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Based on extensive fieldwork, Women of Fes shows how Moroccan women create their own forms of identity through work, family, and society. The book also examines how women's lives are positioned vis-à-vis globalization, human rights, and the construction of national identity.
In Morocco today, the idea of female laborers is generally frowned upon. Yet despite this, many women are beginning to find work in factories. Laetitia Cairoli spent a year in the ancient city of Fes; Girls of the Factory tells the story of what life is like for working women. Forced to find a factory job herself so that she could speak more intimately with working women, she was able to learn firsthand why they work, what working means to them, and how important earning a wage is to their sense of self. Cairoli conveys a general sense of the working life of women in Morocco by describing daily life inside a Moroccan sewing factory. She also reveals the additional work they face inside their homes. More than an ethnography, this volume is also for those who want to better understand what life is like for a new generation of young women just entering the workforce.
This book examines the work of three key women’s organizations working towards women’s rights and a peaceful solution to the Cyprus Problem. Based on a 13-year longitudinal qualitative study that develops a transnational feminist lens to look at the role of Hands Across the Divide (HAD), the Gender Advisory Team (GAT), and the Mediterranean Institute of Gender Studies (MIGS) organizations in women's activism on Cyprus, the research zooms in on three main questions: 1) How have women’s groups organized for peace? 2) What have been their key issues and organizing strategies? 3) What have been their organizing successes and challenges?
This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.
This book examines the position of women in the contemporary Middle East and North Africa (MENA) region. Although it is culturally diverse, this region shares many commonalities with relation to women that are strong, deep, and pervasive: a space-based patriarchy, a culturally strong sense of religion, a smooth co-existence of tradition and modernity, a transitional stage in development, and multilingualism/multiculturalism. Experts from within the region and from outside provide both theoretical angles and case studies, drawing on fieldwork from Egypt, Oman, Palestine, Israel, Turkey, Iran, Tunisia, Algeria, Morocco, and Spain. Addressing the historical, socio-cultural, political, economic, and legal issues in the region, the chapters cover five major aspects of women’s agency: political agency civil society activism legal reform cultural and social agencies religious and symbolic agencies. Bringing to light often marginalized topics and issues, the book underlines the importance of respecting specificities when judging societies and hints at possible ways of promoting the MENA region. As such, it is a valuable addition to existing literature in the field of political science, sociology, and women’s studies.
Encountering Morocco introduces readers to life in this North African country through vivid accounts of fieldwork as personal experience and intellectual journey. We meet the contributors at diverse stages of their careers–from the unmarried researcher arriving for her first stint in the field to the seasoned fieldworker returning with spouse and children. They offer frank descriptions of what it means to take up residence in a place where one is regarded as an outsider, learn the language and local customs, and struggle to develop rapport. Moving reflections on friendship, kinship, and belief within the cross-cultural encounter reveal why study of Moroccan society has played such a seminal role in the development of cultural anthropology.
Tells the stories of 25 women who practice textile traditions with an inspiring energy, pride, fortitude while contributing substantially to their family's income!
Drawing on research from the Women, Family, Crime and Justice research network, this collection sheds new light on the experiences of women and families who encounter the UK criminal justice system. Contributions demonstrate how these groups are often ignored, oppressed and victimised, and offer insights and practical recommendations for change.
This "wonderful and enchanting" memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem, set against the backdrop of World War II (The New York Times Book Review). "I was born in a harem in 1940 in Fez, Morocco..." So begins Fatima Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth -- women who, without access to the world outside, recreated it from sheer imagination. A beautifully written account of a girl confronting the mysteries of time and place, gender and sex, Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition.
The Medina -- the Old City -- of Fez is the best-preserved, medieval walled city in the world. Inside this vibrant Moroccan community, internet cafes and mobile phones coexist with a maze of donkey-trod alleyways, thousand-year-old sewer systems, and Arab-style houses, gorgeous with intricate, if often shabby, mosaic work. While vacationing in Morocco, Suzanna Clarke and her husband, Sandy, are inspired to buy a dilapidated, centuries-old riad in Fez with the aim of restoring it to its original splendor, using only traditional craftsmen and handmade materials. So begins a remarkable adventure that is bewildering, at times hilarious, and ultimately immensely rewarding. A House in Fez chronicles their meticulous restoration, but it is also a journey into Moroccan customs and lore and a window into the lives of its people as friendships blossom. When the riad is finally returned to its former glory, Suzanna finds she has not just restored an old house, but also her soul.