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This innovative text explores the unprecedented changes in the realms of politics, demography, economics, culture, knowledge, and kinship that women have brought about in the twentieth and twenty-first centuries. Global in reach, the book provides a comparative analysis of developments worldwide to show both progress as well as new tensions and forms of inequality that have emerged out of women’s entry into politics, wage employment, education, and the production of culture. Beginning with suffrage and moving to participation in international movements—such as anti-war, labor, and environmental rights activism—Maria Bucur explores how women have transformed the operation of states and international institutions. She focuses on the radical demographic shifts since 1900 through the prism of changing practices in women’s sexuality, from birth control practices to education. Examining the continuing economic gender gap around the world, Bucur highlights ways women have been both beneficiaries of new economic opportunities and participants in developing new forms of inequality. Considering the remarkable achievements of women in the areas of knowledge making and cultural production, the author shifts her gaze toward the future and what these changes mean in terms of gender norms and evolving kinship relations. She thus presents a new perspective on contemporary world history, centered on how women have become both the subjects and objects of seismic shifts in the political, social, and economic structures of societies across the globe.
This woman-centered history of Britain in the 20th century traces the changing concept of femininity in different chronological time periods. Women are focused on as agents for social change, and each chapter has a section on the women's movement. A separate chapter is devoted to each of the World Wars. After reviewing women's progress over the last hundred years, the book explores the question: Have women gained equality?
Traces the contributions of women to the American theater and offers the texts of five plays that deal with a sick child, a murdered husband, and family life
Assembling a full and comprehensive collection of material which illustrates all aspects of the emergent women’s movement during the years 1850-1900, this fascinating book will prove invaluable to students of nineteenth century social history and women's studies, to those studying the Victorian novel and to sociologists. Women’s pamphlets and speeches, parliamentary debates and popular journalism, letters and memoirs, royal commissions and the leading reviews, are all used to document the conflicting images of women: ‘surplus women’ and the issue of emigration; women’s work and male hostility to it; the opening of education by Emily Davies; the claim to equity at law; the attack on the sexual double standard, led by Josephine Butler; women’s public service from philanthropy – exemplified in a Mary Carpenter or Louisa Twining or Octavia Hill – to local government; and finally women’s entry into politics led by Lydia Becker. The contents range from Caroline Norton on her battle for child custody in the 1830s to Annie Besant’s inspiration of the match-girl’s strike in 1888, and from W. T. Stead on child prostitution to Mrs Humphrey War’s Appeal against female suffrage in 1889. The book was originally published in 1979.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.
An exploration of women's place in the U.S. political economy.
How can we learn more about Native women?s lives in North America in earlier centuries? This question is answered by this landmark anthology, an essential guide to the significance, experiences, and histories of Native women. Sixteen classic essays?plus new commentary?many by the original authors?describe a broad range of research methods and sources offering insight into the lives of Native American women. The authors explain the use of letters and diaries, memoirs and autobiographies, newspaper accounts and ethnographies, census data and legal documents. This collection offers guidelines for extracting valuable information from such diverse sources and assessing the significance of such variables as religious affiliation, changes in women?s power after colonization, connections between economics and gender, and representations (and misrepresentations) of Native women. ø Indispensable to anyone interested in exploring the role of gender in Native American history or in emphasizing Native women?s experiences within the context of women?s history, this anthology helps restore the historical reality of Native women and is essential to an understanding of North American history.
"The Boxer uprising; the siege of the legations; 55 days in Peking; foreign troops looting China's capital; these are images from books and films over the past 100 years. Now the story is told from the women's point of view, using their previously neglected writings and giving a new dimension. This is the author's fourth book about foreign women and China. It adds to the essential body of women's history and gives a truer picture of what happened a century ago." --
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.