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The Gods separated Themyscira from the world for a good reason: it serves as the prison for the God of War, and the most powerful army ever created stands guard around him! So what happens when the greatest evil in the universe decides he wants that army for himself? The power of the ancient gods has returned Darkseid to his former self, but he wants more--he wants the throne of Apokolips back! But to put down the rebellions and civil war raging on his homeworld, he'll need an army more powerful than he's ever had before. That sounds suspiciously like the Amazons! Meanwhile, Wonder Woman's brother Jason has always longed to meet his mother, Hippolyta, but the machinations of the gods have made it impossible. But now, with the barrier between worlds at its thinnest, could they come face-to-face at last? Should Wonder Woman help him return home, if it could lead to the destruction of the Amazons? From superstar writer James Robinson and artist Carlo Pagulayan comes the next great Wonder Woman epic in Wonder Woman Vol. 7! Collects Wonder Woman #38-45.
“Action packed.” —CBR Darkseid is hungry for power. The deposed dread lord of Apokolips is eager to take back his throne from the warring forces that now rule his world…but after all he’s been through recently, he doesn’t yet possess the power to bring Apokolips to heel. The power that Darkseid craves is in Wonder Woman’s home of Themyscira, which has been sealed off entirely from Earth. And what Darkseid wants, Darkseid gets. Now the Female Furies and Darkseid’s daughter, Grail, have been dispatched around the world to capture artifacts with the power to unlock Themyscira’s gates…artifacts under the protection of Wonder Woman and her mysterious, long-lost brother, Jason. Without the Justice League by her side, it’s up to Diana and her friends to stop Darkseid from attaining the power of Themyscira. But what hope does one Amazon have against the armies of Apokolips? In these stories from Wonder Woman #38-45, writer James Robinson (Starman) and artists Emanuela Lupacchino (Supergirl) and Ray McCarthy (Red Robin) continue an epic seeded in DC Universe: Rebirth #1.
The heroine's journey echoes throughout ancient legend. Each young woman combats her dark side and emerges stronger. This quest is also a staple of American comic books. Wonder Woman with semi-divine powers gives us a new female-centered creation story. Batgirl, Batwoman and Black Widow discover their enemy is the dark mother or shadow twin, with the savagery they've rejected in themselves. Supergirl similarly struggles but keeps harmony with her sister. From Jessica Jones and Catwoman to the new superwomen of cutting-edge webcomics, each heroine must go into the dark, to become not a warrior but a savior. Women like Captain Marvel and Storm sacrifice all to join the ranks of superheroes, while their feminine powers and dazzling costumes reflect the most ancient tales.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may request an examination copy here.
From "Wonder Woman" to Buffy Summers, Emma Peel to Sydney Bristow, "Charlie's Angels" to "The Powerpuff Girls", Superwomen are more than just love interests or sidekicks who stand by their Supermen. In her new book, Stuller shows how the female hero in modern mythology has broken through the boy's club barrier of tradition and reveals the pivotal role of high-heeled crime fighters in popular culture.Featuring spies and sexuality, daddy's girls and super-mothers, this is a comprehensive, engaging and thought-provoking guide to female detectives, meta-humans and action heroines, as well as their creators, directors, performers, and consumers. The book also includes a glossary of modern mythic women, from Aeon to Zoe, as well as a foreword by acclaimed cultural commentator Roz Kaveney, author of "Superheroes! Capes and Crusaders in Comics and Films" (published by I.B. Tauris, April 2008).