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This book highlights the everyday trauma that women experience while finding themselves as victims of a deeply masculine and prejudiced milieu. It details a kind of counter-memory, broadening readers’ awareness about women’s trauma narratives. The works analysed here are all authored by women, and have significant claims to be treated as feminist trauma fiction, that is, as novels that are preoccupied with a socio-political analysis of women’s status and that espouse social or psychological transformation. The book will serve to expand the reader’s awareness of trauma by engaging them with personalised means of narration that highlight the troubled ambivalence of traumatic memory and warn us that trauma gets reproduced if left unattended. For both Margaret Atwood and Anita Desai, trauma emerges as a major and dominating theme in their works. In spite of being culturally separate, both Atwood and Desai show striking similarities as far as their art of writing is concerned.
Women face different psychological issues at different ages. But these issues and the experience of confronting them depend on cultural contexts. Literary works represent these psychological and social conflicts, but the manner of representation varies according to the culture of the author. This book brings together feminism, postcolonial theory, and developmental psychology to analyze how traditional literary forms are transformed by women writing in different cultures. The volume discusses works by such well known authors as Margaret Atwood, Nadine Gordimer, Keri Hulme, and Doris Lessing, along with fiction by less studied writers such as Barbara Burford, Joan Riley, and Jessica Anderson. By juxtaposing novels from different cultures, the volume highlights the new ways in which women renegotiate their identities at different ages and writers reconfigure novelistic forms. The first chapter looks at the search for adulthood in Tsitsi Dangarembga's Nervous Conditions, set in Zimbabwe, and in Margaret Atwood's Cat's Eye, set in Canada. The second, on the seach for intimacy, analyzes how Barbara Burford's lesbian novella The Threshing Floor and Keri Hulme's evocation of Maori commensalism in The Bone People undo the traditional romance plot. Later chapters offer similar examinations of how various life stages, such as the searches for place, space, and integrity, are treated in other works.
This book attempts to deal with the problem of literary subjectivity in theory and practice. The works of six contemporary women writers — Doris Lessing, Anita Desai, Mahasweta Devi, Buchi Emecheta, Margaret Atwood and Toni Morrison — are discussed as potential ways of testing and expanding the theoretical debate. A brief history of subjectivity and subject formation is reviewed in the light of the works of thinkers such as Hobbes, Hume, Kant, Hegel, Marx, Nietzsche, Raymond Williams and Stephen Greenblatt, and the work of leading feminists is also seen contributing to the debate substantially.
In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.
Packed with facts and illustrations, this landmark book offers a reliable, visually stunning, and family-friendly alternative to online information sources. This fully illustrated encyclopedia is the antidote to the internet. It's an expertly written and beautifully presented reference for a world overloaded with unreliable information. From quantum physics to the square of the hypotenuse, Ancient Rome to the depths of the oceans, this is your one-stop knowledge shop for the digital age-clear, simple, accurate, and unbiased. This book is a comprehensive guide to a huge range of human knowledge and includes over 4,000 images to bring information vividly to life. Its format is accessible to a wide range of readers, so it's ideal for a variety of ages, for home study-or simply for browsing for fun. Parents and teachers can be confident that children won't see any unwanted content. Visual Encyclopedia is the ultimate easy-to-read family guide to science, nature, space, history, art, technology, leisure, culture, and more. The information is organized thematically for simple navigation, and clear signposting makes it easy to follow connections between subjects. For family, for study, for the simple pleasure of discovery, here is a trustworthy source of knowledge and enjoyment.
In 1986, Afghanistan was torn apart by a war with the Soviet Union. This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war. Emmanuel Guibert’s most recent book for First Second was the critically acclaimed Alan’s War, the memoir of a WWII G.I. His close friendship with Didier Lefevre inspired him to combine art and photography to create this momentous book.
Contributed articles on contemporary Indic literature.
From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
This study argues that the private homes in transnational women's fiction reflect public legacies of colonialism. Published in Australia, Canada, India, Nigeria, Puerto Rico and the United States between 1995 and 2005, the novels use fictional houses to criticize and unsettle home and homeland, depicting their linked oppressions and exclusions.