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Book DescriptionIn this collection of 25 interviews, theater critic Alexis Greene talks with women who write plays for the American stage. She explores topics such as cultural background, playwriting style, the challenges of sustaining a career, and the relationship between life and art. These in-depth conversations provide unique insights into the work, thought processes, and personalities of an extraordinary group of writers. About the AuthorAlexis Greene is chief drama critic for In Theater magazine. Prior to that she was theater critic for Theater on Ms. Taymor's book, Pride Rock: The Lion King on Broadway (Hyperion). Ms. Greene is co-founder of the national service organization Literary Managers and Dramaturgs of the Americas (LMDA) and has taught theater at Hunter College, Vassar College, and New York University. She holds a Ph.D. in Theatre Criticism from the Graduate Center of the City University of New York.Week magazine. Recently she collaborated with Julie Taymor.
THE STORY: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
Honestly the best science I've ever done and - frankly the best science in the history of humankind - has started with the same thought experiment: find the ways in which humanity thinks it is special... and assume that we're not. How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME's 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story. A time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be the playwright's husband). Though not a play about COVID19, it is a true story of a pandemic expert. A deep dive into the profundities of scientific exploration and modern Judaism, the lengths one goes for love and family, the bracing truths of fatherhood and discovery, and the harrowing realities of facing your own mortality, The Catastrophist is also a story of a main character battling the story he's in... and who is writing it.
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Bringing together leading British, North American, and Italian critics, this collection makes a crucial intervention in the reclamation of women's theatrical activities during the Romantic period. As they examine key figures like Elizabeth Inchbald, Joanna Baillie, Elizabeth Vestris, and Jane Scott, the contributors take up topics such as women's history plays, ethics and sexuality, the politics of drama and performance, and the role of women as managers and producers.
Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
Introduction / Wendy Wasserstein -- Getting out / Marsha Norman -- My sister in this house / Wendy Kesselman -- Coyote ugly / Lynn Siefert -- Ourselves alone / Anne Devlin -- Serious money / Caryl Churchill -- The Heidi chronicles / Wendy Wasserstein -- Our country's good / Timberlake Wertenbaker - - Keeping Tom nice / Lucy Gannon.
Underemployed friends Adam, Matt and Beth are desperate to beat the recession any way they can--like combining forces to take over a small island in South America. But when a fortune cookie tells Matt that he will rule and Beth gets a little too handy with a dagger, plans go awry. This hilarious adaptation of Shakespeare's Macbeth pits friend against friend, ambition against fate, pet-sitting against miniature vicuna mogul-dom.