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If you told a woman her sex had a shared, long-lived history with weasels, she might deck you. But those familiar with mythology know better: that the connection between women and weasels is an ancient and favorable one, based in the Greek myth of a midwife who tricked the gods to ease Heracles’s birth—and was turned into a weasel by Hera as punishment. Following this story as it is retold over centuries in literature and art, Women and Weasels takes us on a journey through mythology and ancient belief, revising our understanding of myth, heroism, and the status of women and animals in Western culture. Maurizio Bettini recounts and analyzes a variety of key literary and visual moments that highlight the weasel’s many attributes. We learn of its legendary sexual and childbearing habits and symbolic association with witchcraft and midwifery, its role as a domestic pet favored by women, and its ability to slip in and out of tight spaces. The weasel, Bettini reveals, is present at many unexpected moments in human history, assisting women in labor and thwarting enemies who might plot their ruin. With a parade of symbolic associations between weasels and women—witches, prostitutes, midwives, sisters-in-law, brides, mothers, and heroes—Bettini brings to life one of the most venerable and enduring myths of Western culture.
The fifth meeting of the Edinburgh prophecy network focussed on the presence of prophets and prophecy in narrative texts. The papers in this volume scrutinize the image of prophecy through the analysis of narrative processes. The papers deal with a great time span: from the Hittite Empire, via the Hebrew Bible, Judaism and Islam, up to the early Modern Period. Although all sorts of variations could be detected - especially due to the variety of temporal contexts, some features are recurring especially in view of the anthropological phenomenon of prophecy and its function in narratives.
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First Published in 1967. This is volume one of three of The History of Four- footed Beasts taken principally from the ‘ Historite Animalium’ of Conrad Gesner. During the first decade of the seventeenth century, when Topsell prepared his translation, zoology had just become a science. It has a unique place: It was the first major book on animals printed in Great Britain in English; and it appeared at the last moment in history when all zoological knowledge since antiquity could be summarized sympathetically, before it was rendered a curiosity by the many new discoveries soon to come.
The book “Imposed Morality” is written from a multidisciplinary perspective and in this sense is totally different from other books dealing with human sexuality and particularly homosexuality. While other books usually present only one point of view such as medical, psychiatric, psychological, social or legal this book present a total and multidisciplinary view. It also includes a discussion of the present views of homosexuality both in the western countries as compared to some non-western societies which do not seem to take the many important aspects of this practice recently discussed and evaluated by western scientists in consideration, and continue to criminalize homosexuality leading to death sentences and executions of gay people or them being stoned publicly to death.
Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.
Skip O'Rourke is dragged into one last con . . . but he doesn't know the con's on him in this funny, page-turning debut YA. Cameron Smith attends an elite boarding school, and he has just been accepted to Princeton University alongside his beautiful girlfriend, Claire. Life for Cameron would be perfect, except that Cameron Smith is actually Skip O'Rourke, and Skip O'Rourke ran away from his con artist family five years ago...along with $100,000 in "earnings." Hey, it's not cheap to live a crime-free life! But when his Uncle Wonderful tracks him down, Skip's given an ultimatum- come back to the family for one last con, or say good-bye to life as Cameron. Skip doesn't want to be a crook, but with Princeton and Claire hanging in the balance, he doesn't have a choice. "One last con" is easier said than done when Skip's family is just as merciless (and just as sleazy) as they've always been, and everyone around him seems to be lying. Skip may have given up on crime, but there's one lesson he hasn't forgotten- always know your mark. And if you don't know who your mark is...it's probably you. Witty and irresistibly readable, this standout debut will always keep you guessing.
After growing up in a rural area of Montana, I became an avid reader of 30 years plus! Retired in Las Vegas. Met Phyllis. Asked to read Book one of "Las Vegas Life" series. Read it in 3 days! Unlike any normal life read! Loved it! Entertaining, thrilling, informative, compelling, fun. A range of emotions! Great woman's book! Anxious for Book Two! --Norma DeVries, Business Entrepreneur I never knew of the exciting life of a Las Vegas cocktail waitress. Cece, who is "Las Vegas Life" Book One's main female character, is a strong and honest woman, who finds herself in the midst of many circumstances, including times of danger and corruption. She risks her life on a daily basis to help support her family, but always shares lessons of faith and honesty. The series of "Las Vegas Life" is exciting, fun, entertaining, and inspirational! --LAURA H. Casino life, the knowledge of Las Vegas, and the curiosity about the people living in Las Vegas have mesmerized worldwide tourists for many years. Gambling has been a part of Nevada's Wild West long before this "Silver State" joined the United States of America in 1864, yet gambling only became legal in Nevada in 1931. Book One, in the trilogy of the "Las Vegas Life" books, portrays the beginning of an exceptional lifelong love story of two, young, and beautiful Las Vegas, Nevada teenagers, Cece and Ian. Book One starts in the mid-1960s and on through their many years together in Las Vegas. The twists and turns throughout the trilogy are completely unexpected as each story continues on to unfold into the many exciting, thrilling, and emotional experiences in the couple's lives together, while continuously introducing you to their ever growing personalities, their happy and evolving love story, their futures, their family, their true friends, as well as other interesting, kind, and/or deceitful acquaintances along their life journeys in their casino environments and in their casino experiences. So sit back, relax, hold on, and enjoy!
This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time. Art historian and journalist Kia Vahland recounts Leonardo's entire life from April 15, 1452, as a child born out of wedlock in Vinci up through his death on May 2, 1519, in the French castle of von Cloux. Included throughout are 80 sketches and paintings showcasing Leonardo's approach to the female form (including anatomical sketches of birth) and other artwork as well as examples from other artists from the 15th and 16th centuries. Vahland explains how artists like Raphael, Giorgione, and the young Titan were influenced by da Vinci's women while Michelangelo, da Vinci's main rival, created masculine images of woman that counters Leonardo's depictions.