two in Ireland, specifically, in County Roscommon, and two in the US, the Five Points section of Manhattan, New York, as well as the historically Irish community in Paterson, New Jersey. There have been some recent diasporic studies on Irish migrations of the 19th century, such as Catherine Nash's Of Irish Descent: Origin Stories, Genealogy, and the Politics of Belonging (2008). However, Brighton's technique is inspired from transnational investigations of the African diaspora to the Atlantic world. This volume can serve as an excellent research tool for students of Ireland as well as diasporic archaeology. Summing Up: Highly recommended. All students of archaeology of the modern world." --B. C. Ryan, Syracuse University, Choice Between 1845 and 1852, a watershed event in Ireland's history--the Great Hunger--forced more than one million starved and dispossessed people, most of them poor tenant farmers, to leave their native country for the shores of the United States. Further weakened by the arduous voyage across the Atlantic Ocean, many sought refuge in the harbor cities in which they landed. Not surprisingly, Irish immigrants counted as one quarter of New York City's population during the 1850s. In Historical Archaeology of the Irish Diaspora, Stephen A. Brighton places Irish and Irish American material culture within a broad historical context, including the waves of immigration that preceded the Famine and the development of the Irish American communities that followed it. He meticulously details the archaeological research connected with excavations at two pre-Famine sites in County Roscommon, Ireland, and with several immigrant tenements located in the Five Points, Manhattan, and the Dublin section of nearby Paterson, New Jersey. Using this transnational approach to link artifacts and ceramics found in rural Ireland with those discovered in sites in the urban, northeastern United States, Brighton also employs contemporary diaspora studies to illustrate how various factions sustained a distinct homeland connection even as the Irish were first alienated from, and then gradually incorporated into, American society. With more than forty million Americans claiming Irish ancestry, fully understanding Ireland's traumatic history and its impact on the growth of the United States remains a vital task for researchers on both sides of the Atlantic. Brighton's study of lived experience follows a fascinating historical path that will aid scholars in a variety of disciplines. Stephen A. Brighton is an assistant professor of anthropology at the University of Maryland. His articles have appeared in the International Journal of Historical Archaeology and Historical Archaeology.