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WomanSpeak, A Journal of Writing and Art by Caribbean Women, Vol.7, 2014, edited by Lynn Sweeting, brings together 30 contemporary women writers and painters of the Caribbean in a new collection especially themed, "Voices of Dissent: Writing and Art to Transform the Culture." Includes works by Opal Palmer Adisa, Lelawattee Manoo Rahming, Vahni Capildeo, Althea Romeo-Mark, Marion Bethel, Danielle Boodoo-Fortune, Sonia Farmer, Angelique V. Nixon and more. Founded in the nineties in The Bahamas, revived in 2011, WomanSpeak is the Little Journal That Could, in the beginning Sweeting's personal labor of love, growing now into an international literary journal with a Caribbean focus. A must read for women writers and painters everywhere, as well as students of women's studies and those who love women's writing and art.
Volume 9 of "WomanSpeak Journal of Writing and Art by Caribbean Women" is a collection of new creative work by nineteen women writers and artists in and of the Caribbean. This is a slim volume of poetry, short stories, fairy tales, essays and art that every island woman writer should have on her book shelf. This anthology includes writing by internationally recognized authors, rising stars, award winners, and new voices publishing for the first time. The writers conjure myths and fairy tales for our generation, evoke ancient goddesses, sing praises for our grandmothers and island women who've survived the hurricanes; as if to say to another in turn, I will tell you a story, I will tell you what happened, I will tell you what I dreamed, I will tell you what I remember, I will tell you what I imagine.
WomanSpeak, A Journal of Writing and Art by Caribbean Women, is devoted to nurturing the creativity of contemporary Caribbean women writers and artists, to providing a forum that amplifies their voices, and preserves their work for future audiences. This new issue, Volume 8/2016, is especially themed, ""Letters to the Granddaughtes: Conjuring the Caribbean Women Writers of the Future."" New work by 27 writers and artists are collected in this new issue, including internationally recognized authors and painters, and some new voices as well. Their works are about love, pain, survival, migration, loss, justice, hope, resistance, transformation, truth-telling, and the importance of remembering and recording the stories of our lives so that the granddaughters, i.e., the coming generations of Caribbean women writers and artists, can take us with them into the future.
WomanSpeak, A Journal of Literature and Art by Caribbean Women, Vol. 6, 2012, edited by Lynn Sweeting, brings together 25 women writers, poets and painters of the Caribbean in a new collection especially themed, Women Speaking for the Earth. Featuring the work of acclaimed writers and new voices, this journal is a must read for all who love women's literature and art, and for all who love and honour the Earth and are committed to her restoration and protection in these difficult times.
The WomanSpeak Journal, Vol 5/2010, edited by Lynn Sweeting and published by WomanSpeak Books of The Bahamas, is a biennial literary journal featuring poetry, fiction, fairytales, art and photography by Caribbean women. The Journal seeks to nurture Caribbean women's creativity by publishing the best new women's literature from the Caribbean and by bringing their work to a wider audience today and preserving it for future generations. WomanSpeak is dedicated to amplifying women's literary voices, creating community and dialogue among Caribbean women authors and artists, and to making world-class books that will inspire a new generation of Caribbean women to read, and to write.
While scholarship on Caribbean women's literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women's writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.
Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
In Chris Barker's sequel to Cultural Studies, the author addresses the strengths and weaknesses of the discipline and investigates its practical and academic boundaries. The author also clarifies its underlying themes of study.