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Eleven "eerie" stories by women writers from the seventeenth century to the present, including Madame d'Aulnoy, Edith Nesbit, and Shirley Jackson.
Launched in 1923, the pulp magazine Weird Tales quickly became one of the most important outlets for horror and fantasy fiction and is often associated with writers like H. P. Lovecraft, Clark Ashton Smith, and Robert Bloch, all of whose work appeared in its pages. But often overlooked is the fact that much of Weird Tales' content was by women writers, some of whom numbered among the magazine's most popular contributors. This volume includes thirteen fantastic tales originally published between 1925 and 1949, written by four of Weird Tales' most prolific female contributors: Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter. Ranging from science fiction to fantasy to horror, these classic tales of mad scientists, deadly curses, ghosts, vampires, and the risen dead remain as thrilling and sensational as when first published.
From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales. Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.
It is too often accepted that during the 19th and early 20th centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake--but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina, and Margaret St Clair, and bow down to the sensational, surreal, and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.
The beloved New York Times bestseller from acclaimed author Eleanor Brown about three sisters who love each other, but just don't happen to like each other very much. Three sisters have returned to their childhood home, reuniting the eccentric Andreas family. Here, books are a passion (there is no problem a library card can't solve) and TV is something other people watch. Their father—a professor of Shakespeare who speaks almost exclusively in verse—named them after the Bard's heroines. It's a lot to live up to. The sisters each have a hard time communicating with their parents and their lovers, but especially with one another. What can the shy homebody eldest sister, the fast-living middle child, and the bohemian youngest sibling have in common? Only that none has found life to be what was expected; and now, faced with their parents' frailty and their own personal disappointments, not even a book can solve what ails them...
'Limburg describes movingly her own struggles as a new mother and the pressure of society's expectations...Through such delicately intertwined experiences, Limburg quietly shouts for change.' Times Literary Supplement It seemed to me that many of the moments when my autism had caused problems, or at least marked me out as different, were those moments when I had come up against some unspoken law about how a girl or a woman should be, and failed to meet it. An autism diagnosis in midlife enabled Joanne Limburg to finally make sense of why her emotional expression, social discomfort and presentation had always marked her as an outsider. Eager to discover other women who had been misunderstood in their time, she writes a series of wide-ranging letters to four 'weird sisters' from history, addressing topics including autistic parenting, social isolation, feminism, the movement for disability rights and the appalling punishments that have been meted out over centuries to those deemed to fall short of the norm. This heartfelt, deeply compassionate and wholly original work humanises women who have so often been dismissed for their differences, and will be celebrated by 'weird sisters' everywhere.
Learn why the concept of "weird" is being reclaimed and turned into a badge of honor, used to show how being different—culturally, socially, physically, or mentally—can be a person's greatest strength. Most of us have at some point in our lives felt like an outsider, sometimes considering ourselves "too weird" to fit in. Growing up as a Russian immigrant in West Texas, Olga Khazan always felt there was something different about her. This feeling has permeated her life, and as she embarked on a science writing career, she realized there were psychological connections between this feeling of being an outsider and both her struggles and successes later in life. She decided to reach out to other people who were unique in their environments to see if they had experienced similar feelings of alienation, and if so, to learn how they overcame them. Weird is based on in-person interviews with many of these individuals, such as a woman who is professionally surrounded by men, a liberal in a conservative area, and a Muslim in a predominantly Christian town. In addition, it provides actionable insights based on interviews with dozens of experts and a review of hundreds of scientific studies. Weird explores why it is that we crave conformity, how that affects people who are different, and what they can do about it. First, the book dives into the history of social norms and why some people hew to them more strictly than others. Next, Khazan explores the causes behind-and the consequences of-social rejection. She then reveals the hidden upsides to being "weird," as well as the strategies that people who are different might use in order to achieve success in a society that values normalcy. Finally, the book follows the trajectories of unique individuals who either decided to be among others just like them; to stay weird; or to dwell somewhere in between. Combining Khazan's own story with those of others and with fascinating takeaways from cutting-edge psychology research, Weird reveals how successful individuals learned to embrace their weirdness, using it to their advantage.
Eleven "eerie" stories by women writers from the seventeenth century to the present, including Madame d'Aulnoy, Edith Nesbit, and Shirley Jackson.
Following the success of Weird Women: Volume 1, acclaimed anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers, including George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton. Following the success of their acclaimed Weird Women, star anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers. This volume once again gathers some of the most famous voices of literature—George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton—along with chilling tales by writers who were among the bestselling and most critically-praised authors of the early supernatural story, including Mary Elizabeth Braddon, Vernon Lee, Florence Marryat, and Margaret Oliphant. There are, of course, ghost stories here, but also tales of vampirism, mesmerism, witches, haunted India, demonic entities, and journeys into the afterlife. Introduced and annotated for modern readers, Morton and Klinger have curated more stories sure to provide another "feast of entertaining (and scary) reads" (Library Journal).