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Studies representations of women and death by women to see whether and how they differ from patriarchal versions.
Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.
Women and the Material Culture of Death is a book that is at once ambitious, compelling and poignant. The nineteen, cross-disciplinary, generously illustrated essays that comprise this collection reveal the hidden history of women's role in mourning the dead through a range of material practices from the early modern period to the present."--Publisher's description.
It is a classical anthropological paradox that symbols of rebirth and fertility are frequently found in funerary rituals throughout the world. The original essays collected here re-examine this phenomenon through insights from China, India, New Guinea, Latin America, and Africa. The contributors, each a specialist in one of these areas, have worked in close collaboration to produce a genuinely innovative theoretical approach to the study of the symbolism surrounding death, an outline of which is provided in an important introduction by the editors. The major concern of the volume is the way in which funerary rituals dramatically transform the image of life as a dialectic flux involving exchange and transaction, marriage and procreation, into an image of a still, transcendental order in which oppositions such as those between self and other, wife-giver and wife-taker, Brahmin and untouchable, birth and therefore death have been abolished. This transformation often involves a general devaluation of biology, and, particularly, of sexuality, which is contrasted with a more spiritual and controlled source of life. The role of women, who are frequently associated with biological processes, mourning and death pollution, is often predominant in funerary rituals, and in examining this book makes a further contribution to the understanding of the symbolism of gender. The death rituals and the symbolism of rebirth are also analysed in the context of the political processes of the different societies considered, and it is argued that social order and political organisation may be legitimated through an exploitation of the emotions and biology.
This volume focuses on women whose lives are entangled in the workings of the Mafia, drawing on courtroom testimonies, interviews, contemporary journalism and recent research. Individual narratives illuminate women's experiences, both as victims or active opponents.
Only recently out of the Army and back in the USA after fighting the Japanese in the Far East, Hank Janson is in no mood to just sit back and take it when his old friend Lola gets caught in the crossfire of a bar-room shooting. He sets out to avenge her death, finding himself up against a vicious gangster - and three even more dangerous women ... With their erotic pin-up covers and hardboiled crime tales, the Hank Janson pulp paperbacks were a British publishing sensation in the 1940s and 1950s, selling millions of copies to readers craving escapism from post-war austerity. Prosecutions under Britain's then-harsh obscenity laws dealt them a severe blow, however, and today they are highly sought after by collectors. The tough, uncompromising This Woman is Death was the very first novel in the regular Hank Janson series, originally published in 1948. It is reissued by Telos Publishing complete with its original Reginald Heade cover.
The Jewish poets of medieval Spain combined elements of the dominant Arabic-Islamic culture with Jewish religious and literary traditions to create a rich new Hebrew literature that is as richly entertaining today as it was in the twelfth century. In this delight delightful book, Scheindlin presents the original Hebrew poetry with his own melodic English translations, each followed by commentary that explains its cultural context.
Hedwig Dohm (1831-1919) was a thinker and writer significantly ahead of her time. She championed women's rights in Germany and criticized with acerbic wit the social, political, and familial inequities inherent in gender relationships at the time of the first wave of the women's movement. Her novella Become Who You Are is about a woman, Agnes Schmidt, whose husband has died and who is grappling with finding an identity for herself as an aging widow--reflecting the restrictions imposed especially on aging, widowed women who often yearn for a life and identity of their own. Also included here is the English translation of Dohm's essay, "The Old Woman," which is a compelling call for women to resist the social, intellectual, psychological, and physical restraints placed on women of Dohm's time.
Death, Gender and Ethnicity examines the ways in which gender and ethnicity shape the experiences of dying and bereavement, taking as its focus the diversity of ways through which the universal event of death is encountered. It brings together accounts of how these experiences are actually managed with analyses of a range of representations of dying and grieving in order to provide a more theoretical approach to the relationship between death, gender and ethnicity. Though death and dying have been an increasingly important focus for academics and clinicians over the last thirty years, much of this work provides little insight into the impact of gender and ethnicity on the experience. The result is often a universalising representation which fails to take account of the personally unique and culturally specific experiences associated with a death. Drawing on a range of detailed case studies, Death, Gender and Ethnicity develops a more sensitive theoretical approach which will be invaluable reading for students and practitioners in health studies, sociology, social work and medical anthropology.
An introduction to women and gender in the classical world that draws on the most recent research in the field Women in Classical Antiquity focuses on the important objects, events and concepts that combine to form a clear understanding of ancient Greek and Roman women and gender. Drawing on the most recent findings and research on the topic, the book offers an overview of the historical events, values, and institutions that are critical for appreciating and comparing the life situations of women across both cultures. The author examines the lifecycle of women in ancient Greek and Rome beginning with how young females acquired the gendered characteristics necessary for adulthood. The text explores female adolescence, including concerns about virginity, medical views of the female body, religious roles, and education. Views of marriage, motherhood, sexual activity, adultery, and prostitution are also examined. In addition, the author explores how women exercised authority and the possibilities for their civic engagement. This important resource: Explores the formation of classical women’s social identity through the life stages of birth, adolescence, marriage, childbirth, old age, and death Contains information on the most recent research in this rapidly evolving field Offers a review of the life course as a way to understand the social processes by which Greek and Roman females acquired gender traits Includes questions for review, suggestions for further reading, and a glossary of key terms Written for academics and students of classical antiquity, Women in Classical Antiquity offers a general introduction to women and gender in the classical world.