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Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.
Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism. The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.
Wonder Woman, Harley Quinn, Shuri, and Black Widow. These four characters portray very different versions of women: the superheroine, the abuse victim, the fourth wave princess, and the spy, respectively. In this in-depth analysis of female characters in superhero media, the author begins by identifying ten eras of superhero media defined by the way they portray women. Following this, the various archetypes of superheroines are classified into four categories: boundary crossers, good girls, outcasts, and those that reclaim power. From Golden Age comics through today's hottest films, heroines have been surprisingly assertive, diverse, and remarkable in this celebration of all the archetypes.
A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind, Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?
After receiving a sacred gift from the gods of Brazil, our hero seems destined for great things. Little does she know, another pantheon has been watching her as well. Hera, queen of the Greek gods, has chosen Yara to become her latest champion. But what need does the goddess have for a warrior of her own? Find out in this stirring second issue!
WONDER NO MORE—GET ALL THE FACTS ON DC COMICS’ FOREMOST SUPER HEROINE! She’s as beautiful as Aphrodite and as wise as Athena, stronger then Hercules and swifter than Hermes. Blessed at birth by the gods themselves, Princess Diana left an idyllic island paradise ruled by wise and brave women to bring the peace, love, and nobility of the Amazons to the tumultuous world of humankind. In January 1942, Wonder Woman took the world of comics—and its pantheon of superpowered males—by storm. Wielding her impervious silver bracelets and golden Lasso of Truth, she’s battled forces of evil from the Axis powers to a slew of super-villains worldwide, teamed up with the likes of Superman, Batman, Green Lantern, and the Flash, and become a high-flying feminist icon and pop-culture superstar. Now, for the first time in more than thirty years, here’s a definitive A-to-Z volume that draws together all the knowledge about the star-spangled, action-packed history of Wonder Woman. In more than 400 fact-packed pages you’ll find • the complete story of Wonder Woman’s origins, as imagined and reinterpreted by generations of comics writers—including her groundbreaking creator, William Moulton Marston • biographies of every major character in Wonder Woman’s universe, including her mother, Hippolyta; sister, Donna Troy; and mortal ally Steve Trevor—as well as such classic foes as Ares, Cheetah, Hades, and the members of Villainy Inc. • classic black-and-white comic book artwork throughout • two sixteen-page full-color artwork inserts—plus a dazzling original cover illustration by fan-favorite artist Adam Hughes Written by veteran Wonder Woman artist and writer Phil Jimenez and comics historian John Wells, The Essential Wonder Woman Encyclopedia is the ultimate archive, proving that die-hard devotees of the gorgeous go-to goddess don’t have to visit Paradise Island for a taste of heaven on earth. From the Trade Paperback edition.
Spider-Man faces the Black Cat for the first time, and can't decide whether she's a criminal, heroine, or just another femme fatale.
When an ancient ritual requires Wonder Woman to protect a young woman from anyone who threatens her, it pits the Amazon Warrior against her Justice League ally, Batman! And while an array of enemies, including Silver Swan and the more dangerous than ever Dr. Psycho, attack Wonder Woman on all fronts, it’s the publication of Princess Diana’s book that opens her to an assault by a new and deadly foe – the malevolent Veronica Cale – and places Wonder Woman’s island homeland of Themyscira in grave danger. Best-selling writer Greg Rucka (DETECTIVE COMICS) teams with artists JG Jones (FINAL CRISIS), Drew Johnson (SUPERGIRL), Shane Davis (SUPERMAN: EARTH ONE) and more for the start of his legendary run on the title as Wonder Woman stands against mortal foes and faces the machinations of the gods themselves! Collects the highly sought after WONDER WOMAN: THE HIKETEIA and WONDER WOMAN #195-205.