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This study explores how contemporary Saudi women writers use their writings as a way to gain control over the rules of cultural discourse in their society. The author examines the work of nine influential women writers and presents excerpts of their writings which appear here for the first time in English.
A memoir by a Saudi Arabian woman who became the unexpected leader of a movement to support women's rights describes how fundamentalism influenced her radical religious beliefs until her education, a job, and legal contradictions changed her perspectives.
Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour “A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers. In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck
Twenty-six stories from a spectrum of Saudi women, selected on the basis of the fulfillment of at least one of three criteria: good story telling, making a social point, or being a well-known work by a significant author. Issues touched on in the stories include tribalism, adultery, polygyny, male dominance, professional women, communication and honesty in marriage, and the Arabic story telling tradition of which Shahrazad and her Arabian nights are probably the most familiar example. Annotation copyrighted by Book News, Inc., Portland, OR
In the wealthy Saudi oil kingdom there is no such thing as secular law or modern courts. Instead, Saudi princes create the laws, based on Sharia, Islamic law derived from the Koran and Hadith, and the muttawas act as judges, enforcers, and executioners.
The cities of Saudi Arabia are among the most gender segregated in the world. In recent years the Saudi government has felt increasing international pressure to offer greater roles for women in society. Implicit in these calls for reform, however, is an assumption that the only "real" society is male society. Little consideration has been given to the rapidly evolving activities within women's spaces. This book joins young urban women in their daily lives—in the workplace, on the female university campus, at the mall—to show how these women are transforming Saudi cities from within and creating their own urban, professional, consumerist lifestyles. As young Saudi women are emerging as an increasingly visible social group, they are shaping new social norms. Their shared urban spaces offer women the opportunity to shed certain constraints and imagine themselves in new roles. But to feel included in this peer group, women must adhere to new constraints: to be sophisticated, fashionable, feminine, and modern. The position of "other" women—poor, rural, or non-Saudi women—is increasingly marginalized. While young urban women may embody the image of a "reformed" Saudi nation, the reform project ultimately remains incomplete, drawing new hierarchies and lines of exclusion among women.
Despite speculation about Saudi interests and loyalties that have been directed at the country since 9/11, Arabia remains the key US ally in the Arab Middle East. Menoret debunks the facile notions about Saudi society, and focuses our attention on present political and economic realities that cannot be reduced to essentialist "tribalist" ideas. Menoret illustrates the emerging autonomous--and Islamic--manifestations of Saudi national identity, fiercely reformist rather than medieval, complex and varied rather than merely a justification or support for the rule of the al-Saud royal family. Underlying this account is a sophisticated economic history of the Saudi state, from the eighteenth century to the present day, which details all the alliances and manoeuvres that have brought the country and its rulers to their current precarious position.
It all begins with an ad in the newspaper. When Jean Sasson, a young Southern woman living in Jacksonville Beach, Florida, answers a call to work in the royal hospital in Saudi Arabia, what should have been a two-year stay turns into a life-changing adventure spanning over a decade. Over the years Jean is plunged into the hidden lives of the veiled women in Riyadh, where women are locked in luxurious homes and fundamentalist mutawas terrorize the streets. Jean meets women from all walks of life--a feisty bedouin, an educated mother, a conservative wife of a high-ranking Saudi, and a Saudi princess the world knows as Princess Sultana--all who open a window into Saudi culture and help to reshape Jean's worldviews ... the first installment in a heartfelt, inspiring memoir about Jean's thirty-year travels and adventures in Saudi Arabia, Lebanon, Kuwait and Iraq.
A best-seller in Arabic, The Others is a literary tour de force, offering a glimpse into one of the most repressive societies in the world. Siba al-Harez tells the story of a nameless teenager at a girls' school in the heavily Shi'ite Eastern Province of Saudi Arabia. Like her classmates, she has no contact with men outside her family. When the glamorous Dai tries to seduce her, her feelings of guilt are overcome by an overwhelming desire for sexual and emotional intimacy. Dai introduces her to a secret world of lesbian parties, online flirtations and hotel liaisons - a world in which the thrill of infatuation and the shame of obsession are deeply intertwined. Al-Harez's erotic, dreamlike story of looming personal crisis is a remarkable portrait of hidden lives.
A strikingly honest look into Islamic culture?—in particular women and Islam?—and what it takes for one woman to recreate herself in the land of invisible women. Unexpectedly denied a visa to remain in the United States, Qanta Ahmed, a young British Muslim doctor, becomes an outcast in motion. On a whim, she accepts an exciting position in Saudi Arabia. This is not just a new job; this is a chance at adventure in an exotic land she thinks she understands, a place she hopes she will belong. What she discovers is vastly different. The Kingdom of Saudi Arabia is a world apart, a land of unparalleled contrast. She finds rejection and scorn in the places she believed would most embrace her, but also humor, honesty, loyalty and love. And for Qanta, more than anything, it is a land of opportunity. Very few Islamic books for women give a firsthand account of what it's like to live in a place where Muslim women continue to be oppressed and treated as inferior to men. But if you want to learn more about the Islamic culture in an unflinchingly real way, this book is for you. "In this stunningly written book, a Western trained Muslim doctor brings alive what it means for a woman to live in the Saudi Kingdom. I've rarely experienced so vividly the shunning and shaming, racism and anti—Semitism, but the surprise is how Dr. Ahmed also finds tenderness at the tattered edges of extremism, and a life—changing pilgrimage back to her Muslim faith." — Gail Sheehy