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"Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket.
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With the literary canon consisting mostly of works created by and about men, the central perspective is decidedly male. This unique reference offers alternate approaches to reading traditional literature, as well as suggestions for expanding the canon to include more gender sensitive works. Covering 96 of the most frequently taught works of fiction, essays offer teachers, librarians, and students fresh insights into the female perspective in literature. The list of titles, created in consultation with educators, includes classic works by male authors like Dickens, Faulkner, and Twain, balanced with works by female authors such as Kate Chopin's The Awakening and Mary Shelley's Frankenstein. Also included are contemporary works by writers such as Alice Walker and Margaret Atwood that are being incorporated into the curriculum, as well as those advancing a more global view, such as Sandra Cisneros' House on Mango Street and Chinua Achebe's Things Fall Apart. The essays are expertly written in an accessible language that will help students gain greater awareness of gender-related themes. Suggestions for classroom discussions—with selected works for further study—are incorporated into the entries. The volume is organized alphabetically by title and includes both author and subject indexes. An appendix of gender-related themes further enhances this volume's usefulness for curriculum applications and student research projects.
Try to picture Mark Twain, or Uncle Remus, or even Theodore Roosevelt. More than likely, you have a Frances Benjamin Johnston image in your mind. Johnston was a significant—and arresting—figure in early twentieth-century photography. Beautifully illustrated with forty examples of her work, this first full-length biography explores the surprising range of Johnston's talent, as well as her high-stepping, controversial character. Johnston produced a good deal of the usual society portraiture of the time—including a nude photograph of a debutante that prompted the girl's outraged father to file a lawsuit—but she was also an important photodocumentarian. Students of African American history can reexamine life at Hampton Institute (now Hampton University) or Tuskegee using hundreds of photographs made by Johnston at the turn of the last century. Through Johnston's work we can see Admiral Dewey on the deck of the USS Olympia, the Roosevelt children playing with their pet pony at the White House, and the gardens of Edith Wharton's famous villa near Paris. Johnston's major project on early vernacular architecture of the American South preserves scores of buildings that no longer exist except on her film. However, while many are familiar with Johnston's photographs, most know little about the woman who made them. And without the context of her life, which Bettina Berch gives us in all its contradiction and color, Johnston's subjects may seem inchoate, her choices part feminist and part reactionary, part radical and part retrograde. Johnston entered photography when the field was relatively new, and professional gender boundaries were still being defined. The invention of lighter equipment and changing technologies in developing meant that photography could be moved from the studio and darkroom—male provinces—out into the street or the home. But the repressiveness of late nineteenth-century society sometimes cast a shadow: there were a host of prescriptions governing proper female behavior, and certainly the sensuality of the human body as a subject caused many to argue that this new art form should remain a male preserve. Within these boundaries, Johnston defined herself as an artist. Raised in an upper-middle-class household in Washington, D.C., she declined to "marry money" and instead made her living as an artist, although she enjoyed the cushion of her family's wealth and connections. In the course of her career, she moved through a series of interests, from portraiture to historic preservation. It is her restlessness, her resistance to easy categorizing, that makes this upper-class bohemian photographer such a fascinating subject herself.
Annotation A leading theorist on sex and gender discusses how hidden assumptions embedded in our culture, social institutions, and individual psyches perpetuate male power and oppress women and sexual minorities. Illustrated.
Sustainable development is now intricately linked not just to economic growth, but more importantly, to the quality of life of people in terms of their social status, political participation, cultural freedom, environmental justice and inclusive development. For previously colonized nations like Nigeria, these linkages are believed to have been influenced by the legacies of colonial rule, positively or otherwise. Through the Gender Lens: A Century of Social and Political Development in Nigeria looks at how colonialism has enabled or hindered the roles of the state in promoting inclusive development in general, and gender equality, in particular, in the process of nation building. In this edited volume, scholars analyze a host of policies, strategies and programs, as well as empirical evidence, to expose how types of governance — from direct colonial rule in the country from 1914, through her independence in 1960, a Republic in 1963, and to different post-independence governance periods — have influenced gender relations, and the impacts of these on Nigerian women. Diverse sectoral perspectives from education, health, culture, environment, and especially politics, are presented to explain the level of attainment (or otherwise) of gender equality and the implications for Nigeria’s road to sustainable development. The emphasis on the role of the state in development particularly indicts the social and political domains of governance. Hence, the main focus of inquiry in the volume. In its twelve chapters, the authors analyze available data and other information to draw relevant conclusions, identify lessons of experience, including from some cross-country comparisons, and make concrete recommendations for more gender-inclusive systems of governance in the next century of Nigeria’s nationhood.
Join biblical culturalist Krisi McLelland as she takes you back to Jesus' first-century world, explaining the historical and cultural climate of His day. This 7-session Bible study is a look at several of Jesus' interactions with women.
This unique collection brings a rarely-seen indigenous and global perspective to the study of gender and psychology. Within these chapters, researchers who live and work in the countries and cultures they study examine gender-based norms, values, expression, and relations across diverse Western and non-Western societies. Familiar as well as less-covered locations and topics are analyzed, including China, New Zealand, Israel, Turkey, Central America, the experience of refugees, and gendered health inequities across Africa such as in the treatment of persons with HIV. Included, too, are examples of culturally appropriate interventions to address disparities, and data on the extent to which these steps toward equality are working. Structurally, the volume is divided into three sections. The first two parts of the book take readers on a journey to different regions of the world to illustrate the most recent trends in research concerning gender issues, and then outline present implications and future prospects for the psychological analysis of both gender & culture. The third section of the book has an applied perspective and focuses on the cultural norms and values reinforcing gender equality as well as cultural and social barriers to them. A sampling of the topics covered: Sexual orientation across culture and time. A broader conceptualization of sexism in Poland. An analysis of gender roles within the family in Switzerland Modern-day dowries in South Asian international arranged marriages. The current state of gender equality in the United States of America. Socio-cultural determinants of gender disparity in Ghana. Psychology of Gender Through the Lens of Culture is a milestone toward core human rights and goals worldwide, and a critical resource for psychologists, sociologists, anthropologists, gender studies researchers, public policy makers and all those interested in promoting gender equality throughout the world.
Delve into gender lens investing and the reality of the female economy Women today are an unparalleled force in the global economy—as successful entrepreneurs, corporate executives and family breadwinners. Yet gender-based violence, the absence of women's legal rights and the persistent wage gap stubbornly remain. This paradox creates an unprecedented and underexplored opportunity for investors. Gender Lens Investing, co-authored by Jackie VanderBrug, Managing Director and Joseph Quinlan, Managing Director and Chief Market Strategist, of U.S. Trust, Bank of America Private Wealth Management, is the first book of its kind to examine, in-depth the advantages of integrating gender into investment analysis. While other books speak to growing numbers and influence of women, Gender Lens Investing moves from economic trends to financial strategy. Learn why gender is material to economic prosperity and investment performance Explore ways to use a gender lens to assess products, companies and sectors. Delve into the forces of positive social change supported by a gender perspective on investment choices Examine profitable and gratifying gender lens investment strategies Women are one of the world's greatest underutilized assets, and applying a gender lens allows you to identify companies that recognize this, or uncover the risks of companies that neglect it. A gender lens adds value across the investment community, but the impact reaches far beyond the bounds of portfolios to the economy and society as a whole. Gender Lens Investing provides expert perspective and real-world practical insight for investors looking to drive returns and impact.