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Previously issued in 1981, this book examines the wooden church architecture of Eastern Europe. Eastern Europe is the principal refuge of styles and techniques of 'solid' timber and log building which were once far more widespread. These same building methods were once well known in central Europe too but the increasing scarcity of forest resources prompted the development of timber-framing or half-timbering as a more economical alternative. This system exerted an influence over wide areas of eastern Europe, and Mr Buxton devotes some space to a consideration of it, but the bulk of the book is concerned with churches built basically in solid timber, though with many refinements and embellishments. The author attempts to show the origin and relationship of the numerous regional styles with notes on their geographical and historical setting. He spent a number of years travelling in eastern Europe gathering material and taking a great many photographs some of which are included in the book; there are also plans and sections of all principal church-types. There are two appendixes: in the first Mr Buxton discusses the relationship between the wooden styles presented here and the American log cabin; the second describes the wooden synagogues of eastern Poland, all tragically lost in the last war.
The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country’s capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity’s worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North – he Svir’ River, Lake Onego, the town of Kargopol’ and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen’ – those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.
Monumental carved wooden Torah arks were an outstanding feature of east European synagogues between the seventeenth and the nineteenth centuries, yet virtually none survived the Second World War. Bracha Yaniv therefore breathes a new life into a lost genre with this extensively researched, meticulously documented, and richly illustrated book. She is the first to paint a vivid portrait of their history and to offer a detailed explanation of the motifs that adorned them.
What all these buildings have in common is that with the available material, wood, and the most modest means, places of worship, centres in the villages, were built with much feeling and love. The constructions in wood were derived in an old tradition from the dwellings and farm buildings of the peasant population. Their architecture, the typological forms probably penetrated into this seclusion as an idea. "The idea of a church as a building", brought with them by clergymen and wandering master craftsmen from the more fertile plains and the rich, large mining and trading towns. The oldest churches were built as early as in the 15th century, most of those still standing were built in the 18th and 19th centuries, and quite a few are still being built today. Many were destroyed in the two world wars, many fell victim to ethnic cleansing after 1945. Many were destroyed in the two world wars, many fell victim to ethnic cleansing after 1945, some fell into disrepair during the Soviet era, others were burnt down by lightning or short circuits, and quite a few simply gave way to the more "representative" stone churches as early as the 19th century. But a large number are still standing, consecrated, and believers gather in them. In fact, almost all of them in the various Carpathian countries are protected monuments, and many have been lovingly restored in recent times. More than the architectural-historical value, the question arises here of the aesthetic assessment of these small buildings. It is not a refined canon of forms of great architecture that can be derived and proven from the history of architecture that inspires us so much. Basically, they are not overly sophisticated constructions in terms of craftsmanship, they are safe and beautiful in their simplicity. Their aesthetic appeal, however, also includes the surface-weathered material, deformed structures, colour improvisations, recently ornamented sheet metal, inside wall paintings, altar and iconostasis furnishings derived from Renaissance and Baroque periods, but above all their location in the village, mostly isolated, often elevated, surrounded by old trees, enclosures and graves without cemetery order.
Das Fachbuch präsentiert den aktuellen Forschungsstand hinsichtlich zeitgemäßer Methoden und Verfahren beim Umgang mit historischen Holzbauten. Es fasst die Ergebnisse einer Tagung von Bauforschern zusammen, die Ende 2014 in Prag stattgefunden hat und widmet sich den drei Hauptaspekten beim Umgang mit historischen Holzbauten: Bauforschung, Architekturgeschichte sowie Instandsetzung und Unterhalt. Vierzehn Forscher haben jahrhundertealte Holzstrukturen wie Kirchen, Bauernhöfe, Fachwerkhäuser und Blockhütten in Europa und Russland untersucht. Aus den gewonnenen Erkenntnissen entwickeln sie denkmalgerechte Maßnahmen zur Instandsetzung und zum Unterhalt von Holzbauten. Historische und aktuelle Fotografien sowie neu erstellte Zeichnungen dokumentieren die untersuchten Bauten.
A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New
Religious history more generally has experienced an exciting revival over the past few years, with new methodological and theoretical approaches invigorating the field. The time has definitely come for this “new religious history” to arrive in Eastern Europe. This book explores the influence of the Christian churches in Eastern Europe's social, cultural, and political history. Drawing upon archival sources, the work fills a vacuum as few scholars have systematically explored the history of Christianity in the region. The result of a three-year project, this collective work challenges readers with questions like: Is secularization a useful concept in understanding the long-term dynamics of religiosity in Eastern Europe? Is the picture of oppression and resistance an accurate way to characterize religious life under communism, or did Christians and communists find ways to co-exist on the local level prior to 1989? And what role did Christians actually play in dissident movements under communism? Perhaps most important is the question: what does the study of Eastern Europe contribute to the broader study of modern Christian history, and what can we learn from the interpretative problems that arise, uniquely, from this region?
The essays in this book present, for the first time in published form, a systematic comparative overview of cultural heritage policy and its impact – specifically in the field of immovable heritage such as archaeological and historic sites – in Albania, Bosnia and Herzegovina, Bulgaria, Croatia, “The former Yugoslav Republic of Macedonia”, Montenegro, Romania and Serbia. The studies focus on the decade from 2003 to 2013 that followed the traumatic and often violent upheavals associated with the breakdown of communism. That same period also saw a shift in the policy of the European Union and the Council of Europe in support of cultural heritage policies in the region, which led to the launching of the “Ljubljana Process: rehabilitating our common heritage”. The challenges gradually moved from encouraging professionals to adopt European standards and realising the potential of heritage to build bridges between peoples and to foster reconciliation, towards highlighting its wider benefits as a catalyst of economic development for the local economy and the quality of life of citizens. Theorists and practitioners will gain a better insight into the value of cultural heritage and the specificity of cultural heritage policies in South-East Europe, as well as the underlying facts, vision, context and impact of the Ljubljana Process. This will encourage questioning of existing public policies, as well as the promotion and affirmation of cultural heritage within a new “culture of development”.