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"It is 1912. Against all odds, the Titanic is sinking. As desperate hands emerge from the icy water, a few lucky row boats float in the darkness. On the boats are four survivors. Reg, a handsome young steward working in the first-class dining room; Annie, an Irishwoman travelling to America with her children; Juliet, a titled English lady who is pregnant and unmarried, and George, a troubled American millionaire. In the wake of the tragedy, each of these people must try to rebuild their lives. But how can life ever be the same again when you've heard over a thousand people dying in the water around you?"--Page [4] of cover.
Describes what happened to the Titanic survivors on that awful night and how the experience shaped their future lives.
Comparing the affluent U.S. of today to the Titanic (which, as a luxury liner, nevertheless lacked lifeboats for steerage women and children), Sidel contends in this realistic appraisal that despite the women's movement, social and economic trends of the last 20 years, especially the divorce rate and mechanization of industry, have reduced to bare survival hundreds of thousands of already impoverished women and children. Many are older women, battered wives or female heads of families, asserts Sidel (who interviewed several of them), and they are often victims of sex and racial discrimination in the workplace or of government cutbacks in human services. Following Sweden's example, the U.S., she argues, should develop policies to strengthen family life through universal entitlements; should pay women better wages, provide family planning, maternity leaves and prenatal care, along with day and after-school care.
At a crucial time in American history, narratives of women in command or imperiled at sea contributed to the construction of a national rhetoric. Robin Miskolcze makes her case by way of careful readings of images of women at sea before the Civil War in her book Women and Children First. Though the sea has traditionally been interpreted as the province of men, women have gone to sea as mothers, wives, figureheads, and slaves. In fact, in the nineteenth century, women at sea contributed to the formation of an ethics of survival that helped to define American ideals. This study examines, often for the first time, images of women at sea in antebellum narratives ranging from novels and sermons to newspaper accounts and lithographs. Anglo-American women in antebellum sea narratives are often portrayed as models of American ideals derived from women’s seemingly innate Christian self-sacrifice. Miskolcze argues that these ideals, in conjunction with the maritime directive of “women and children first” during sea disasters, in turn defined a new masculine individualism, one that was morally minded, rooted in Christian principles, and dedicated to preserving virtue. Further, Miskolcze contends that without the antebellum sea narratives portraying the Christian self-sacrifice of women, the abolitionist cause would have suffered. African American women appealed to the directive of “women and children first” to make manifest their own womanhood, and by extension, their own humanity.
First published in 1992, this book explores the efforts to counteract the high maternal and infant death rates present between the end of the nineteenth century and the Second World War. It looks at the problem in five different continents and shows the varying approaches used by the governments, institutions and individuals in those countries. Contributors display how policy and practice have been shaped by the structure of maternity services, nationalism, the conflict of colonization and cultural factors. In doing so, they illustrate how welfare policy and funding were moulded throughout the world in the times considered.
Girl, World is a collection of stories about survival: women discovering their untapped strengths and their metamorphoses into becoming whole. Mixing lyricism, stark realism, emotional depth, and vivacious language, Alex Poppe has crafted unforgettable female characters who navigate through places where the big political picture is captured in their personal stories.
In 19th-century America, it was assumed that woman patients would be treated by male doctors. The idea of a "woman doctor" was deemed by many to lie somewhere between unfathomable and repugnant. Then along came Susan Dimock. A young North Carolinian who dreamed of becoming a physician, and grew up to practice medicine in Boston, Dimock was not the first American woman to battle the patriarchal medical establishment. But in the 1870s, she was arguably the best-educated, most-skilled woman surgeon in the nation as well as living proof that a woman could be competent, smart, lovely, and kind--all in the same package. Dimock's life reads like an adventure story, from recoiling at slave auctions and witnessing Civil War battles to escaping her fire-engulfed Southern hometown, then finding her place among Boston's most enterprising women. She studied medicine in Zurich and Vienna, hiked the Swiss Alps, executed complex surgeries, and trained America's first professional nurses, ultimately inspiring a new generation of female surgeons. It is no surprise that a prestigious Viennese medical professor, when asked for advice to aspiring young doctors, replied simply, "Make yourself to be like Miss Dimock." This biography is the first to give Susan Dimock her rightful place in medical, women's, and world history.
This diverse collection explores the rhetoric of a wide range of public policies that propose "to put women and children first," including homeland security, school violence, gun control, medical intervention of intersex infants, and policies that aim to distinguish "good" from "bad" mothers. Using various feminist philosophical analyses, the contributors uncover a logic of paternalistic treatment of women and children that purports to protect them but almost always also disempowers them and sometimes harms them. This logic is widespread in contemporary popular policy discourse and affects the way that people understand and respond to social and political issues. Contributors rethink basic philosophical assumptions concerning subjectivity, difference, and dualistic logic in order to read the rhetoric of contemporary public policy discourse and develop new ways of talking and acting in the policy domain.
This text explores the impact of recent welfare reform on motherhood, marriage, and work in women's lives. It also focuses on what welfare reform reveals about work and family life, and its impact on us all.
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist