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This accessible, readable book looks at the cultural study of the Bible, challenging the traditional mode of reading the women in the Bible. Alice Bach applies literary theory, cultural representations of biblical figures, films, and paintings to a close reading of a group of biblical texts revolving around the 'wicked' literary figures in the Bible. She compares the biblical character of the wife of Potiphar with the Second Temple Period narratives and rabbinic midrashim that expand her story. She then reads Bathsheba against a Yiddish novel by David Pinski, and finally looks at the Biblical Salome against a very different Salome created by Oscar Wilde, and the selection of Salomes created by Hollywood. Bach argues that biblical characters have a life in the mind of the reader independent of the stories in which they were created, thus making the reader the site at which the texts and the cultures that produced them come together.
Women in the Hebrew Bible presents the first one-volume overview covering the interpretation of women's place in man's world within the Hebrew Bible or Old Testament. Written by the major scholars in the field of biblical studies and literary theory, these essays examine attitudes toward women and their status in ancient Near Eastern societies, focusing on the Israelite society portrayed by the Hebrew Bible.
This book is for anyone interested in religious studies and women's studies, as well as for biblical scholars. It offers a feminist oppositional reading of the biblical text. The main argument is that the Bible constructs a fictional universe in which women are shown to be intent on promoting male interests, and, for the most part, appear as secondary characters whose voice and point of view are often suppressed. In their limited roles as mothers, wives, daughters and sisters, women are constructed as male-dependent pawns intent on securing the status of their male counterparts. The Biblical narrative highlights the contribution of women as reproductive agents and protectors of sons. In this challenging collection of essays, Fuchs focuses on type-scenes as a way of demonstrating the mechanisms by which the texts validates male power and superiority. She also deconstructs the Biblical sexual politics by asking whose interest is being served by the 'good' women of the Bible.Journal for the Study of the Old Testament Supplement series, Volume 310.
Feminist Theory and the Bible: Interrogating the Sources conceptualizes, contextualizes and maps a new kind of burgeoning scholarship that has grown up in recent decades. This scholarship emerged in the margins of Feminist Studies and Biblical Studies and has yet to find a foothold in either one of these more established contexts. In this book, Esther Fuchs argues that in order to find an enduring, stable place in the academe, this scholarship requires a theoretical perspective. Biblical Studies as a whole has not yet been sufficiently theorized as an academic field, and currently consists of multiple disciplines relying for the most part on traditional scholarly discourses. In this regard, Feminist Biblical Studies is both a departure from and an important supplement to both Feminist Studies and Biblical Studies.
Seeking to build upon recent scholarship based on Biblical women, Joseph McDonald uses a character-centered literary approach to read the story of Sarah as it was told and retold in the Second Temple period. McDonald offers an alternative to the usual approaches to “rewritten Bible” narratives, which often emphasize near-context, synoptic comparison of retold stories and their scriptural precursors, arguing that examination of retold narratives as narratives reveals important aspects of their internal literary effects, that may otherwise go unnoticed. Taken together, McDonald suggests that such readings reveal one of Sarah's trans-narrative or “deep traits,” as a curious, multi-faceted resemblance to the character of Abraham. The richness of her images, however, shows that this resemblance is not the ultimate distillation of Sarah, but a symptom of the kind of restriction that she consistently faces in this literature. McDonald concludes that creative readings of the narratives featuring Sarah in the Hebrew Bible, the Septuagint, the Genesis Apocryphon, and the Jewish Antiquities of Josephus illuminate Sarah as a complex and sometimes contradictory figure, whose individuality and agency often struggle to escape limitations placed upon her – both by other characters, such as Abraham and God, and by the narrators of her tales.
Publisher's description: Quickly changing concepts on gender roles are a pivotal issue in after-colonial African societies. Many women (and men) are calling for a radical change as they feel traditional gender concepts as being oppressive, inhuman and un-Christian. Gender equality, gender fairness is on their agenda. On the other hand, for many men (and women) these societal changes are painful "gender troubles" and seem to be dangerous for gender-based identity, threatening traditional African values. Volume 22 of the BiAS series deals with this central topic by asking what gender troubles have to do with the Bible. Are biblical texts an obstacle for women's liberation? Is the Bible a divine guaranty for male supremacy or rather an advocate for gender equality? What are "redemptive masculinities" and how do they relate to a new, truly Christian understanding of the role of women in church, society and state? - Scholars from different disciplines and several countries are dealing with these urgent questions to help scholars, students, pastors, politicians and members of Christian churches to find a way to more gender fairness and "gender joy."
Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.
This best-selling book, now revised and updated, shares the work of many feminist biblical scholars who have examined women's stories for several years. These stories are powerful accounts of women in the Old Testament--stories that have profoundly affected how women understand themselves as well as men's perception of them. Here, Alice Bellis shares the research of feminist biblical scholarship during a quarter of a century, which renders a vast amount of refreshing, exciting, sometimes disturbing material.
The most prominent woman in Renaissance Florence, Lucrezia Tornabuoni de' Medici (1425-1482) lived during her city's golden age. Wife of Piero de' Medici and mother of Lorenzo the Magnificent, Tornabuoni exerted considerable influence on Florence's political and social affairs. She was also, as this volume illustrates, a gifted and prolific poet. This is the first major collection in any language of her extensive body of religious poems. Ranging from gentle lyrics on the Nativity to moving dialogues between a crucified Christ and the weeping sinner who kneels before him, the nine laudi (poems of praise) included here are among the few such poems known to have been written by a woman. Tornabuoni's five storie sacre, narrative poems based on the lives of biblical figures-three of whom, Judith, Susanna, and Esther, are Old Testament heroines-are virtually unique in their range and expressiveness. Together with Jane Tylus's substantial introduction, these poems offer us both a fascinating portrait of a highly educated and creative woman and a lively sense of cultural and social life in Renaissance Florence.
The Bible's Prophets: An Introduction for Christians and Jews introduces the reader to the world of Joshua, Judges, 1 and 2 Samuel, 1 and 2 Kings, and the literary prophets: Isaiah, Jeremiah, and Ezekiel, plus the twelve "minor" prophets: Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, and Malachi. These books form the second section of the Hebrew Bible--the Prophets/Neviim. Features: Introduction to the Bible; Introduction to the Prophets; and Do the Prophets predict the coming of the Messiah? Each chapter covers one particular biblical book. Chapter divisions: 1, 2Introduction with chapter-by-chapter analyses or section-by-section analyses / geo-political and historical background / significant events / personalities / concepts and divisions. 3. The biblical book and the Christian Scriptures. 4. The biblical book in rabbinic literature. How did the rabbis utilize quotations from the Prophets to teach their values? Extensive quotations. 5. Text study. An excellent source for Christian, Jewish, or interfaith study of the Bible's Prophets.