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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Women in Print 2 is a collection of essays in two related volumes which consider the diversity of roles occupied by women in the authorship, design, production, distribution and consumption of printed material from the fifteenth century onwards. The contributions included in Women in Print 2 cover the whole of the 'letterpress era' in Europe from the early fifteenth century to the mid-twentieth century. The essays address three themes: the role of women in the production of print; in its distribution; in addition to some neglected areas of women's consumption of print. To a greater extent the participation of women in the production and distribution of print has been written by the men who dominated the trade. Women in Print 2 explores the often-overlooked contribution to the business aspects of the printing and publishing industries, particularly female involvement in roles that were customarily seen as male preserves. This collection of essays brings together insights from multiple perspectives, seeking to recover the unheard voices and hitherto unnoticed activities of the many women who participated in the production, distribution and consumption of the printed word and image."--
Excerpt from Women in the Printing Trades: A Sociological Study My only qualification for writing this preface is the circumstance that, as a representative of the Royal Economic Society, I attended the meetings of the Committee appointed to direct and conduct the investigations of which the results are summarised in the following pages. From what I saw and heard at those meetings I received the impression that the evidence here recorded was collected with great diligence and sifted with great care. It seems to constitute a solid contribution to a department of political economy which has perhaps not received as much attention as it deserves. Among the aspects of women's work on which some new light has been thrown, is the question why women in return for the same or a not very different amount of work should often receive very much less wages. It is a question which not only in its bearing on social life is of the highest practical importance, but also from a more abstract point of view is of considerable theoretical interest, so far as it seems to present the paradox of entrepreneurs paying at very different rates for factors of production which are not so different in efficiency. The question as stated has some resemblance to the well-known demand for an explanation which Charles II. preferred to the Royal Society: there occurs the preliminary question whether the circumstance to be explained exists. The alleged disproportion between the remuneration of men and women is indeed sometimes only apparent, or at least appears to be greater than it is really. Often, however, it is real and great where it is not apparent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.