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“It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically.”—Marina Abramovic, artist “Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions.”—Irina Ionesco, artist Until the late twentieth century, women’s creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society. After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art. In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others. Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner’s underground cult classic film, Hotel Hopscotch.
An exploration of the role that dreaming, psychedelic experiences, and mystical visions play in visionary art • Includes discussions with 18 well-known female artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld • Reveals how they have all been inspired by deep inner experiences and seek to express non-ordinary visions of reality, reminiscent of shamanic trance states, lucid dreams, and spiritually transcendent experiences • Shows how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected Since early humans first painted from their mystic eye onto cave walls, artists have sought to share their sacred visions with the world. Created in every medium, from oil painting and sculpture to contemporary digital modeling, these visionary works of art give those who experience them a chance to “see the unseen,” realize wider modes of perception, and discover spiritual and mystical realms. In this full-color illustrated book, David Jay Brown and Rebecca Ann Hill examine the work and inspirations of eighteen of today’s leading female visionary artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld. They explore the creative process and the role that dreaming, psychedelic experiences, sexuality, and divine guidance play in the work of these women, alongside full-color examples of their art. They discuss the future of visionary art and reveal how these artists have all been informed and inspired by deep inner experiences and seek to express non-ordinary visions of reality, often reminiscent of those encountered in shamanic trance, lucid dreams, psychedelic states, spiritually transcendent experiences, and other altered states. Showing how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected, the authors explore with each artist what it is about being a woman that has most influenced their artwork. They also examine the connection between visionary art and spirituality, the influence of Nature and sacred geometry, and how this creative form is simultaneously ancient, futuristic, and timeless, providing an accessible doorway into the visionary realm.
They left in the middle of the night—often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. In Through Darkness to Light: Photographs Along the Underground Railroad, Jeanine Michna-Bales presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border— a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. Framing the powerful visual narrative is an introduction by Michna-Bales; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by Fergus M. Bordewich, Robert F. Darden, and Eric R. Jackson.
From pulp comics to Maus, the story of the growth of comics in American culture.
A biography of Caroline Gordon examines her artistic vision, individuality, and "underground stream" of feminist concerns and reveals the ability behind the contrived persona of a traditional southern lady-turned-artist through the guidance of her brilliant husband, Allen Tate. UP.
What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.
Cavegirl Monologue//Totally Ruined functions as a double release of Heather Benjamin's work from throughout her career 2008-present. Cavegirl Monologue, a larger full-color art book showcases recent work and unreleased full color paintings she has been making over the last year. It also has a selection from her recent Romantic Story collection that was wildly popular and is now out of print. Totally Ruined: Heather Benjamin Zines and Flyers 2008-2018 is a staple bound collection of highlights from her illustrations, zines and punk flyers from throughout her decade long practice, including much of her early material that is out of print, and is included with the release as an addendum.
In Female Beauty in Art, a series of essays examine the presence and role of female beauty in art, history and culture, and consider the ways in which beauty can function as a discourse of female identity. As a concept, female beauty is unique in that it can contain compelling imbrications of gender ideologies, images, relations, cultural constructions and modes of interaction between persons and the institutions that define their lives. Thus, female beauty can provide proliferating methods t...
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.