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This book presents an analysis of the many plays written by women in the American theatre in the first half of the century. Such playwrights as Rachel Crothers, Zona Gale, Susan Glaspell, Edna Ferber, and Lillian Hellman were popular and successful contributors to the stage. Many of their plays won such awards as the Pulitzer Prize, the Drama Critics Circle Award, and Tony Awards. The plays are discussed in terms of their popular and critical value and placed within the historical and social background of the period. In this time of intense change for women in American society, the plays reflect the new demands for freedom, careers, the right to vote, equality with men, and the right to intellectual development. Shafer calls attention to many fine plays which deserve production today.
WINNER OF THE PULITZER PRIZE FOR DRAMA Recently revived on Broadway in a production directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony winner Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women, created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius. Separate characters on stage in the first act, yet actually the same “everywoman” at different ages in the second act, these “tall women” lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.
"In this exciting new anthology, Wesley Brown and Aimée K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage." Elin Diamond, Rutgers University, USA This volume celebrates the iconoclastic power of six American women playwrights who pushed the boundaries of the form outside the box of conventional drama. Each play is accompanied by a short introduction providing the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by major playwrights of the period, and how the specific work illustrates the overarching themes of her body of work. The plays included are: Gun by Susan Yankowitz Spell #7: geechee jibara quik magic trance manual for technologically stressed third world people by Ntozake Shange The Jacksonian by Beth Henley The Baltimore Waltz by Paula Vogel In the Blood by Suzan-Lori Parks Intimate Apparel by Lynn Nottage
(Vocal Selections). Winner of the Tony Award for Best Musical, Michael R. Jackson's Pulitzer Prize-winning blisteringly funny masterwork exposes the heart and soul of a young artist grappling with desires, identity, and instincts he boths loves and loathes. This collection features 15 songs from the show arranged for vocal line with piano accompaniment. Songs include: Boundaries * Didn't Want Nothin' * Exile in Gayville * Inner White Girl * Intermission Song * Inwood Daddy * Memory Song * Periodically * Precious Little Dream / AIDS Is God's Punishment * Second Wave * A Strange Loop * A Sympathetic Ear * Today * Tyler Perry Writes Real Life * We Wanna Know.
An unprecedented literary landmark: the first comprehensive history of American women writers from 1650 to the present. In a narrative of immense scope and fascination, here are more than 250 female writers, including the famous—Harriet Beecher Stowe, Dorothy Parker, Flannery O’Connor, and Toni Morrison, among others—and the little known, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. Showalter integrates women’s contributions into our nation’s literary heritage with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place.
This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.
An Obie Award-winning playwright's passionate ode to film and the theater that happens in between.
At a bus stop in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it’s time to talk money. Over the course of 20 years, and three relationships, Darja negotiates for her future with men who can offer her love or security, but never both. Award-winning playwright Martyna Majok’s IRONBOUND is a darkly funny, heartbreaking portrait of a woman for whom love is a luxury—and a liability—as she fights to survive in America.
THE STORY: Released from prison Arlene returns to a rundown apartment in Louisville, intent on starting her life over. Rebellious and disruptive as a young girl, she has found strength in religion and wants to put her youth (as Arlie) behind he
A funny, moving, and urgent new play from two-time Pulitzer Prize winner Lynn Nottage.