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This volume provides an overview of women writers in the late eighteenth- and early nineteenth-century Edinburgh literary world. Its main focus is on the careers of three women – Elizabeth Hamilton, Anne Grant, and Christian Isobel Johnstone – who were both successful and influential in their own day, although they have tended to be overlooked in later literary history. Hamilton's work is discussed in the contexts of her lifelong interest in moral philosophy and educational theory, while Grant, admired in her day for her letters, essays, and poetry about the Highlands, is read through eighteenth-century theories of cultural history and primitivism. Johnstone, probably the most obscure of the three today, was perhaps the most influential at the time because of her role as editor of a series of political periodicals; her fiction and journalistic work is examined in the context of the early nineteenth-century Edinburgh magazines.
Edinburgh was an Enlightenment city of regional, national and global influence. But how did the people of Enlightenment Edinburgh understand and order their world? How did they encounter, compare and produce different kinds of spaces, from the urban to the world scale? And how did this city set the universal standards by which other places should be judged and transformed? The Geographies of Enlightenment Edinburgh answers these questions by exploring the thousands of urban plans, county surveys, travel accounts and encyclopaedias that passed through a busy Edinburgh bookshop over four decades. It reveals how these geographical publications were produced and shared, and sheds light on the people who bought and used them - including moral philosophers, silk merchants, school teachers, ship's surgeons and slave owners. This is the story of how specific methods of mapping space came ultimately to predict and organize it, creating a new world in Edinburgh's image. By connecting global processes of knowledge production to intimate accounts of its reception in the city, this book deepens our understanding of the Scottish Enlightenment and the world it made.
The most arresting aspect of the Scottish Enlightenment is its conception of commercial society as a distinct and distinctive social formation. Christopher Berry explains why Enlightenment thinkers considered commercial society to be wealthier and freer than earlier forms, and charts the contemporary debates and tensions between Enlightenment thinkers that this idea raised. The book analyses the full range of literature on the subject, from key works like Adam Smith's 'Wealth of Nations', David Hume's 'Essays and Treatises on Several Subjects' and Adam Ferguson's 'Essay on the History of Civil Society' to lesser-known works such as Robert Wallace's 'Dissertation on Numbers of Mankind'.
This collection of essays explores the role played by imaginative writing in the Scottish Enlightenment and its interaction with the values and activities of that movement. Across a broad range of areas via specially commissioned essays by experts in each field, the volume examines the reciprocal traffic between the groundbreaking intellectual project of eighteenth-century Scotland and the imaginative literature of the period, demonstrating that the innovations made by the Scottish literati laid the foundations for developments in imaginative writing in Scotland and further afield. In doing so, it provide a context for the widespread revaluation of the literary culture of the Scottish Enlightenment and the part that culture played in the project of Enlightenment.
This volume provides an overview of women writers in the late eighteenth- and early nineteenth-century Edinburgh literary world. Its main focus is on the careers of three women – Elizabeth Hamilton, Anne Grant, and Christian Isobel Johnstone – who were both successful and influential in their own day, although they have tended to be overlooked in later literary history. Hamilton’s work is discussed in the contexts of her lifelong interest in moral philosophy and educational theory, while Grant, admired in her day for her letters, essays, and poetry about the Highlands, is read through eighteenth-century theories of cultural history and primitivism. Johnstone, probably the most obscure of the three today, was perhaps the most influential at the time because of her role as editor of a series of political periodicals; her fiction and journalistic work is examined in the context of the early nineteenth-century Edinburgh magazines.
Revises established understandings of British women writers' contributions to Enlightenment narratives of social and historical progress Drawing on original archival research, A Feminine Enlightenment argues that women writers shaped Enlightenment conversations regarding the role of sentiment and gender in the civilizing process. By reading women's literature alongside history and philosophy and moving between the eighteenth century and Romantic era, JoEllen DeLucia challenges conventional historical and generic boundaries. Beginning with Adam Smith's Theory of Moral Sentiments (1759), she tracks discussions of "e;women's progress"e; from the rarified atmosphere of mid-eighteenth-century Bluestocking salons and the masculine domain of the Scottish university system to the popular Minerva Press novels of the early nineteenth century. Ultimately, this study positions feminine genres such as the Gothic romance and Bluestocking poetry, usually seen as outliers in a masculine Age of Reason, as essential to understanding emotion's role in Enlightenment narratives of progress. The effect of this study is twofold: to show how developments in women's literature reflected and engaged with Enlightenment discussions of emotion, sentiment, and commercial and imperial expansion; and to provide new literary and historical contexts for contemporary conversations that continue to use "e;women's progress"e; to assign cultures and societies around the globe a place in universalizing schemas of development.Key FeaturesEstablishes the centrality of gender to Enlightenment discussions of social and historical development Uncovers evidence of women writers' participation in the Scottish Enlightenment's theorization of sentiment and historical progressProvides literary and historical background for ongoing discussions of the history of emotion and the study of affect
By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.
The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.
Women writers played a central role in the development of the philosophy of mind and its practical outworkings in Romantic era England, Scotland and Ireland. This book focuses on the writings and lives of five writers - Anna Letitia Barbauld (1743 - 1825), Honora Edgeworth (1751 - 1 May 1780), Hannah More (1745 - 1833), Elizabeth Hamilton (1756?- 23 July 1816) and Maria Edgeworth (1768 - 1849) - a group of women who differed in their political, religious and social views but were nevertheless associated through correspondence, family ties and a shared belief in the importance of female education.
Presents major new research on gender in the Scottish EnlightenmentWhat role did gender play in the Scottish Enlightenment? Combining intellectual and cultural history, this book explores how men and women experienced the Scottish Enlightenment. It examines Scotland in a European context, investigating ideologies of gender and cultural practices among the urban elites of Scotland in the 18th century.The book provides an in-depth analysis of men's construction and performance of masculinity in intellectual clubs, taverns and through the violent ritual of the duel. Women are important actors in this story, and the book presents an analysis of women's contribution to Scottish Enlightenment culture, and it asks why there were no Scottish bluestockings.