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"Though women have been objects more often than subjects of interreligious dialogue, they have nevertheless contributed in significant ways to the dialogue, just as the dialogue has also contributed to their own self-understanding. This volume, the fifth in the Interreligious Dialogue Series, brings together historical, critical, and constructive approaches to the role of women in the dialogue between religions. These approaches deal with concrete examples of women's involvement in dialogue, critical reflections on the representation of women in dialogue, and the important question of what women might bring to the dialogue. Together, they open up new avenues for reflection on the nature and purpose of interreligious dialogue. "
Women in Dialogue: (M)Uses of Culture results from an international symposium held at Ege University, Izmir, Turkey, in 2006, which brought together scholars from over ten countries, and from multiple academic backgrounds, who share professional interest in women’s studies, and, to no less degree, in current women’s realities. The book presents a collection of essays united by a common focus on the position of women as objects of cultural production in different geographic, national, and political contexts, as well as the character and typology of women’s contribution to cultural activity across the ethnic or religious divide marking the face of contemporary world. The volume comprises two sections: the first, titled “Women in Dialogue,” contains contributions which analyze literary representations of women from a variety of perspectives, and from diverse spatial and temporal locations. The second part, titled “(M)Uses of Culture,” includes personalized observations by several women writers, of both poetry and fiction, their commentaries on their own work as artists, and their deeply experienced “musings” on the position of women as artists in the world of today. The essays that this volume brings together are varied in subject matter; yet they are connected by the common theme, epitomized in the metaphor of dialogue, as a platform for active, productive communication, leading – on the pages of the book, if not elsewhere – to learning, and mutual understanding.
This book provides insights into the intellectual lives, spiritual culture, and literary authorship of medieval women.
Co-published by: Centre for Reformation and Renaissance Studies.
Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition.
Women in Pentecostal and Charismatic Ministry: Informing a Dialogue on Gender, Church, and Ministry, co-edited by Margaret English de Alminana and Lois E. Olena, concerns women and Pentecostalism. It introduces the way the Pentecostal/charismatic movement has been shaped by and has shaped women from its beginning and offers a wide variety of responses to the opportunities and limitations women have experienced in their commitment to religious service. Scholars, activists, leaders, and exemplars from a variety of disciplines reflect on the question: How have women responded to a religious context that has depended upon their gifts while, at the same time, limited their voices and perspectives? This volume offers missing and/or silent voices an important corrective and a way forward to shape gender-focused discussions. Contributors are: Estrelda Yvonne Alexander, Peter Althouse, Linda M. Ambrose, Melissa L. Archer, Amy C. Artman, Denise A. Austin, Kate Bowler, Barbara Cavaness-Parks, Loralie Robinson Crabtree, Naomi Dowdy, Margaret English de Alminana, Beth (A. Elizabeth) Grant, Jacqueline Grey, Mimi R. Haddad, Jennifer A. Miskov, Stephanie L. Nance, Lois E. Olena, Ava Kate Oleson, Joy E. A. Qualls, and Zachary Michael Tackett.
Women reformers in the United States and Germany maintained a brisk dialogue between 1885 and 1933. Drawing on one another's expertise, they sought to alleviate a wide array of social injustices generated by industrial capitalism, such as child labor and the exploitation of women in the workplace. This book presents and interprets documents from that exchange, most previously unknown to historians, which show how these interactions reflected the political cultures of the two nations. On both sides of the Atlantic, women reformers pursued social justice strategies. The documents discussed here reveal the influence of German factory legislation on debates in the United States, point out the differing contexts of the suffrage movement, compare pacifist and antipacifist reactions of women to World War I, and trace shifts in the feminist movements of both countries after the war. Social Justice Feminists in the United States and Germany provides insight into the efforts of American and German women over half a century of profound social change. Through their dialogue, these women explicate their larger political cultures and the place they occupied in them.
This powerful and timely book explores the inner world of Indian women. it is based on workshops and dialogues which the authors conducted with a very large number of women from all over India and from diverse backgrounds - the poor and the well-to-do, villagers and urbanites, women who work in offices and those who run homes, daughters, wives, mothers and grandmothers. Containing as it does the distilled essence of the innermost feelings of Indian women, this book has an immediacy and a relevance not just for all Indians but for men and women all over the world. The authors trace the journey of women to maturity and the many thresholds they cross on the way. They deal with women's processes of being and becoming and the heritage of folklore, myths and role models which influence and affect these processes. The authors outline five major role models for women which are dominant in Indian society. Tracing the historical loci of these models, the authors argue that even though these models have become out dated given the changing mores and life-styles, Indian women are still expected to conform to them. This clash between role expectations and current realities has created considerable tension for today's woman and is the major source of her pathos. However, while women are at the receiving end of many negative attitudes and constricting stereotypes in Indian society, the authors believe that, in the final analysis, they are often victims of their own restricted vision. They believe that Indian women (as also men) still have to discover a third identity which is neither male nor female but human. This identity encompasses the other two identities and, is a liberating and life-giving force which can revitalise not just women but society at large. This exciting and absorbing book will be of interest to scholars from a wide range of disciplines while being essential reading for all men and women.
A New York Times Book Review Editors' Choice • A Good Morning America Recommended Book • A LitReactor Best Book of the Year • A BuzzFeed Most Anticipated Book of the Year • A Lit Hub Most Anticipated Book of the Year • A Rumpus Most Anticipated Book of the Year • A Bustle Most Anticipated Book of the Month "A pathbreaking feminist manifesto, impossible to put down or dismiss. Gina Frangello tells the morally complex story of her adulterous relationship with a lover and her shortcomings as a mother, and in doing so, highlights the forces that shaped, silenced, and shamed her: everyday misogyny, puritanical expectations regarding female sexuality and maternal sacrifice, and male oppression." —Adrienne Brodeur, author of Wild Game Gina Frangello spent her early adulthood trying to outrun a youth marked by poverty and violence. Now a long-married wife and devoted mother, the better life she carefully built is emotionally upended by the death of her closest friend. Soon, awakened to fault lines in her troubled marriage, Frangello is caught up in a recklessly passionate affair, leading a double life while continuing to project the image of the perfect family. When her secrets are finally uncovered, both her home and her identity will implode, testing the limits of desire, responsibility, love, and forgiveness. Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress "being good" in order to reclaim your own life.