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A 1996 overview of key issues in Russian women's writing and of important representations of women by men, from 1600 onwards.
Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
The image of women in Russian culture has undergone profound changes: from the origins of modern Russian literature in the eighteenth century until the Revolution of 1917, when women were a source of fascination for Russian writers, to the socialist realism period, during which public discussion of the representation of women in literature rapidly declined and the "woman question" was declared to have been "resolved," to a reappraisal of the position of women since the 1980s. This collection of essays by leading western and Russian specialists contains new insights and updates previous research into the role of women in Russian culture in the last two centuries and contributes to two exciting and growing research areas: the feminist critique of work by Russian male authors and the study of Russian women writers. Moreover, whereas most previous studies have concentrated on the aesthetic qualities of works by women writers, this collection includes both close textual analysis and the discussion of biographical, historical, and political questions relating both to the representation of women and women's culture. The aim is not to present aunified manifesto, but rather to bring together a spectrum of approaches and positions within their common focus on the relationship between women and culture in Russia. Contributors: R. Marsh, A. Barker, J. Andrew, D. Greene, I. Kazakova, C. Schuler, S. Graham, K. Hodgson, N. Kolchevska, N. Cornwell, J. Curtis, M. Katz, M. Ledkovsky, P.I. Barta, A. Darmodekhina, D. Gillespie, N. Zhuravkina, B. Lanin, S. Carsten, A. Tait
Women in Russian Culture and Society, 1700-1825 is a collection of essays by leading researchers shedding new light on women as writers, actresses, nuns and missionaries. It illuminates the lives of merchant and serf women as well as noblewomen and focuses on women's culture in Russia during this period.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.