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How key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
A study of literary representations of women and portable property during the period 1850 to 1900 that reveals how key changes to the married women's property laws contributed to fresh ways of viewing women in society. It argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period.
Inheritance and Speculation in Victorian Fiction: Finance, Family, and the Law investigates how Victorian fiction reconfigures the narrative and social conventions of inheritance. While recent criticism has concentrated on this fiction’s engagement with newer financial forms, this book contends that Victorian novels both attest to the persistence of inheritance and reveal its unsettling affinities with speculative forms. Focusing on Emily Brontë’s Wuthering Heights (1847), Charles Dickens’s Our Mutual Friend (1864-65), Wilkie Collins’s Armadale¬ (1866), and George Eliot’s Middlemarch (1871-72), each chapter explores a recurring pattern of contrast and conflation between inheritance and financial speculation. Taking an interdisciplinary historical and formal approach, Reich shows how this pattern gives narrative shape to concerns that were also emerging in contemporary political and legal debates around succession, bequest, landed estates, and conceptions of the family. Attending to the novels’ concrete and figurative allusions to these forms as well as their tentative alternatives, Reich also illustrates how the novels’ self-reflexive subversion of both characters and readers’ expectations based on inheritance conventions challenge our modes of reading. Inheritance and Speculation thus not only illuminates the integral role played by inheritance in Victorian fiction’s mediation of the credit economy, but also offers a new understanding of the complex role of convention in this fiction.
Elite Women and the Agricultural Landscape, 1700–1830 offers a detailed study of elite women’s relationships with landed property, specifically as they were mediated through the lens of their estate management and improvement. This highly original book provides an explicitly feminist historical geography of the eighteenth-century English rural landscape. It addresses important questions about propertied women’s role in English rural communities and in Georgian society more generally, whilst contributing to wider cultural debates about women’s place in the environmental, social and economic history of Britain. It will be of interest to those working in Historical and Cultural Geography, Social, Economic and Cultural History, Women’s Studies, Gender Studies and Landscape Studies. Chapters 2, 3, and 4 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Austen's Pride and Prejudice has been adapted, transformed and translated into numerous languages. Thus the classic today constitutes an international, transcultural, transmedial and iconic phenomenon of pop culture that transcends genre boundaries as easily as centuries. The vitality of the book at the crossroads of the literary canon and pop culture is analysed by contributions focusing on its translations, Bollywood adaptations, iconic TV versions or vlog adaptations, on erotic rewritings or generic transformations into Chick-Lit, crime fiction or the Gothic mode, on teaching contexts or on a diachronic analysis of its illustrations. Complemented by a compilation of student essays, this volume affirms and celebrates Pride and Prejudice being perhaps more alive than ever before.
Marriage is the novel's traditional subject matter. But what happens to the novel when another genre of writing lays claim to the novel's traditional material? Primitive Marriage: Victorian Anthropology, the Novel, and Sexual Modernity shows how the foundational ideas of the new discipline of anthropology gave late-Victorian novelists and social scientists ways of rethinking heterosexual romance by referring to a new kind of history, one in which marriage systems, sexual behavior, and reproductive practices were temporalized and given historical agency. Temporalizing sexual relations, locating them in evolutionary and historical time, anthropologists and the novelists who wrote after them began to think modernity in sexual terms. This transformation of politics into sexual politics put sexuality and gender at the center of liberal stories of progress. The Victorian theorists responsible for this transformation—from well-known figures like Charles Darwin and Sigmund Freud to lesser-known writers like John McLennan and Henry Maine—and the novelists who engaged them—Anthony Trollope, George Eliot, Henry James, Sarah Grand, H. Rider Haggard, Thomas Hardy—not only helped produce sexually modern subjects, but also the theories about sexuality, time, and politics that we still draw upon to think modernity today.
History and ideology are important concepts to consider when going through a literary work. Since ancient times, they have been key tools for the examination of literature. By means of these two concepts, a given work is analyzed and evaluated more profoundly. Both English and Turkish literature show traces of history and contesting ideologies. Charles Dickens and Orhan Kemal are prominent authors, the works of whom reveal the historical and ideological background of their respective contexts. This book extensively accounts for history and Althusser's ideology in Charles Dickens's and Orhan Kemal's selected novels.
This book examines George Eliot's understanding of money and economics within the context of the ethics of economics in nineteenth-century England.
The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
This book provides fresh perspectives on the object world, embodied experience and materiality in nineteenth-century literature and culture. Contributors explore canonical works by Austen, Brontë, Dickens and James, alongside less-familiar texts and a range of objects including nineteenth-century automata, scrapbooks, museum exhibits and antiques.