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A collection of speeches and writings by political activist Angela Davis which address the political and social changes of the past decade as they are concerned with the struggle for racial, sexual, and economic equality.
Martha Vicinus's subject is the middle-class English woman, the first of her sex who could afford to live on her own earnings 'outside heterosexual domesticity or church governance.' She wanted and needed to work. Meticulous, resonant, original, triumphant, Independent Women tells of the efforts and endurance of this Victorian woman; of her courage and the constraints that she rejected, accepted, and created. . . . The independent women are the 'foremothers' of any women today who seeks significant work, emotionally satisfying friendships, and a morally charged freedom."—from the Foreword by Catharine R. Stimpson "Feminist insight combines with vast research to produce a dramatic narrative. Independent Women chronicles the energetic lives and imaginative communal structures invented by women who 'pioneered new occupations, new living conditions, and new public roles.'"—Lee R. Edwards, Ms. "Vicinus is to be congratulated for her brave and unflinching portraits of twisted spinsters as well as stolid saints. That she stretches her net up into the '20s and covers the women's suffrage momement is a brilliant stroke, for one may see clearly how it was possible for women to mount such an enormous and successful political campaign."—Jane Marcus, Chicago Tribune Book World "Vicinus' beautifully written book abounds in rich historical detail and in subtle psychological insights in the character of its protagonists. The author understands the complexities of the interplay between economic and social conditions, cultural values, and the aims and aspirations of individual personalities who act in history. . . . A superb achievement."—Gerda Lerner, Reviews in American History "Martha Vicinus has with intelligence and energy paved and landscaped the road on which scholars and students of activist women all travel for many years."—Blanche Wiesen Cook, Women's Review of Books "Independent Women can be read by anyone with an interest in women's history. But for all contemporary women, unconsciously enjoying privileges and freedoms once bought so dearly, this book should be required reading."—Catharine E. Boyd, History
Why in the late nineteenth and early twentieth centuries did middle- and upper-class southern women-black and white-advance from the private worlds of home and family into public life, eventually transforming the cultural and political landscape of their community? Using Galveston as a case study, Elizabeth Hayes Turner asks who where the women who became activists and eventually led to progressive reforms and the women sufferage movement. Turner discovers that a majority of them came from particular congregations, but class status had as much to do with reofrm as did religious motivation. The Hurricane of 1900, disfranchisement of black voters, and the creation of city commission government gave white women the leverage they needed to fight for a women's agenda for the city. Meanwhile, African American women, who were excluded from open civic association with whites, created their own organizations, implemented their own goals, and turned their energies to resisting and alleviating the numbing effects of racism. Separately white and black women created their own activist communities. Together, however, they changed the face of this New South city. Based on an exhaustive database of membership in community organizations compiled by the author from local archives, Women, Culture, and Community will appeal to students of race relations in the post-Reconstruction South, women's history, and religious history.
The essays in Women's Folklore, Women's Culture focus on women performers of folklore and on women's genre of folklore. Long ignored, women's folklore is often collaborative and frequently is enacted in the privacy of the domestic sphere. This book provides insights balancing traditional folklore scholarship. All of the authors also explore the relationship between make and female views and worlds. The book begins with the private world of women, performances within the intimacy of family and fields; it then studies women's folklore in the public arena; finally, the book looks at the interrelationships between public and private arenas and between male and female activities. By turning our attention to previously ignored women's realms, these essays provide a new perspective from which to view human culture as a whole and make Women's Folklore, Women's Culture a significant addition to folklore scholarship
"An impressive collection of 29 essays by British, American and Italian scholars on important historical, artistic, cultural, social, legal, literary and theatrical aspects of women's contributions to the Italian Renaissance, in its broadest sense. Many contributions are the result of first-hand archival research and are illustrated with numerous unpublished or little-known reproductions or original material. The subjects include: women and the court ( Dilwyn Knox, Evelyn S Welch, Francine Daenens and Diego Zancani ); women and the church ( Gabriella Zarri, Victoria Primhak, Kate Lowe, Francesca Medioli and Ruth Chavasse ); legal constraints and ethical precepts ( Marina Graziosi, Christine Meek, Brian Richardson, Jane Bridgeman and Daniela De Bellis ); female models of comportment ( Marta Ajmarm Paola Tinagli and Sara F Matthews Grieco ); women and the stage ( Richard Andrews, Maggie Guensbergberg, Rosemary E Bancroft-Marcus ); women and letters ( Diana Robin, Virginia Cox, Pamela J Benson, Judy Rawson, Conor Fahy, Giovanni Aquilecchia, Adriana Chemello, Giovanna Rabitti and Nadia Cannata Salamone )."
"This edited book project will include key academic concepts as transformative learning, community resilience, cultural transformation, and transformational leadership with the objective being to identify the vision and associated values being applied during a challenge or a cultural change process particularly in women"--
These collected essays examine the roles of women in their churches and communities, the implication of those roles for African American culture, and the tensions and stereotypes that shape societal responses to these roles. Gilkes examines the ways black women and their experience shape the culture and consciousness of the black religious experience, and reflects on some of the crises and conflicts that attend this experience.
Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs. "It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review "Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books "Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History
Women in European Culture and Society: A Sourcebook includes a range of transnational sources which encompass the history of women in Europe from the beginning of the eighteenth century right up to the present day. Including documents from across Europe, from France and Germany to Estonia, Spain and Russia, organized in a broad chronological spread, the diversity of the sources included in the book is unique – including many never translated into English before. Deborah Simonton offers detailed interpretive introductions that analyse and contextualize the sources. A central feature is its exploration of how women operated within gendered worlds and used their skills and abilities to shape and claim their own identities and to engage with how they contributed as practitioners to shaping European culture and society. With over 200 sources, the book allows us to ‘hear’ women’s voices as they articulate their understandings of their worlds and helps capture a sense of women’s motivations, options and choices as they understood them - allowing readers to focus on either a period or a theme and providing a comparative resource. Ideal for use on its own or as a companion volume to Simonton’s other major work, Women in European Culture and Society: Gender, Skill and Identity since 1700, this sourcebook is an invaluable collection offering vivid first-hand accounts of women’s lives.