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Women in the Portuguese Colonial Empire: The Theatre of Shadows compiles an extensive collection of essays on the status of women throughout the vast Portuguese colonial space, from Brazil to the Far East, crossing Europe, Africa and India, between the 16th and the 20th century. Absent or mystified, silenced or victimized, women in the History of Portugal and its colonial venture are the living example of the part historiographical discourse, ideology and popular memory have played in the construction of identities, their practices and representations. The production and critical consumption of History have long revealed countless gaps and silences within its own discourse. This book questions the reason for such gaps and silences and wonders about the real role of all those who do not or have never had access to power and to the perpetuating word, those whose voices have been systematically erased from sources and documents because of past or present attending interests. Women in the Portuguese Colonial Empire: The Theatre of Shadows congregates a wide assortment of disciplines so as to provide multiple independent viewpoints, sources and methodologies. By bringing authors from around the world together, this work ensures that the various cultures and memories that are part of the global saga, as well as the various versions of the history of the Portuguese colonial empire, may be heard.
Three lectures given at the University of Virginia in November, 1962.
This book is the first work in the English language to discuss the participation of women writers in the narrative construction of Mozambican nationhood over the last half-century. Covering the rise of anti-colonial nationalism in the 1950s, the advent of the Marxist-Leninist Republic in the 1970s, the war that followed independence in the 1980s, and the transition to democracy and the neo-liberal economy in the 1990s, the volume focuses on four representative women writers who belong to distinct but overlapping periods and work in different genres. Dealing with Noemia de Sousa's poetry, Lina Magaia's testimonial writings, Lilia Momple's short fiction, and Paulina Chiziane's novels, the result is a close reading of the ways in which women have narrated and counter-narrated Mozambican nationhood to take account of the gendered power relations that traditionally underpin national community as imagined by men.
Essential...this distinctive series presents 120 southern African texts that are rich, evocative. -- Library Journal
One of history’s most multifaceted rulers but little known in the West, Queen Njinga rivaled Elizabeth I and Catherine the Great in political cunning and military prowess. Today, she is revered in Angola as a heroine and honored in folk religions. Her complex legacy forms a crucial part of the collective memory of the Afro-Atlantic world.
While recognising the inherent violence and brutality of the colonial encounter, the essays in this anthology show that African women were not simply the hapless victims of European political rule.