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DIVExplores issues of gender, race and national identity in Japan, by taking up for critical analysis an emergent national trend, in which some urban Japanese women turn to the West--through study abroad, work abroad, and romance with Westerners-- in order/div
Peter William Evans conducts a formidable analysis of Almodovar's insights into gender, sexuality and subjectivity, and discusses the film against the background of political and social changes in Spain since 1975.
"Absolutely essential, as is the underlying message that girls take care of each other when no one else will." —Booklist, Starred Review A 2020 YALSA Best Fiction for Young Adults Selection Girls on the Verge is an incredibly timely novel about a woman’s right to choose. Sharon Biggs Waller brings to life a narrative that has to continue to fight for its right to be told, and honored. Camille couldn't be having a better summer—she kills it as Ophelia in her community theater's production of Hamlet, catches the eye of the cutest boy in the play, and nabs a spot in a prestigious theater program. But on the very night she learns she got into the program, she also finds out she’s pregnant. She definitely can’t tell her parents. And her best friend Bea doesn’t agree with the decision Camille has made. Camille is forced to try to solve her problem alone...and the system is very much working against her. At her most vulnerable, Camille reaches out to Annabelle Ponsonby, a girl she only barely knows from the theater. Happily, Annabelle agrees to drive her wherever she needs to go. And in a last minute change of heart, Bea decides to come with. Over the course of more than a thousand miles, friendships will be tested and dreams will be challenged. But ultimately, the girls will realize that friends are the real heroes in every story. "[C]ompelling... This title offers realistic viewpoints on teenage pregnancy, along with what it is like to have the right to choose, wanting that right, and living knowing that you will be judged for having exercised it." —School Library Journal, Starred Review
(Applause Books). This anthology gathers together recent work by the finest and most controversial contemporary American women dramatists. Collectively, this magnificent seven seeks to break the mold of the well-wrought psychological play and its rigid emphasis on realisticsocio-political drama. Includes: Occupational Hazard (Rosalyn Drexler) * Us (Karen Malpede) * What of the Night? (Maria Irene Forne) * Birth and After Birth (Tina Howe) * and more.
Self Help.
From a leading cultural journalist, the definitive cultural history of female showrunners—including exclusive interviews with such influential figures as Shonda Rhimes, Amy Sherman-Palladino, Mindy Kaling, Amy Schumer, and many more. “An urgent and entertaining history of the transformative powers of women in TV” (Kirkus Reviews, starred review). In recent years, women have radically transformed the television industry both behind and in front of the camera. From Murphy Brown to 30 Rock and beyond, these shows and the extraordinary women behind them have shaken up the entertainment landscape, making it look as if equal opportunities abound. But it took decades of determination in the face of outright exclusion to reach this new era. In this “sharp, funny, and gorgeously researched” (Emily Nussbaum, The New Yorker) book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades and the iconic shows that redefined the television landscape starting with Diane English and Roseanne Barr—and even incited controversy that reached as far as the White House. Drawing on a wealth of original interviews with the key players like Amy Sherman-Palladino (Gilmore Girls), Jenji Kohan (Orange is the New Black), and Jill Soloway (Transparent) who created storylines and characters that changed how women are seen and how they see themselves, this is the exhilarating behind-the-scenes story of a cultural revolution.
Carlos Castaneda takes the reader into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is "natural" and "logical." Don Juan concludes the instruction of Castaneda with his most powerful and mysterious lesson in the sorcerer's art—a dazzling series of visions that are at once an initiation and a deeply moving farewell.
If you loved Hidden Figures or The Rise of the Rocket Girls, you'll love Claire Evans' breakthrough book on the women who brought you the internet--written out of history, until now. "This is a radically important, timely work," says Miranda July, filmmaker and author of The First Bad Man. The history of technology you probably know is one of men and machines, garages and riches, alpha nerds and brogrammers--but from Ada Lovelace, who wrote the first computer program in the Victorian Age, to the cyberpunk Web designers of the 1990s, female visionaries have always been at the vanguard of technology and innovation. In fact, women turn up at the very beginning of every important wave in technology. They may have been hidden in plain sight, their inventions and contributions touching our lives in ways we don't even realize, but they have always been part of the story. VICE reporter and YACHT lead singer Claire L. Evans finally gives these unsung female heroes their due with her insightful social history of the Broad Band, the women who made the internet what it is today. Seek inspiration from Grace Hopper, the tenacious mathematician who democratized computing by leading the charge for machine-independent programming languages after World War II. Meet Elizabeth "Jake" Feinler, the one-woman Google who kept the earliest version of the Internet online, and Stacy Horn, who ran one of the first-ever social networks on a shoestring out of her New York City apartment in the 1980s. Join the ranks of the pioneers who defied social convention to become database poets, information-wranglers, hypertext dreamers, and glass ceiling-shattering dot com-era entrepreneurs. This inspiring call to action shines a light on the bright minds whom history forgot, and shows us how they will continue to shape our world in ways we can no longer ignore. Welcome to the Broad Band. You're next.
In thinking about the evolution of the role of women in society over the past hundred years, Piero San Giorgio appeals to women as wives and mothers, calling on them to appreciate the fragility of our world and the impermanence of our civilization. Piero is attuned to the reality that as our contemporary society collapses, a woman will find herself in an extremely vulnerable position: the law will no longer protect her or her children, while the males battle for survival. Piero explains the specifics of survivalism for women, teaching them how to independently cope with the looming catastrophe and survive. The practical sections on preparation are followed by testimonials by 23 real women, of different nationalities, ages, social strata, sexual orientations and marital status, who have already embarked on the path of survivalism. They give advice-very practical and realizable, and not just to women but also to men-on becoming autonomous and independent from the system, and on becoming prepared for all things and at all times.
Veteran editor Susan Fox Rogers brings together a collection of essays centered on the "ecstatic experience" (i.e. non-sexual) in lesbian life. In this lively, eclectic collection, veteran anthologist Susan Fox Rogers explores the passionate experiences of lesbians that exist outside of sex and/or romance. From an essay on "being" Superman as a kid to ones on rafting and sky-diving; from being arrested for political activism to the overwhelming and complicated urge to procreate, these pieces seek to represent the unexplored territory in modern lesbian life. Including work from Lucy Jane Bledsoe, Marcia Munson, Karla Jay, Linnea Due, among many others, these personal essays and memoirs with their sharp insight and complexly rendered moments, pairing humor with serious political thought, make up a wholly original and utterly compelling anthology in Women on the Verge.