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Lela Rhoades has a voice so sharp, so funny, warm, and honest, that the stories of her life and the traditions of her parents will barely sit still on the page. As told to Molly Curtis in the 1970's, this memoir takes us back into a world where men chased mother grizzlies out of their dens for their meat, where manzanita berries were ground up into sugar and houses built with the door right in the middle of the roof. It was an intricate, complex life that was unknown to the strangers that would take over the land. For all of her recollections, old recipes, and legends, this is also a story of transition for Lela Rhoades, her Achumawi people, and for Native California in general. Here, Rhoades walks the line between tradition and change, watching the land and hunting rights of her people vanish, telling creation stories that blend both Coyote and Jesus, and recounting her marriage to a white rancher. Come, sit down at the feet of Lela Rhoades, and listen to the strength and beauty of her world. "There was an aristocratic presence, an aristocratic aura about the heavy, elder lady, Lela Grant Rhoades, slowly rocking in her chair as she quietly embroidered a delicate pattern, silver needles flashing in the fading evening light, black-rimmed glasses resting on her nose a mysterious aristocratic something, like she knew many secrets or something more necessary than life. I thought of Grandmother Spider creating her web with great confidence." From the Foreword by Darryl Babe Wilson
'This extraordinarily lucid book demonstrates that women from all walks of life get the short end of the stick because of their gender. From welfare mothers to corporate executives, Albelda and Tilly show and why the powers-that-be benefit from scapegoating and marginalizing women.' Professor Mimi Abramowitz, author, Regulating the Lives of WomenA cogent analysis of the economic and social realities for women in the United States, across class lines. In an age when the right wing manipulates the dialogue around women's issues to separate middle- and upper-class women from their poorer sisters this book's facts, figures, and analysis provide a much needed antidote.
Contrary to their masculine portrayal, mines have always employed women in valuable and productive roles. Yet, pit life continues to be represented as a masculine world of work, legitimizing men as the only mineworkers and large, mechanized, and capitalized operations as the only form of mining. Bringing together a range of case studies of women miners from past and present in Asia, the Pacific region, Latin America and Africa, this book makes visible the roles and contributions of women as miners. It also highlights the importance of engendering small and informal mining in the developing world as compared to the early European and American mines. The book shows that women are engaged in various kinds of mining and illustrates how gender and inequality are constructed and sustained in the mines, and also how ethnic identities intersect with those gendered identities.
"A fascinating and highly readable survey." -- Library Journal "Crusader and concubine, laundress and troubadour, mystic and midwife and miniaturist, beguine and bondwoman and the bersatrix rocking the cradle of kings -- all find their rightful place in this bountiful compendium. With vast resourcefulness and a lively (and often irreverent) eye for the creaturely real, the authors make it impossible to sustain any last lingering illusions about the Middle Ages being 'a man's world.'" -- John Bugge, Emory University
Combining her experience of living in a mining village for two decades with her training in social studies, Carr describe how women were an integral part of the mining industry from 1900 to the nationalization of the mines in 1947. Her original goal was to find the foundations of the strength women demonstrated during the strike of 1984-85. Distributed by Paul & Co. Publishers Consortium. Annotation copyrighted by Book News, Inc., Portland, OR
From Melbourne to Monza, 'The Pits' humanizes the mechanized world of elite motor racing, revealing the reality behind the stories that make the headlines. It depicts the full throttle experience of watching the race from the pit lane.
Women have long been recognized as the backbone of coalmining communities, supporting their men. Less well known is the role which they played as the industry developed, working underground alongside their husband or father, moving the coal which he had cut. The year 2012 is significant as it is the 170th anniversary of the publication of the Report of the Commission into the Employment of Children and Young People in Coal Mines (May 1842). The report findings included the revelation that in some mines half-dressed women worked alongside naked men. The resulting outrage led to the banning of females working underground three months later. The Report of the Commission has been neglected as a source for many decades with the same few quotations regularly being used to illustrate the same headline points. And yet about 500 women and girls gave statements about what mining was like in 1841 and in earlier years in different parts of the country. In conjunction with the 1841 census it paints a comprehensive, though previously unexplored picture of the work of a female miner, how she lived when not at work, how she was regarded by the wider community and what she could achieve. Although banned from working underground, women were still allowed to work above ground after 1842. In the second half of the nineteenth century around 3,000 women continued to be employed at the pit head though this was increasingly confined to the pit brow lasses of Lancashire. This book examines the life of the female miner in the nineteenth century through to the outbreak of the Great War, both at work and away from it, drawing out the largely untapped evidence within contemporary sources - and challenging received wisdoms.
This illustrated book tells the story of the female colliery surface workers, or pit brow women, of the Wigancoalfield. The numbers of women working in mines grew vastly after the expansion of the coal industry in the mid- to late eighteenth century. The practice continued until the Children's Employment Commission 1842 outlawed women working below ground, leading to many families suffering huge losses of earnings. In Lancashire, many women soon started working the colliery surface, grading the coal on conveyors or acting as general labourers. Illustrated newspapers fostered great interest in them from 1840, and Wigancoalfield employed more than any other area. In the 1840 a a hugephotographic collection studying the women was created by A.J. Munby, which forms a major source for this detailed study. The women themselves remain a fascinating and unique feature of both local and industrial history.
Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.
From her first breath of fresh air beyond the pit, it has never been enough for Beth Moore to be free. She is an author and Bible teacher who has opened the riches of Scripture to millions, has longed for you to be free as well--to know the Love and Presence that are better than life and the power of God's Word that defies all darkness. Beth's journey out of the pit has been heart-rending. But from this and the poetic expressions of Psalm 40 has come the reward: a new song for her soul, given by her Saviour and offered to you in Get Out of That Pit--friend to friend. This is Beth's most stirring message yet of the sheer hope, utter deliverance, and complete and glorious freedom of God. It is a story, a song--a salvation--that you can know too.