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What is it about lesbian cops that push all the right buttons? Sure, there's the uniform with handcuffs, gun, and billy club, and the confidence, authority, and sense of danger. But there's something more that gives these uncompromising women their commanding, overwhelming sexuality. The top-flight fiction writers tapped by Lambda Award-winning editor Sacchi Green in Women with Handcuffs capture that irresistible force -- and channel it into fiercely erotic stories. Delilah Devlin's cops play their "Only Game in Town" in a Southern city that's small without being small-minded. Elizabeth Coldwell's handcuffed stripper in "Torn Off a Strip" meets her match, while Lynn Mixon's witness protection marshal finds (and gives) a "Healing Hand." If you like your policewomen on the case and under the sheets, the hotly subversive stories in Women with Handcuffs are for you.
Pressure to achieve work-life "balance" has recently become a significant part of the cultural fabric of working life in United States. A very few privileged employees tout their ability to find balance between their careers and the rest of their lives, but most employees face considerable organizational and economic constraints which hamper their ability to maintain a reasonable "balance" between paid work and other life aspects—and it is not only women who struggle. Increasingly men find it difficult to "do it all." Women have long noted the near impossibility of balancing multiple roles, but it is only recently that men have been encouraged to see themselves beyond their breadwinner selves. Gender Equality and Work-Life Balance describes the work-life practices of men in the United States. The purpose is to increase gender equality at work for all employees. With a focus on leave policy inequalities, this book argues that men experience a phenomenon called "the glass handcuffs," which prevents them from leaving work to participate fully in their families, homes, and other life events, highlighting the cultural, institutional, organizational, and occupational conditions which make gender equality in work-life policy usage difficult. This social justice book ultimately draws conclusions about how to minimize inequalities at work. Gender Equality and Work-Life Balance is unique as it laces together some theoretical concepts which have little previous association, including entrepreneurialism; leave policy, occupational identity, and the economic necessities of families. This book will therefore be of particular interest to researches and academics alike in the disciplines of Gender studies, Human Resource Management, Employment Relations, Sociology and Cultural Studies.
Give in to your fantasies in this collection from three bestselling authors who explore the delicious consequences of resisting arrest... In Shayla Blacks “Arresting Desire,” FBI Agent Jon Bocelli never stopped wanting beautiful professor Lucia DiStefano. She's interested in taking her first lover, and he intends to be that man. When her past puts her life in danger, Jon risks everything to save her and prove this fling is forever. In Sylvia Day’s “On Fire,” Deputy Marshal Jared Cameron investigates a series of arson attacks in a seaside town, the biggest blast of heat comes from sexy fire inspector Darcy Michaels—until their scorching after-hours affair is compromised by a secret from Darcy’s past. In Shiloh Walker’s “The Unwilling,” Mica Greer and her former lover, ex-FBI agent Colby Mathis, once shared an intimate past and a powerful psychic gift. Now, they’ve been reunited by a bizarre series of murders—and an electrifying passion that could put them both in jeopardy.
Mainstream economics ignores or distorts the most fundamental aspect of this reality: that the vast majority of people must, out of necessity, labor on behalf of others, transformed into nothing but a means to the end of maximum profits for their employers. The nature of the work we do and the conditions under which we do it profoundly shape our lives. And yet, both of these factors are peripheral to mainstream economics. By sweeping labor under the rug, mainstream economists hide the nature of capitalism, making it appear to be a system based upon equal exchange rather than exploitation inside every workplace.
Life as Zeba knows it could be over for good . . . Zeba Khan is like any other sixteen-year-old girl: enjoying herself, waiting for exam results . . . and dreaming of the day she'll meet her one true love. Except her parents have other plans. In Pakistan for the summer, Zeba's world is shattered. Her future is threatened by an unthinkable - and forced - duty to protect her father's honour. But does she hold the secrets that will help her escape? ** Sufiya Ahmed's stunning debut teenage book explores the illegal practice of forced marriage in Britain. ** 10 million under 18s in the world become child brides every year. ** The UK government's Forced Marriage Unit (FMU) receives over 1,700 calls from at-risk annually. Up to 15% of victims of forced marriage are male.
Everyone's got a child, a friend or a neighbour who works in the City. The six-figure bonuses and golden hellos are no secret, nor are the hundred-hour weeks, the highpressure deals or the regular rounds of redundancies in the Square Mile. It's a cut-throat world...everyone knows that. But do they know what it's like for the thousands of fresh-faced young graduates who pour into the City each year? Do they know what it's like to get woken up at three in the morning by a taxi outside your window, ready to haul you back into the office? What it's like to feel guilty for sloping off to the gym at nine o'clock at night? This cynical but entertaining novel follows two 'high-flyers' through their first year in the City. Based on the writer's experience at an American investment bank, it reveals a world that doesn't quite match up with the fast-paced, exhilarating one that was painted so enticingly on the undergraduate milk-round. "Golden Handcuffs" is about twenty-something graduates in the City. It tells of ambition, hard work and disillusionment. It has been called a 'latter day version of "Liar's Poker" by Michael Lewis', a 'must-read for all young professionals' and strikes a similar chord to "I Don't Know How She Does It" by Allison Pearson, though it is aimed at a younger reader. A witty insight into the City, it is told with a fresh, young style that cannot fail to appeal to this as-yet untapped market.
Now a Netflix movie directed by Mike Flanagan (Oculus, Hush) and starring Carla Gugino and Bruce Greenwood. Master storyteller Stephen King presents this classic, terrifying #1 New York Times bestseller. When a game of seduction between a husband and wife ends in death, the nightmare has only begun… “And now the voice which spoke belonged to no one but herself. Oh my God, it said. Oh my God, I am all alone out here. I am all alone.” Once again, Jessie Burlingame has been talked into submitting to her husband Gerald’s kinky sex games—something that she’s frankly had enough of, and they never held much charm for her to begin with. So much for a “romantic getaway” at their secluded summer home. After Jessie is handcuffed to the bedposts—and Gerald crosses a line with his wife—the day ends with deadly consequences. Now Jessie is utterly trapped in an isolated lakeside house that has become her prison—and comes face-to-face with her deepest, darkest fears and memories. Her only company is that of the various voices filling her mind…as well as the shadows of nightfall that may conceal an imagined or very real threat right there with her…
An “outrageous, profane, hilarious, sexy and all kinds of wacky” romantic comedy from theNew York Times bestselling author of Size Matters (Michelle Rowen, national bestselling author). What happens when an accountant decides to grab life by the horns and try something new? Apparently a pirate named Dave, a lot of pastel fleece, and blackmail—just to start with . . . Visualize and succeed, Oprah said. I was sure as hell trying, even if my campaign to score a job as the local weather girl had ended in a restraining order. Okay, TV was not my strength. But a lack of talent has never stopped me before. Which is why I’ve embarked on a writing career. I mean, how hard can it be to come up with a sexy romance? Leave it to me to wind up in a group of porno writing grannies who discuss sex toys and apple cobbler in the same breath. Also leave it to me to leak an outlandish plot idea to a bestselling author with the morals of a rabid squirrel. And only I could get arrested for a jewelry heist I didn’t commit—by a hunky cop whose handcuffs just might tempt me to sign up for a life of crime. Maybe I’ve found my calling after all . . . “A zany over-the-top rompfest.”—Lexi George, author of Demon Hunting with a Sexy Ex “The most f*cked-up bag of wonderful crazy ever.”—Dear Author “If readers are in the mood for hilarious kinkiness woven through a fun romance, then this is the book to try.”—Long and Short Reviews (4 stars)
Handcuffs in the Sand is an explosive adventure through time. Starting in the late sixties and seventies smart young kids were caught up in the Drug War. Good looking beach kids in Southwest Florida, they noticed the older population there was oblivious to their escapades. A few ounces here or there, they saw a way to make major cash selling marijuana and then cocaine. The fast paced life was good for awhile, but the DEA was hot after them, always watching. Life has a way of turning on a dime and upsetting their lifestyle. The DEA, Florida Marine Patrol and local sheriffs busted down the door and things took a turn they did not expect
“A passionate, incisive critique of the many ways in which women and girls of color are systematically erased or marginalized in discussions of police violence.” —Michelle Alexander, author of The New Jim Crow Invisible No More is a timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. By placing the individual stories of Sandra Bland, Rekia Boyd, Dajerria Becton, Monica Jones, and Mya Hall in the broader context of the twin epidemics of police violence and mass incarceration, Andrea Ritchie documents the evolution of movements centered around women’s experiences of policing. Featuring a powerful forward by activist Angela Davis, Invisible No More is an essential exposé on police violence against WOC that demands a radical rethinking of our visions of safety—and the means we devote to achieving it.