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By combining extracts from their most famous works with Rees' insightful essays, Women on the Nile illuminates the life and writings of three remarkable women and captures something of the romance of 19th century travel to the East. Harriet Martineau was a doughty and influential campaigner for multiple social causes; Florence Nightingale became a universally acclaimed reformer of nursing and hospital practices; Amelia Edwards, formerly a novelist and prolific professional writer, returned from Egypt to found the Egypt Exploration Society and endow the first Chair of Egyptology at a British University. All three were independent-minded women of strong character and exceptional gifts. They were accomplished writers, each with a distinctive style, and their accounts of their Nile journeys are richly individual and full of life, thought and observation.
Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.
"The history of ancient Egypt is filled with fascinating queens and goddesses portrayed side by side with their male counterparts as equal partners, each playing a different and distinct role in society. Anyone interested in their identity and achievements can go to popular or academic sources, and find ample material on the subject. How about their descendants: contemporary Egyptian women? Who are they? What do we know about them, or about their accomplishments? Only scarce and limited information is available.In recent years, however, since the ill-named "Arab Spring," images of Egyptian women have flooded TV screens and print media showing them among crowds of shouting demonstrators. Reports have focused on their trials and tribulations, and their regressive condition. This book seeks to highlight Egyptian women that the media have overlooked and ignored. It focuses on a sample of 38 pioneers, ground-breakers, and achievers in nearly all professions: academe, the arts, banking, development, diplomacy, economics, engineering, entrepreneurship, finance, government, medicine, public relations, science and technology, social services, sports, international relations, and international organizations. Their successes in Egypt and elsewhere have been recognized and honored by some of the highest national and international institutions and governments. Forgotten or unknown habits, practices, and historical events occurring in the twentieth century, both in Egypt and other parts of the globe, are also discussed in these stories.The objective of the book is three-pronged. It breaks the monolithic and unflattering stereotype of contemporary Egyptian women as victims, uneducated and uncivilized, dominated by men. The second is to make the world aware of modern Egyptian champions who are improving the quality of life in the societies and broader environments in which they live and work. The third purpose is to provide positive role models for new generations of women in Egypt and beyond, to inspire them to set their goals very high despite the obstacles they may encounter, and show them that the sky is not the limit."
The infamous 1997 poetry collection that got Kola Boof kicked out of Morocco.
From a three-time Newbery Honoree and Edgar Award-winning author comes this compelling story of adventure, romance, and intrigue, set in ancient Egypt.
Rosemary Mahoney was determined to take a solo trip down the Egyptian Nile in a small boat, even though civil unrest and vexing local traditions conspired to create obstacles every step of the way. Starting off in the south, she gained the unlikely sympathy and respect of a Muslim sailor, who provided her with both a seven-foot skiff and a window into the culturally and materially impoverished lives of rural Egyptians. Egyptian women don't row on the Nile, and tourists aren't allowed to for safety's sake. Mahoney endures extreme heat during the day, and a terror of crocodiles while alone in her boat at night. Whether she's confronting deeply held beliefs about non-Muslim women, finding connections to past chroniclers of the Nile, or coming to the dramaticm realization that fear can engender unwarranted violence, Rosemary Mahoney's informed curiosity about the world, her glorious prose, and her wit never fail to captivate.
A celebration of the female dancers of the Arab world and their impact on the West, this book explains the origins of this ancient art, which has survived in the face of commercialism, religious disapproval and changing times.
The richest, most powerful woman in the world, Cleopatra ruled the East and tamed the West. With both cunning and charm, she beguiled two of the most famous men in history, entwining Egypt’s destiny with Rome’s. Many believed she was as sly as a serpent. Or was she just smart? Gorgeous illustrations and an intelligent, evocative story bring to life a real dastardly dame who, despite her schemes, lost everything—including her beloved homeland.
Daily life in ancient Egypt was saturated with eroticism and much influenced by cult and magic as well. Ancient Egyptian religion, with its variety of gods living, feeling, and reacting much like mortals, is a valuable index of human lifestyles of the day. This text addresses selected facets of the erotic concepts and practices of the ancient Egyptians, as recorded in art and literature; it also describes some recent archaeological discoveries.
Nawal el Saadawi's classic tale attempts to square Islam with a society in which women are respected as equals is as relevant today as ever. 'People have become corrupt everywhere. You can search in vain for Islam, or a devout Muslim. They no longer exist.' Kafr El Teen is a beautiful, sleepy village on the banks of the Nile. Yet at its heart it is tyrannical and corrupt. The Mayor, Sheikh Hamzawi of the mosque, and the Chief of the Village Guard are obsessed by wealth and use and abuse the women of the village, taking them as slaves, marrying them and beating them. Resistance, it seems, is futile. Zakeya, an ordinary villager, works in the fields by the Nile and watches the world, squatting in the dusty entrance to her house, quietly accepting her fate. It is only when her nieces fall prey to the Mayor that Zakeya becomes enraged by the injustice of her society and possessed by demons. Where is the loving and peaceful God in whom Zakeya believes?"