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More than 140 period photographs and excerpts from letters, diaries, books, and journals provide insight into daily life in the American West for women in the nineteenth century. Winner of the Pacific Northwest Booksellers Award. Reprint.
This striking array of stories, essays, and poems reflects women’s experiences in the American West. Though the tales they tell reflect a variety of viewpoints, these writers share the struggle against the overwhelming isolation brought on by gender and the physical environment. Contributors include:Christina Adam, Gretel Ehrlich, Anita Endrezze, Tess Gallagher, Molly Gloss, Pam Houston, Teresa Jordan, Cyra McFadden, Deirdre McNamer, Melanie Rae Thon, Marilynne Robinson, Annick Smith, Terry Tempest Williams, and Claire Davis
Women Writers in the United States is a celebration of the many forms of work - written and social, tangible and intangible - produced by American women. Furthering their work in The Oxford Companion to Women's Writing in the United States, Davis and West document the variety and volume of women's work in the United States in a clear and accessible timeline format. They present information on the full spectrum of women's writing - including fiction, poetry, biography, political manifestos, essays, advice columns, and cookbooks - alongside a chronology of developments in social and cultural history that are especially pertinent to women's lives. This extensive chronology illustrates the diversity of women who have lived and written in the United States and creates a sense of the full trajectory of individual careers. A valuable and rich source of information on women's studies, literature, and history, Women Writers in the United States will enable readers to locate familiar and unfamiliar women's texts and to place them in the context out of which they emerged.
A major literary and scholarly work that transforms perceptions of West African women's history and culture.
The book also includes an extended section of criticism by and about women writers.
This pioneering study surveys 19th and 20th century narratives of the West Indies written by white women, English and Creole, with special regard to 'race' and gender.
***Highly commended in the 2016 Dorothy Hewett Award for an Unpublished Manuscript*** 'I need to be a writer, ' Ruth Park told her future husband, D'Arcy Niland, on the eve of their marriage. 'That's what I need from life.' She was not the only one. At a time when women were considered incapable of being 'real' artists, a number of precocious girls in Australian cities were weighing their chances and laying their plans. A Free Flame explores the lives of four such women, Gwen Harwood, Dorothy Hewett, Christina Stead and Ruth Park, each of whom went on to become a notable Australian writer. They were very different women from very different backgrounds, but they shared a sense of urgency around their vocation-their 'need' to be a writer-that would not let them rest. Weaving biography, literary criticism and cultural history, this book looks at the ways in which these women laid siege to the artist's identity, and ultimately remade it in their own image. *** "Ann-Marie Priest writes with admirable clarity and a strong sense of appreciation for her subjects. A Free Flame weaves fascinating biographical details and critical insights into an examination of the various ways in which these talented artists negotiated the tension between their sense of vocation and the hindering cultural expectations they faced as women." --James Ley, critic and judge of the Dorothy Hewett Award [Subject: Non-Fiction, Biography, Gender Studies]
In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.
From the bestselling author of Prayers for Sale, Sandra Dallas' Westering Women is an inspiring celebration of sisterhood on the perilous Overland Trail AG Journal's RURAL THEMES BOOKS FOR WINTER READING | Hasty Book Lists' BEST BOOKS COMING OUT IN JANUARY “Exciting novel ... difficult to put down.” —Booklist "If you are an adventuresome young woman of high moral character and fine health, are you willing to travel to California in search of a good husband?" It's February, 1852, and all around Chicago, Maggie sees postings soliciting "eligible women" to travel to the gold mines of Goosetown. A young seamstress with a small daughter, she has nothing to lose. She joins forty-three other women and two pious reverends on the dangerous 2,000-mile journey west. None are prepared for the hardships they face on the trek or for the strengths they didn't know they possessed. Maggie discovers she’s not the only one looking to leave dark secrets behind. And when her past catches up with her, it becomes clear a band of sisters will do whatever it takes to protect one of their own.