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In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
This book re-evaluates and extends understandings about how work was conceived and what it could entail for women in the premodern period in Europe from c. 1100 to c. 1800. It does this by building on the impressive growth in literature on women’s working experiences, and by adopting new interpretive approaches that expand received assumptions about what constituted 'work' for women. While attention to the diversity of women’s contributions to the economy has done much to make the breadth of women’s experiences of labour visible, this volume takes a more expansive conceptual approach to the notion of work and considers the social and cultural dimensions in which activities were construed and valued as work. This interdisciplinary collection thus advances concepts of work that encompass cultural activities in addition to more traditional economic understandings of work as employment or labour for production. The chapters reconceptualise and explore work for women by asking how the working lives of historical women were enacted and represented, and analyse the relationships that shaped women’s experiences of work across the European premodern period.
"Marian Meyers's latest anthology takes a new look at a wide range of contemporary images of women within the media to examine the meanings behind the representations of women in popular culture. This book explores what the representation of women says about their positions in society, the factors that shape representation, and the roles that gender, race, class, ethnicity and sexual orientation play within the mediated portrayal of women." "Drawing primarily on qualitative textual analysis of film, reality TV, advertising, the news, children's programming, soap operas, TV drama, and more, this book situates the representation of women in popular culture along a continuum ranging from stereotypical portrayals that underscore women's bodies as pornographic spectacle to more positive and hopeful depictions. And it argues that the contemporary portrayals of women within popular culture are shaped by two major trends: the mainstreaming of pornography and its resultant hypersexualization of women and girls, and the commodification of those images for a global market."--BOOK JACKET.
This book considers cultural representations of four different types of labor within Italian and U.S. contexts: stories and songs that chronicle the lives of Italian female rice workers, or mondine; testimonials and other narratives about female domestic servants in Italy in the second half of the twentieth century (including contemporary immigrants from non-western countries); cinematic representations of unwaged household work among Italian American women; and photographs of female immigrant cannery labor in California. These categories of labor suggest the diverse ways in which migrant women workers take part in the development of what Antonio Gramsci calls national popular culture, even as they are excluded from dominant cultural narratives. The project looks at Italian immigration to the U.S., contemporary immigration to Italy, and internal migration within Italy, the emphasis being on what representations of migrant women workers can tell us about cultural and political change. In addition to the idea of national popular culture, Gramsci's discussion of the social role of subalterns and organic intellectuals, the politics of folklore (or 'common sense') and everyday culture, and the necessity of alliance-formations among different social groups all inform the textual analyses. An introduction, which includes a reconsideration of Gramsci's theories in light of feminist theory, argues that the lives of subaltern classes (such as migrant women) are inherently connected to struggles for hegemony. A brief epilogue, on a lesser-known essay by photographer Tina Modotti, closes the discussion.
This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.
This book, based on a conference, examines both quantitative and qualitative evidence regarding the low employment of women scientists and engineers in the industrial work force of the United States, as well as corporate responses to this underparticipation. It addresses the statistics underlying the question "Why so few?" and assesses issues related to the working environment and attrition of women professionals.
This volume brings together international experts to examine and compare women in local government and features case studies on the US, UK, France, Germany, Spain, Finland, Australia and New Zealand.
Women, Politics, and Power provides a clear and detailed introduction to women’s political representation across a wide range of countries and regions. Using broad statistical overviews and detailed case-study accounts, authors Pamela Paxton and Melanie Hughes document both historical trends and the contemporary state of women’s political strength across diverse countries. There is simply no other book that offers such a thorough and multidisciplinary synthesis of research on women’s political power from around the world.
How Women Represent Women argues that political parties fundamentally structure the ways in which women legislators represent women's interests. Using original election, sponsorship and roll call data across the U.S. state chambers from 1999-2000, Osborn shows how parties shape the policy alternatives women offer.