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An epic, genre-bending, and transformative new series that reimagines World War II with female soldiers fighting on the front lines. World War II, 1942. A court decision makes women subject to the draft and eligible for service. The unproven American army is going up against the greatest fighting force ever assembled, the armed forces of Nazi Germany. Three girls sign up to fight. Rio Richlin, Frangie Marr, and Rainy Schulterman are average girls, girls with dreams and aspirations, at the start of their lives, at the start of their loves. Each has her own reasons for volunteering: Rio fights to honor her sister; Frangie needs money for her family; Rainy wants to kill Germans. For the first time they leave behind their homes and families—to go to war. These three daring young women will play their parts in the war to defeat evil and save the human race. As the fate of the world hangs in the balance, they will discover the roles that define them on the front lines. They will fight the greatest war the world has ever known. Perfect for fans of Girl in the Blue Coat, Salt to the Sea, The Book Thief, and Code Name Verity, from New York Times bestselling author Michael Grant.
The changing role of women in warfare, a neglected aspect of military history, is the subject of this collection of perceptive, thought-provoking essays. By looking at the wide range of ways in which women have become involved in all the aspects of war, the authors open up this fascinating topic to wider understanding and debate. The discuss how, particularly in the two world wars, women have been increasingly mobilized in all the armed services, originally as support staff, then in defensive combat roles. They also consider the tragic story of women as victims of male violence, and how women have often put up a heroic resistance, and examine how women have been drawn into direct combat roles on an unprecedented level, a trend that is still controversial in the present day. The collection brings together the work of noted academics and historians with the wartime experiences of women who have remarkable personal stories to tell. The book will be a milestone in the study of the recent history of the parts women have played in the history of warfare.AuthorsDr Juliette Pattinson, Professor Mark Connelly, Georgina Natzio, Christine Halsall, Jonathan Walker, Major Imogen Corrigan, Dr. Halik Kochanski, Dr T.A. Heathcote, Elspeth Johnstone, Mike Ryan, Grace Filby, Dr George Bailey, Tatiana Roshupkina, Leicester Chilton, Paul Edward Strong, Celia Lee, John Lee
Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications. This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy
Veteran Sunday Times war correspondent, Marie Colvin was killed in February 2012 when covering the uprising in Syria. On the Front Line is an Orwell Special Prize winning journalism collection from veteran war correspondent Marie Colvin, who is the subject of the movie A Private War, starring Rosamund Pike and Jamie Dornan.
A riveting account of three women who fought shoulder-to-shoulder with men and worked with local women to restore their lives and push back the Taliban They marched under the heat with 40-pound rucksacks on their backs. They fired weapons out of the windows of military vehicles, defending their units in deadly battles. And they did things that their male counterparts could never do--gather intelligence on the Taliban from the women of Afghanistan. As females they could circumvent Muslim traditions and cultivate relationships with Afghan women who were bound by tradition not to speak with American military men. And their work in local villages helped empower Afghan women, providing them with the education and financial tools necessary to rebuild their nation--and the courage to push back against the insurgency that wanted to destroy it. For the women warriors of the military's Female Engagement Teams (FET) it was dangerous, courageous, and sometimes heartbreaking work. Beyond the Call follows the groundbreaking journeys of three women as they first fight military brass and culture and then enemy fire and tradition. And like the men with whom they served, their battles were not over when they returned home.
Exploring efforts to integrate women into combat forces in the military, we investigate how resistance to equity becomes entrenched, ultimately excluding women from being full participants in the workplace. Based on focus groups and surveys with members of Special Operations, we found most of the resistance is rooted in traditional gender stereotypes that are often bolstered through organizational policies and practices. The subtlety of these practices often renders them invisible. We refer to this invisibility as organizational obliviousness. Obliviousness exists at the individual level, it becomes reinforced at the cultural level, and, in turn, cultural practices are entrenched institutionally by policies. Organizational obliviousness may not be malicious or done to actively exclude or harm, but the end result is that it does both. Throughout this Element we trace the ways that organizational obliviousness shapes individuals, culture, and institutional practices throughout the organization.
WITH A NEW FOREWARD Journalist Seyward Darby's "masterfully reported and incisive" (Nell Irvin Painter) exposé pulls back the curtain on modern racial and political extremism in America telling the "eye-opening and unforgettable" (Ibram X. Kendi) account of three women immersed in the white nationalist movement. After the election of Donald J. Trump, journalist Seyward Darby went looking for the women of the so-called "alt-right" -- really just white nationalism with a new label. The mainstream media depicted the alt-right as a bastion of angry white men, but was it? As women headlined resistance to the Trump administration's bigotry and sexism, most notably at the Women's Marches, Darby wanted to know why others were joining a movement espousing racism and anti-feminism. Who were these women, and what did their activism reveal about America's past, present, and future? Darby researched dozens of women across the country before settling on three -- Corinna Olsen, Ayla Stewart, and Lana Lokteff. Each was born in 1979, and became a white nationalist in the post-9/11 era. Their respective stories of radicalization upend much of what we assume about women, politics, and political extremism. Corinna, a professional embalmer who was once a body builder, found community in white nationalism before it was the alt-right, while she was grieving the death of her brother and the end of hermarriage. For Corinna, hate was more than just personal animus -- it could also bring people together. Eventually, she decided to leave the movement and served as an informant for the FBI. Ayla, a devoutly Christian mother of six, underwent a personal transformation from self-professed feminist to far-right online personality. Her identification with the burgeoning "tradwife" movement reveals how white nationalism traffics in society's preferred, retrograde ways of seeing women. Lana, who runs a right-wing media company with her husband, enjoys greater fame and notoriety than many of her sisters in hate. Her work disseminating and monetizing far-right dogma is a testament to the power of disinformation. With acute psychological insight and eye-opening reporting, Darby steps inside the contemporary hate movement and draws connections to precursors like the Ku Klux Klan. Far more than mere helpmeets, women like Corinna, Ayla, and Lana have been sustaining features of white nationalism. Sisters in Hate shows how the work women do to normalize and propagate racist extremism has consequences well beyond the hate movement.
An eye-opening look at Little Women author Louisa May Alcott's time as a Civil War nurse, and the far-reaching implications her service had on her writing and her activism Louisa on the Frontlines is the first narrative nonfiction book focusing on the least-known aspect of Louisa May Alcott's career -- her time spent as a nurse during the Civil War. Though her service was brief, the dramatic experience was one that she considered pivotal in helping her write the beloved classic Little Women. It also deeply affected her tenuous relationship with her father, and inspired her commitment to abolitionism. Through it all, she kept a journal and wrote letters to her family and friends. These letters were published in the newspaper, and her subsequent book, Hospital Sketches spotlighted the dire conditions of the military hospitals and the suffering endured by the wounded soldiers she cared for. To this day, her work is considered a pioneering account of military nursing. Alcott's time as an Army nurse in the Civil War helped her find her authentic voice -- and cemented her foundational belief system. Louisa on the Frontlines reveals the emergence of this prominent feminist and abolitionist -- a woman whose life and work has inspired millions and continues to do so today,
The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq. The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas. Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition. This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.
Women on the Frontline explains how women went from unacknowledged participation in combat in World War II to the opening of all combat roles by 2018. It explores why regular service was offered after the war; the struggle to establish careers; the first crack in the non-combatant principle--the late 1970s decision to train servicewomen in the use of small arms; why the Royal Navy was the first to open its main combat role (seagoing in warships) to women in 1990; and the consequences for the RAF and the Army. The non-combatant principle governed the number of women that could be recruited, roles they could be trained for, postings, promotion chances, pay, and pensions. Being non-combatant also affected women's status in the eyes of servicemen as they could not fulfill the complete range of duties that fell to men. But women's careers were not only blighted by the principle that they were non-combatants. The second major obstacle was the treatment of married women and those who became pregnant. This book brings out the growing gulf between employment rights and armed forces' policies. The armed forces' assertion that they had a right to be different from society began to crumble. This made a crucial difference to servicewomen who acquired the opportunity to continue with their careers if they chose. Confronting policies on women's employment led to recognition of wider issues such as treatment of ethnic minorities, bullying, and sexuality.