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Women often appear invisible in what is widely perceived as the male-oriented society of Islam. This work seeks to redress the balance with a series of essays on women in the pre-modern phase of Islamic history. The reader will encounter here rulers, politicians, poets and patrons, as well as some larger than life fictitious females from the pages of Arabic, Persian and Turkish literature. There are also accounts of quiet or troubled lives of ordinary women preserved in the court records of Mamluk Egypt and Ottoman Turkey, reminders that historical research can resuscitate the lives of subaltern as well as elite women from the past.
Women often appear invisible in what is widely perceived as the male-oriented society of Islam. Women in the Medieval Islamic World seeks to redress the balance with a series of original essays on women in the pre-modern phase of Islamic history. The reader will encounter here a colorful portrait gallery of rulers, politicians, poets and patrons, as well as some larger than life fictitious females from the pages of Arabic, Persian and Turkish literature. No less authentic are the accounts of quiet or troubled lives of ordinary women preserved in the court records of Mamluk Egypt and Ottoman Turkey, reminders that historical research can resuscitate the lives of subaltern as well as elite women from the past. For people who believe that Muslim women, especially medieval Muslim women, have no history, this book demonstrates the ways in which research by twenty international scholars - sometimes working in their own distinct fields and sometimes in overlapping areas - can bring into focus the role and contribution of women in the development of Islamic history. There will no longer be an excuse for their exclusion.
Family, Law and Politics, Volume II of the Encyclopedia of Women & Islamic Cultures, brings together over 360 entries on women, family, law, politics, and Islamic cultures around the world.
This thesis centers on the study of Muslim women’s piety in the medieval period. Specifically, I examine the biographies of saintly women as found in the work of the 15th-century Shāfiʿī scholar, Taqī al-Dīn al-Ḥiṣnī. In his Kitāb al-muʼmināt wa’l-ṣāliḥāt wa’l-ayqāẓ min al-mahlūkāt (The book of faithful and righteous women, cautious of spiritual vices), one encounters descriptive accounts of pious female devotees performing incredible feats of ritual worship like excessive weeping and continuous prayer. I argue that these pious practices, operating as a form of social power, granted women a degree of social autonomy and religious influence amongst their male peers. In particular, women’s ritual acts enabled them to bypass certain gender-based norms enshrined in the law and achieve spiritual equality, if not superiority, over men. I situate my historical analysis of women’s piety in the context of contemporary scholarship on Muslim women, which has tended to focus on women’s place and power through the lens of the law and its subsidiary discourses. I argue that an exploration of non-legal discourses, such as the one under study, offers alternative understandings into women’s social function and roles in medieval Islam. Finally, this project raises critical questions concerning the possible relevance of piety, as a form of social and religious capital, to the project of developing contemporary Muslim women’s religious authority and power.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
Examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This two-volume work contains 700 alphabetically arranged entries, and provides a portrait of Islamic civilization. It is of use in understanding the roots of Islamic society as well to explore the culture of medieval civilization.
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publically adopted the stance of the viewer, speaker, writer, or patron.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
High rates of divorce, often taken to be a modern and western phenomenon, were also typical of medieval Islamic societies. By pitting these high rates of divorce against the Islamic ideal of marriage,Yossef Rapoport radically challenges usual assumptions about the legal inferiority of Muslim women and their economic dependence on men. He argues that marriages in late medieval Cairo, Damascus and Jerusalem had little in common with the patriarchal models advocated by jurists and moralists. The transmission of dowries, women's access to waged labour, and the strict separation of property between spouses made divorce easy and normative, initiated by wives as often as by their husbands. This carefully researched work of social history is interwoven with intimate accounts of individual medieval lives, making for a truly compelling read. It will be of interest to scholars of all disciplines concerned with the history of women and gender in Islam.