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A BBC RADIO 4 BOOK OF THE WEEK When the First World War broke out, the suffragettes suspended their campaigning and joined the war effort. For pioneering suffragette doctors (and life partners) Flora Murray and Louisa Garrett Anderson that meant moving to France, where they set up two small military hospitals amidst fierce opposition. Yet their medical and organisational skills were so impressive that in 1915 Flora and Louisa were asked by the War Ministry to return to London and establish a new military hospital in a vast and derelict old workhouse in Covent Garden's Endell Street. That they did, creating a 573-bed hospital staffed from top to bottom by female surgeons, doctors and nurses, and developing entirely new techniques to deal with the horrific mortar and gas injuries suffered by British soldiers. Receiving 26,000 wounded men over the next four years, Flora and Louisa created such a caring atmosphere that soldiers begged to be sent to Endell Street. And then, following the end of the war and the Spanish Flu outbreak, the hospital was closed and Flora, Louisa and their staff were once again sidelined in the medical profession. The story of Endell Street provides both a keyhole view into the horrors and thrills of wartime London and a long-overdue tribute to the brilliance and bravery of an extraordinary group of women.
The "absorbing and powerful" (Wall Street Journal) story of two pioneering suffragette doctors who shattered social expectations and transformed modern medicine during World War I. A month after war broke out in 1914, doctors Flora Murray and Louisa Garrett Anderson set out for Paris, where they opened a hospital in a luxury hotel and treated hundreds of casualties plucked from France's battlefields. Although, prior to the war and the Spanish flu, female doctors were restricted to treating women and children, Flora and Louisa's work was so successful that the British Army asked them to set up a hospital in the heart of London. Nicknamed the Suffragettes' Hospital, Endell Street soon became known for its lifesaving treatments. In No Man's Land, Wendy Moore illuminates this turbulent moment of global war and pandemic when women were, for the first time, allowed to operate on men. Their fortitude and brilliance serve as powerful reminders of what women can achieve against all odds.
"This is a poignant and moving narrative collection from women who each in their own way were pioneers in their field of surgery. The story of the courage, physical strength, stamina and, most of all, the mental fortitude required to complete surgical training is beautifully conveyed here. This collection will hopefully both inspire and make the path easier for the next generation of surgeons, both women and men." - Abraham Verghese, MD; best-selling author of Cutting for Stone, The Tennis Partner, and My Own Country "This book is an enthralling read. It is all too rare to hear the stories of surgeons, and even rarer to hear those of women surgeons. Yet here they are, told straight out, fearlessly, by residents and retirees alike. The stories are by turns funny, heartbreaking, flabbergasting, infuriating, inspiring-and at times all of these at once. Each voice here is singular and fascinating. But the collective effect is overwhelmingly moving. You want to hear more." - Atul Gawande, MD; staff writer for The New Yorker; surgeon; researcher; best-selling author of Complications, The Checklist Manifesto, and Better "An inspiring compendium of stories that challenged a generation and defined an era. Being a Woman Surgeon will be the archival account of the women who dared to radically advance the world's greatest profession." - Marty Makary, MD, MPH; Johns Hopkins surgeon; New York Times best-selling author of Unaccountable "An extraordinary collection of essays written by an even more extraordinary group of women, this book offers an unparalleled view of what it is like to be a woman surgeon. It is the book that I wish I had as a medical student and that even now I find inspiring." - Pauline Chen, New York Times columnist; surgeon; author of Final Exam-A Surgeon's Reflections on Mortality "Dr. John has carefully collected an illuminating anthology of experiential writings from women surgeons. Her contributors vary in surgical specialty, years of experience, and personal situation. This rich and literate collection will prove fascinating reading for anyone interested in the world of medicine." - Carol Scott-Conner, MD, FACS; surgeon; author of A Few Small Moments Dr. Preeti R. John is a critical care surgeon who works in Baltimore, Maryland. She is triple board certified in General Surgery, Surgical Critical Care and Hospice and Palliative Medicine.
When women agitated to join the medical profession in Britain during the 1860s, the practice of surgery proved both a help (women were neat, patient and used to needlework) and a hindrance (surgery was brutal, bloody and distinctly unfeminine). In this major new study, Claire Brock examines the cultural, social and self-representation of the woman surgeon from the second half of the nineteenth century until the end of the Great War. Drawing on a rich archive of British hospital records, she investigates precisely what surgery women performed and how these procedures affected their personal and professional reputation, as well as the reactions of their patients to these new phenomena. Essential reading for those interested in the history of medicine, British Women Surgeons and their Patients, 1860-1918 provides wide-ranging new perspectives on patient narratives and women's participation in surgery between 1860 and 1918. This title is also available as Open Access.
At the outbreak of World War I, 129 women were registered as medical practitioners in Australia, and many of them were eager to contribute their skills and expertise to the war effort. For the military establishment, however, the notion of women doctors serving on the battlefield was unthinkable. Undaunted, at least twenty-four Australian women doctors ignored official military policy and headed to the frontlines. This book explores the stories of the Australian women who served as surgeons, pathologists, anaesthetists and medical officers between 1914 and 1919. Despite saving hundreds of lives, their experiences are almost totally absent from official military records, both in Australia and Great Britain, and many of their achievements have remained invisible for over a century. Until now. Heather Sheard and Ruth Lee have compiled a fascinating and meticulously researched account of the Great War, seen through the eyes of these women and their essential work. From the Eastern to the Western Fronts, to Malta, and to London, we bear witness to the terrible conditions, the horrific injuries, the constant danger, and above all, the skill and courage displayed by this group of remarkable Australians. Women to the Front is a war story unlike any other.
Had the antique scapels really been used by a woman doctor, Isabella Stenhouse, to tend soldiers in WW1? Was it true that the strange string of beads tangled round her stethoscope was a gift from a grateful German prisoner of war? It was time to find out. As featured on the BBC Antiques Roadshow and in national media.
"Women as army surgeons" by Flora Murray. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
A Sunday Times Book of the Year As featured on the BBC Radio 2 Book Club Dr James Barry: Inspector General of Hospitals, army surgeon, duellist, reformer, ladykiller, eccentric. He performed the first successful Caesarean in the British Empire, outraged the military establishment and gave Florence Nightingale a dressing down at Scutari. At home he was surrounded by a menagerie of animals, including a cat, a goat, a parrot and a terrier. Long ago in Cork, Ireland, he had also been a mother. This is the amazing tale of Margaret Anne Bulkley, the young woman who broke the rules of Georgian society to become one of the most respected surgeons of the century. In an extraordinary life, she crossed paths with the British Empire's great and good, royalty and rebels, soldiers and slaves. A medical pioneer, she rose to a position that no woman before her had been allowed to occupy, but for all her successes, her long, audacious deception also left her isolated, even costing her the chance to be with the man she loved.
One-hundred fifty years after the Civil War, there are still untold stories. Over 11,000 surgeons served in the Union army; 10,400 were well behaved. The other 600 were in trouble for embezzlement, insubordination, rape, AWOL, desertion, surliness, stealing food, and a host of other misdeeds. One man was deemed, "Drunk, but not too drunk to operate." Another was hopping into the beds of women in the VD hospital. Yet another forged his own performance reports, reporting his own excellent character. A statistical study compares their incidence of malpractice with one of today's mid-West states.These remarkable stories are accompanied by full citations and are indexed by regiment. An eye-opener and a much-needed reference work.
As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom are not well-known. Examining the lives and legacies of these women, Schultz considers who they were, how they became involved in wartime hospital work, how they adjusted to it, and how they challenged it. She demonstrates that class, race, and gender roles linked female workers with soldiers, both black and white, but became sites of conflict between the women and doctors and even among themselves. Schultz also explores the women's postwar lives--their professional and domestic choices, their pursuit of pensions, and their memorials to the war in published narratives. Surprisingly few parlayed their war experience into postwar medical work, and their extremely varied postwar experiences, Schultz argues, defy any simple narrative of pre-professionalism, triumphalism, or conciliation.