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As Steve recovers, The Silver Swan takes center stage as Wonder Woman's new nemesis!
A graphic novel which offers a collection of fantasy fiction from the 1950s, featuring various superheroes.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.
Winner of the John W. Campbell Memorial Award for Best Science Fiction Novel When a giant meteor crashes into the earth and destroys all life, the small group of human survivors manage to leave the barren planet and establish a new home on the moon. From Tycho Base, men and woman are able to observe the devastated planet and wait for a time when return will become possible. Generations pass. Cloned children have had children of their own, and their eyes are raised toward the giant planet in the sky which long ago was the cradle of humanity. Finally, after millennia of waiting, the descendants of the original refugees travel back to a planet they've never known, to try and rebuild a civilization of which they've never been a part. The fate of the earth lies in the success of their return, but after so much time, the question is not whether they can rebuild an old destroyed home, but whether they can learn to inhabit an alien new world--Earth. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This charming novel is the fourth book in the Anne of Green Gables series. 22 years old and away from home, the much-loved Anne Shirley has to find her own way in the world once more as she begins a new job in Windy Poplars. Beginning a new phase of her life, Anne has finally left the Cuthbert’s farm. Filled with romance and charming moral tales, the story is mostly told through the letters that Anne exchanges with her fiancé, Gilbert Blythe. The couple try to maintain their relationship while Gilbert begins medical school and Anne embarks on a new path as the principal of Summerside High School in Windy Poplars. Anne lodges in the cosy tower room of an old house, Windy Willows, belonging to Aunt Kate and Aunt Chatty. Soon she makes fast friends with the women and their boisterous housekeeper, Rebecca Dew. But despite these new friends, Anne struggles to find her feet in the town. The ‘royal family’ of Summerside, the Pringles, keep a watchful eye on the new principal and make it very clear that she's not their first choice for the job. Will Anne be able to win the Pringles over? Can she and Gilbert keep their spark alive? Read & Co. Children’s has proudly republished this beautiful edition of Anne of Windy Poplars, now featuring an introductory author biography. This classic novel is not to be missed by lovers of Anne of Green Gables and those who wish to revisit their childhood as Anne commences the next stage of her life.
“I’ve never seen more information about Wonder Woman than in Wonder Woman Unbound. Tim Hanley tells us everything we’ve never asked about Wonder Woman, . . . from her mythic Golden Age origins through her dismal Silver Age years as a lovesick romance comic character, and worse yet, when she lost her costume and powers in the late 1960s. Our favorite Amazon’s saga becomes upbeat again with the 1970s advent of Gloria Steinem and Ms. magazine, and Lynda Carter’s unforgettable portrayal of her on television. And it’s all told with a dollop of humor!” —Trina Robbins, author of Pretty in Ink With her golden lasso and her bullet-deflecting bracelets, Wonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history portrays a complicated heroine who is more than just a female Superman. Tim Hanley explores Wonder Woman’s lost history, delving into her comic book and its spin-offs as well as the motivations of her creators, to showcase the peculiar journey of a twentieth-century icon—from the 1940s, when her comics advocated female superiority but were also colored by bondage imagery and hidden lesbian leanings, to her resurgence as a feminist symbol in the 1970s and beyond. Tim Hanley is a comic book historian. His blog, Straitened Circumstances, discusses Wonder Woman and women in comics, and his column “Gendercrunching” runs monthly on Bleeding Cool. He lives in Halifax, Nova Scotia.
The most recognizable superheroine of all time, Wonder Woman has been an essential part of the DC Universe and an icon for female empowerment for more than 75 years. Armed with her lasso of truth and her bullet-stopping bracelets, the Amazon Princess journeys into Man’s World again and again, spreading her mission of peace and goodwill and fiercely battling injustice where she finds it. She’s a princess, a warrior and an ambassador. Beautiful as Aphrodite, wise as Athena, stronger than Hercules, swifter than Mercury...she is Wonder Woman! WONDER WOMAN: A CELEBRATION OF 75 YEARS collects more than 400 pages of the iconic heroine’s best stories, from her first appearance by William Moulton Marston and H.G. Peter, to her mod ’60s redesign by Denny O’Neil and Mike Sekowsky, to her present-day adventures by Brian Azzarello and Cliff Chiang. Other legendary talents featured include George Pérez, Darwyn Cooke, Robert Kanigher, Gene Colan, Phil Jimenez, Mike Deodato, Greg Rucka, Gail Simone and more. Collects ALL-STAR COMICS #8; SENSATION COMICS #1; WONDER WOMAN (1942-) #7, #28, #64, #93, #99, #107, #142, #177, #179, #195, #204, #288, #600; WONDER WOMAN (1987-) #1; WONDER WOMAN vol. 3 #0; JUSTICE LEAGUE: NEW FRONTIER SPECIAL #1; SENSATION COMICS FEATURING WONDER WOMAN (2014-) #1 and #7.
“Love blooms just as war tears two people apart” in this novel about an Armenian refugee family in Nazi-occupied Paris (The New York Times). All the Light There Was is the story of an Armenian family’s struggle to survive the Nazi occupation of Paris in the 1940s—a lyrical, finely wrought tale of loyalty, love, and the many faces of resistance. On the day the Nazis march down the rue de Belleville, fourteen-year-old Maral Pegorian is living with her family in Paris; like many other Armenians who survived the genocide in their homeland, they have come to Paris to build a new life. The adults immediately set about gathering food and provisions, bracing for the deprivation they know all too well. But the children—Maral, her brother Missak, and their close friend Zaven—are spurred to action of another sort, finding secret and not-so-secret ways to resist their oppressors. Only when Zaven flees with his brother Barkev to avoid conscription does Maral realize that the Occupation is not simply a temporary outrage to be endured. After many fraught months, just one brother returns, changing the contours of Maral’s world completely. Like Tatiana de Rosnay’s Sarah’s Key and Jenna Blum’s Those Who Save Us, All the Light There Was is an unforgettable portrait of lives caught in the crosswinds of history. “Moving . . . With a bittersweet love story, examples of everyday heroism, and a community refusing to give in to tyrants, Kricorian’s work sheds even more light on the German occupation of France.” —Library Journal
In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In Reinventing Hollywood, David Bordwell examines the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. Reinventing Hollywood is a groundbreaking study of how Hollywood storytelling became a more complex art and essential reading for lovers of popular cinema.