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From the pages of Holy Writ comes the unfolding of the history and character of Bible women. As it is today, some were virtuous-worthy of praise and honor; others were women of vice. We know that the Scriptures were written for our learning, and we can profit greatly from our study of Bible women, both good and evil, if we study with diligence and apply our knowledge with love and patience. 66 pages.
What drives the cycle of backlashes against women's on-going struggle for equality, freedom, and inclusion in American politics? In her innovative and provocative book, Suspect Citizens, Jocelyn Boryczka presents a feminist conceptual history that shows how American politics have largely defined women in terms of their reproductive and socializing functions. This moral framework not only denies women full citizenship, but also devalues the active political engagement of all citizens who hold each other and their government under suspicion. Using the gendered notions of virtue and vice, Boryczka exposes the paradox of how women are perceived as virtuous moral guardians and vice-ridden suspect citizens capable of jeopardizing the entire nation's exceptional future. Shifting from virtue and vice to a democratic feminist ethics, Suspect Citizens advances a politics of collective responsibility and belonging.
A Kirkus Prize nominee and Stonewall Honor winner with 5 starred reviews! A New York Times bestseller! Named one of the best books of 2017 by NPR and the New York Public Library! "The queer teen historical you didn’t know was missing from your life.”—Teen Vogue "A stunning powerhouse of a story."—School Library Journal "A gleeful romp through history."—ALA Booklist A young bisexual British lord embarks on an unforgettable Grand Tour of Europe with his best friend/secret crush. An 18th-century romantic adventure for the modern age written by This Monstrous Thing author Mackenzi Lee—Simon vs. the Homo Sapiens Agenda meets the 1700s. Henry “Monty” Montague doesn’t care that his roguish passions are far from suitable for the gentleman he was born to be. But as Monty embarks on his grand tour of Europe, his quests for pleasure and vice are in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy. So Monty vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt, it calls into question everything he knows, including his relationship with the boy he adores. Witty, dazzling, and intriguing at every turn, The Gentleman's Guide to Vice and Virtue is an irresistible romp that explores the undeniably fine lines between friendship and love. Don't miss Felicity's adventures in The Lady's Guide to Petticoats and Piracy, the highly anticipated sequel!
This book introduces readers to the many arguments and controversies concerning abortion. While it argues for ethical and legal positions on the issues, it focuses on how to think about the issues, not just what to think about them. It is an ideal resource to improve your understanding of what people think, why they think that and whether their (and your) arguments are good or bad, and why. It's ideal for classroom use, discussion groups, organizational learning, and personal reading. From the Preface To many people, abortion is an issue for which discussions and debates are frustrating and fruitless: it seems like no progress will ever be made towards any understanding, much less resolution or even compromise. Judgments like these, however, are premature because some basic techniques from critical thinking, such as carefully defining words and testing definitions, stating the full structure of arguments so each step of the reasoning can be examined, and comparing the strengths and weaknesses of different explanations can help us make progress towards these goals. When emotions run high, we sometimes need to step back and use a passion for calm, cool, critical thinking. This helps us better understand the positions and arguments of people who see things differently from us, as well as our own positions and arguments. And we can use critical thinking skills help to try to figure out which positions are best, in terms of being supported by good arguments: after all, we might have much to learn from other people, sometimes that our own views should change, for the better. Here we use basic critical thinking skills to argue that abortion is typically not morally wrong. We begin with less morally-controversial claims: adults, children and babies are wrong to kill and wrong to kill, fundamentally, because they, we, are conscious, aware and have feelings. We argue that since early fetuses entirely lack these characteristics, they are not inherently wrong to kill and so most abortions are not morally wrong, since most abortions are done early in pregnancy, before consciousness and feeling develop in the fetus. Furthermore, since the right to life is not the right to someone else’s body, fetuses might not have the right to the pregnant woman’s body—which she has the right to—and so she has the right to not allow the fetus use of her body. This further justifies abortion, at least until technology allows for the removal of fetuses to other wombs. Since morally permissible actions should be legal, abortions should be legal: it is an injustice to criminalize actions that are not wrong. In the course of arguing for these claims, we: 1. discuss how to best define abortion; 2. dismiss many common “question-begging” arguments that merely assume their conclusions, instead of giving genuine reasons for them; 3. refute some often-heard “everyday arguments” about abortion, on all sides; 4. explain why the most influential philosophical arguments against abortion are unsuccessful; 5. provide some positive arguments that at least early abortions are not wrong; 6. briefly discuss the ethics and legality of later abortions, and more. This essay is not a “how to win an argument” piece or a tract or any kind of apologetics. It is not designed to help anyone “win” debates: everybody “wins” on this issue when we calmly and respectfully engage arguments with care, charity, honesty and humility. This book is merely a reasoned, systematic introduction to the issues that we hope models these skills and virtues. Its discussion should not be taken as absolute “proof” of anything: much more needs to be understood and carefully discussed—always.
"Through biography, extensive translation, commentary, and critical analysis, The Suspicion of Virtue presents the work of women who participated in the philosophical debates of the early modern period but who have been largely erased from the standard history of philosophy. Conley examines the various literary genres (maxim, ode, dialogue) in which these authors presented their moral theory. He also unveils the philosophical complexity of the arguments presented by these women and of the salon culture that nurtured their preoccupations. Their pointed critiques of virtue as a mask of vice, Conley asserts, are relevant to the revival of virtue theory by contemporary ethicians."--BOOK JACKET.
If material bodies have inherent, animating powers—or virtues, in the premodern sense—then those bodies typically and most insistently associated in the premodern period with matter—namely, women—cannot be inert and therefore incapable of ethical action, Holly Crocker contends. In The Matter of Virtue, Crocker argues that one idea of what it means to be human—a conception of humanity that includes vulnerability, endurance, and openness to others—emerges when we consider virtue in relation to modes of ethical action available to premodern women. While a misogynistic tradition of virtue ethics, from antiquity to the early modern period, largely cast a skeptical or dismissive eye on women, Crocker seeks to explore what happened when poets thought about the material body not as a tool of an empowered agent whose cultural supremacy was guaranteed by prevailing social structures but rather as something fragile and open, subject but also connected to others. After an introduction that analyzes Hamlet to establish a premodern tradition of material virtue, Part I investigates how retellings of the demise of the title female character in Chaucer's Troilus and Criseyde, Henryson's Testament of Cresseid, and Shakespeare's Troilus and Cressida among other texts structure a poetic debate over the potential for women's ethical action in a world dominated by masculine violence. Part II turns to narratives of female sanctity and feminine perfection, including ones by Chaucer, Bokenham, and Capgrave, to investigate grace, beauty, and intelligence as sources of women's ethical action. In Part III, Crocker examines a tension between women's virtues and household structures, paying particular attention to English Griselda- and shrew-literatures, including Shakespeare's Taming of the Shrew. She concludes by looking at Chaucer's Legend of Good Women to consider alternative forms of virtuous behavior for women as well as men.
What happens when you marry for neither love nor money? 1700, London: a city so crowded and unregulated that anyone, should they so desire, could slip away - disappear down a back street and become someone else. After the death of her father, seventeen-year-old Aurora Eversedge is left without a dowry and agrees to marry a much older man who claims to be wealthy, though in poor health. On their wedding night, Edward Francis confesses that, in fact, he is penniless but that his health is robust - also that his proposal of marriage carried an ulterior motive: he wants Aurora to act as a spy for him. Edward's father had left his fortune to his sworn enemy, Josiah Deede. Edward suspects that Josiah murdered his father and is determined to regain his inheritance and bring Josiah Deede to justice. Aurora's first assignment is to make the acquaintance of Josiah's daughter, Celia, and son, Jos, at a Covent Garden theatre. "Vice and Virtue" is full of acute observation of social life that characterizes Jane Austen's work - the sort of book Jane Austen would have written if she wrote mysteries.
WARNING: Not recommended for readers who aren't comfortable with explicit love scenes, whipping, and sexual assault. When Isabelle Beaumont's father betroths her to a dreaded roundhead for economic gain, she vows to find a way to thwart the marriage, no matter the cost. Believing her only recourse is to break the terms of the betrothal agreement, Izzy plans to sacrifice her virginity before her wedding day dawns. Her scheme is simple enough. She'll join the villagers in their May Day celebrations, and there she will choose the man who will take her virtue.Ramsay Maitland is a man on a crusade to prove his betrothed an unsuitable bride. Despite the political advantages of the match, he has no intention of taking a royalist courtier as his wife. His objective is diverted when, at a May Day festival, he meets an alluring woman who appears more than willing to fall into his arms...and into his bed. Passion ignites when Ram discovers his mystery maiden is the one woman he swore he'd never desire...his betrothed.Determined to master the woman who has stolen his heart, Ram will chase his elusive bride from the lush landscapes of Cornwall to the debauched court of Charles II. In a bid to claim her as his own, he vows to bind her to him with sensuality and desire. But can enemies become lovers when past secrets and court intrigue threaten to destroy their newfound love?
This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character. Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult. This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture.
The first systematic analysis of domestic paintings by Dutch artists during the Golden Century.