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In Roe v. Wade, perhaps the most controversial United States Supreme Court decision, Norma McCorvey fought for and won the right to secure an abortion. Though she never had an abortion, under the pseudonym "Jane Roe," Norma reluctantly became the poster child for the pro-choice movement. Over the next two decades, Norma experienced the grief and despair of millions of women who chose to abort their babies; she witnessed the destruction of thousands of human lives in abortion clinics where she worked; and the "champion" of the pro-choice movement was soon being crushed by the weight of so much pain, so much death, and so many ill-considered "choices." Finally, she began to break. She found out that the real choice she had been burdened with was not about abortion but about eternal life. It was a choice that would shock the world and change Norma's life forever.
"The Fiction Factory: Being the experience of a writer who, for Twenty-two years, has kept a story-mill grinding successfully" is authored by William Wallace Cook. The author known by the pen-name John Milton Edwards, was an American journalist and author of popular fiction. The book tells how he got started as a fiction writer and the ups and downs of freelancing at the turn of the last century. In addition to how fascinating reading in its own right could be, the book shows how much harder writing used to be.
Trusted missionologist Stetzer and pastor Nation challenge readers to look at love within the context of God, the church, and the lives of individual believers. They provide a basic theological grounding and a platform for personal application of missional living--simply the calling to love others.
"'It is no use!' she cried, at last, pushing back the mass of thick black hair falling over her white brow; 'I shall never be able to get India by heart, unless I can see the places. I wish papa would let us go reconnoitering amongst the ruined temples and other mysterious buildings; it is so annoying staying here day after day, never seeing anything outside the palace.'" In "Won by Crime", the Portuguese Viceroy Don Garcia has brought his daughter Lianor and nephew Pantaleone to the wild island of Goa, which will lead them on a series of dramatic adventures. This novella was originally included in "Dyke Darrel the Railroad Detective Or, The Crime of the Midnight Express." Allan Frank Pinkerton was the son of Allan Pinkerton (1819-1884), the Scottish-American spy, detective and founder of the Pinkerton National Detective Agency, which rose to fame in the mid-19th century. Inspired by his father work and the agency’s archives, A. Frank — like many other authors at the time — created highly sensationalised and popular novels based on the Pinkerton cases.
Uncover the fascinating inner workings of early American pulp fiction with "The Fiction Factory" by John Milton Edwards. This intriguing memoir gives you a front-row seat to the hustle, creativity, and often bizarre business practices behind the production of popular fiction in the late 19th and early 20th centuries. Step into the world where words were churned out like clockwork. But here’s the question that will keep you reading: How did one man create an empire out of storytelling, while keeping up with the endless demands of a fiction-hungry public? But here's where it gets even more captivating: What really went on behind the scenes in the world of pulp fiction? Edwards, a key player in this wild ride of creativity, reveals the tactics, struggles, and triumphs of authors who worked tirelessly to feed the appetites of a growing readership. "The Fiction Factory" is more than just a memoir—it's a historical glimpse into the evolution of mass-produced fiction, where artistry and business collided in unexpected ways. Edwards’ insider perspective brings to life the frenetic pace and wild ambitions of those who built careers writing for the masses. Are you ready to dive into the mechanics of fiction-making and discover the unsung heroes behind popular literature? Through short, engaging chapters, Edwards draws you into the fast-paced world of the fiction factory, where imagination knew no bounds, but deadlines always loomed. Will you unlock the secrets of the authors who thrived in this literary machine? Grab your copy of "The Fiction Factory" today and step into a world where fiction wasn’t just created—it was manufactured.
How can those who seek to protect the "right to life" defend assassination in the name of saving lives? Carol Mason investigates this seeming paradox by examining pro-life literature—both archival material and writings from the front lines of the conflict. Her analysis reveals the apocalyptic thread that is the ideological link between established anti-abortion organizations and the more shadowy pro-life terrorists who subject clinic workers to anthrax scares, bombs, and bullets.The portrayal of abortion as "America's Armageddon" began in the 1960s. In the 1970s, Mason says, Christian politics and the post-Vietnam paramilitary culture popularized the idea that legal abortion is a harbinger of apocalypse. By the 1990s, Mason asserts, even the movement's mainstream had taken up the call, narrating abortion as an apocalyptic battle between so-called Christian and anti-Christian forces. "Pro-life violence of the 1990s signaled a move away from protest and toward retribution," she writes. "Pro-life retribution is seen as a way to restore the order of God. In this light, the phenomenon of killing for 'life' is revealed not as an oxymoron, but as a logical consistency and a political manifestation of religious retribution."Mason's scrutiny of primary sources (direct mail, internal memoranda, personal letters, underground manuals, and pro-life films, magazines, and novels) draws attention to elements of pro-life millennialism. Killing for Life is a powerful indictment of pro-life ideology as a coherent, mass-produced narrative that does not merely condone violence, but anticipates it as part of "God's plan."
"All for Love; or, Her Heart's Sacrifice" by Alex. McVeigh Mrs. Miller. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Our book cover was created in partnership with Beam Team Design, Argyle, Texas. Mr. Alan Beam took the vision this messenger was given and created a vivid graphic using an empty baseball stadium and a sunrise to visually share the difference between light and darkness.The red stitches are used to wrap the white leather around the baseball as a cover. The covering God gave to the USA and the World, is Jesus, The Son of God. The stadium represents the darkness, which has and continues to wrap around the USA and the rest of the world. Right is wrong; wrong is right.The sunrise represents the Light of the World which is God, Jesus, and The Holy Spirit. Currently, in our contemporary world, much is discussed about climate change and how the world will come to an end in the next ten to twelve years. We do not have a climate change looming large over the earth; we have a lack of morality issue, which is divided into three distinct groups: moral, amoral, and immoral.The very real concern for the USA, or any other nation, is choosing immorality and Satan over the Law God gave us, which, Jesus fulfilled. We The People of the USA are in the last innings with bases loaded and a full count. There are two potential outcomes, and only two...
Finalist for the 2022 Pulitzer Prize for General Nonfiction Finalist for the J. Anthony Lukas Book Prize Finalist for the National Book Critics Circle Award for Nonfiction One of NPR's Best Books of 2021 A New York Times Notable Book of 2021 One of TIME's 100 Must-Read Books of 2021 "The scope is sweeping, the writing is beautiful. It’s an epic story worthy of the impact this one case has had on the American psyche." —Michel Martin, NPR "Stupendous…. If you want to understand Roe more deeply before the coming decision, read it." —Peggy Noonan, Wall Street Journal A masterpiece of reporting on the Supreme Court’s most divisive case, Roe v. Wade, and the unknown lives at its heart. Despite her famous pseudonym, “Jane Roe,” no one knows the truth about Norma McCorvey (1947–2017), whose unwanted pregnancy in 1969 opened a great fracture in American life. Journalist Joshua Prager spent hundreds of hours with Norma, discovered her personal papers—a previously unseen trove—and witnessed her final moments. The Family Roe presents her life in full. Propelled by the crosscurrents of sex and religion, gender and class, it is a life that tells the story of abortion in America. Prager begins that story on the banks of Louisiana’s Atchafalaya River where Norma was born, and where unplanned pregnancies upended generations of her forebears. A pregnancy then upended Norma’s life too, and the Dallas waitress became Jane Roe. Drawing on a decade of research, Prager reveals the woman behind the pseudonym, writing in novelistic detail of her unknown life from her time as a sex worker in Dallas, to her private thoughts on family and abortion, to her dealings with feminist and Christian leaders, to the three daughters she placed for adoption. Prager found those women, including the youngest—Baby Roe—now fifty years old. She shares her story in The Family Roe for the first time, from her tortured interactions with her birth mother, to her emotional first meeting with her sisters, to the burden that was uniquely hers from conception. The Family Roe abounds in such revelations—not only about Norma and her children but about the broader “family” connected to the case. Prager tells the stories of activists and bystanders alike whose lives intertwined with Roe. In particular, he introduces three figures as important as they are unknown: feminist lawyer Linda Coffee, who filed the original Texas lawsuit yet now lives in obscurity; Curtis Boyd, a former fundamentalist Christian, today a leading provider of third-trimester abortions; and Mildred Jefferson, the first black female Harvard Medical School graduate, who became a pro-life leader with great secrets. An epic work spanning fifty years of American history, The Family Roe will change the way you think about our enduring American divide: the right to choose or the right to life.
The protagonists of the stories presented in this anthology constitute a lively and varied line-up of exemplary characters: from the enamored heir of the courtesy of knights to the astute woman who amuses herself behind her husband¡_s back, from the mocked fool to the young merchant who gains experience from his own errors. All of them move, thanks to the narrative skill of the author, with great naturalness, recreating with their sentiments and actions the fascinating tableau of a distant civilization while still completely valid.