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Karyn Crisis has been able to sense the "unseen world of passed-on relatives, angels, and ghosts since childhood. Training as a Spiritualist Medium as an adult, she became a popular platform Medium and healer in the San Francisco Bay Area. In 2009, she took a fateful trip to Italy's Tuscany Region, which would have a lasting impact far beyond what she could have ever imagined: Goddesses from Italy's history suddenly began appearing to Karyn as clearly as other spirit people had, and they began transmitting to her the information of a most interesting cultural melting pot in Italy that gave rise to its unique and complex spiritual landscape. Among the information shared was the knowledge of Italy's own indigenous Lineage healing, a female shamanism hiding in-plain-sight that can be traced back to pre-pagan times. One thing was clear: Mediumship was and is the cornerstone of all these traditions by advancing the quality of life through previously hidden knowledge from the spirit world handed down to earth. Following the guidance of the Goddesses, Karyn returned to Italy where she embarked on a long and intensive research study. Taking cures from "streghe," meeting herbalists on mountain tops, experiencing a 6 hour ancestral fire ritual with secret shaman called Benandanti, interviewing local authors and museum curators and folk lore experts, and walking on the remains of the Goddess Diana's 2,000 year old temple, Karyn found the historical evidence to support what the Goddesses had shown her in visions. Volume 1 also provides a comprehensive spiritual history of the "Italian Witch" and reveals an important matrilineal living practice supplanted by the patriarchal invasions of pre-pagan times, whose acts of repression still affect the world today, revealing a groundbreaking history of women. Also find practical tips to reconnect with this female Lineage.
Imagine creating your Italian dream vacation with a fun-loving savvy traveler girlfriend whispering in your ear. Go along with writer Susan Van Allen on a femme-friendly ride up and down the boot, to explore this extraordinarily enchanting country where Venus (Vixen Goddess of Love and Beauty) and The Madonna (Nurturing Mother of Compassion) reign side-by-side. With humor, passion, and practical details, this uniquely anecdotal guidebook will enrich your Italian days. Enjoy masterpieces of art that glorify womanly curves, join a cooking class taught by revered grandmas, shop for ceramics, ski in the Dolomites, or paint a Tuscan landscape. Make your vacation a string of Golden Days, by pairing your experience with the very best restaurant nearby, so sensual pleasures harmonize and you simply bask in the glow of bell’Italia. Whatever your mood or budget, whether it’s your first or your twenty-first visit, with 100 Places in Italy Every Woman Should Go, Italy opens her heart to you.
In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes - so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women's self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst.
First published in 1910, this study in social evolution from the 13th to the 16th century functioned as a successor to Jacob Burckhardt’s The Civilisation of the Renaissance in Italy (1860). The author developed Burckhardt’s idea of studying continuous trends over time whilst challenging his idea that Early Modern women enjoyed extraordinary freedom in comparison to their Medieval predecessors. Boulting contrasts the idealization of women with real women at home and in life, portraying women as expanding from protective bondage due to economic progress alongside what contemporary scholars saw as the degeneration of the Catholic Faith during and following the Counter Reformation. He explores various roles of Renaissance women including maidens, married women, housewives, motherhood, widowhood, styles of dress, nuns, saints, courtesans and academics. In doing so, Boulting hoped to demonstrate how very substantial yet how wholly partial the emergence of women was during this Late Medieval and Early Modern period and that this coincided with the complete amelioration of humanity and an increase in kindliness and sense of duty among both men and women.
"For the common reader as well as the professional one, Victoria de Grazia opens doors and sheds new light on a fascinating subject."—Mary Gordon, author of The Other Side
"Dramatic, heartbreaking and sweeping in scope." —Wall Street Journal The acclaimed author of A Train in Winter returns with the "moving finale" (The Economist) of her Resistance Quartet—the powerful and inspiring true story of the women of the partisan resistance who fought against Italy’s fascist regime during World War II. In the late summer of 1943, when Italy broke with the Germans and joined the Allies after suffering catastrophic military losses, an Italian Resistance was born. Four young Piedmontese women—Ada, Frida, Silvia and Bianca—living secretly in the mountains surrounding Turin, risked their lives to overthrow Italy’s authoritarian government. They were among the thousands of Italians who joined the Partisan effort to help the Allies liberate their country from the German invaders and their Fascist collaborators. What made this partisan war all the more extraordinary was the number of women—like this brave quartet—who swelled its ranks. The bloody civil war that ensued pitted neighbor against neighbor, and revealed the best and worst in Italian society. The courage shown by the partisans was exemplary, and eventually bound them together into a coherent fighting force. But the death rattle of Mussolini’s two decades of Fascist rule—with its corruption, greed, and anti-Semitism—was unrelentingly violent and brutal. Drawing on a rich cache of previously untranslated sources, prize-winning historian Caroline Moorehead illuminates the experiences of Ada, Frida, Silvia, and Bianca to tell the little-known story of the women of the Italian partisan movement fighting for freedom against fascism in all its forms, while Europe collapsed in smoldering ruins around them.
A family struggles for redemption after a funeral brings dark secrets to the surface in this novel from the Booker Prize–winning author of The Sea, The Sea. For the first time in years, Edmund Narraway has returned to his childhood home—for the funeral of his mother. The visit rekindles feelings of affection and nostalgia—but also triggers a resurgence of the tensions that caused him to leave in the first place. As Edmund once again becomes entangled in his family’s web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos, in this compelling story of reunion and coming apart from Iris Murdoch, “one of the most significant novelists of her generation” (The Guardian).
English translations of the author's most important articles.
This is the first in-depth study of the feminist movement that swept Italy during the "long 1970s" (1968-1983), and one of the first to use a combination of oral history interviews and newly-released archive sources to analyze the origins, themes, practices and impacts of "second-wave" feminism. While detailing the local and national contexts in which the movement operated, it sees this movement as transnationally connected. Emerging in a society that was both characterized by traditional gender roles, and a microcosm of radical political projects in the wake of 1968, the feminist movement was able to transform the lives of thousands of women, shape gender identities and roles, and provoke political and legislative change. More strongly mass-based and socially diverse than its counterparts in other Western countries at the time, its agenda encompassed questions of work, unpaid care-work, sexuality, health, reproductive rights, sexual violence, social justice, and self-expression. The case studies detailing feminist politics in three cities (Turin, Naples, and Rome) are framed in a wider analysis of the movement’s emergence, its transnational links and local specificities, and its practices and discourses. The book concludes on a series of hypotheses regarding the movement’s longer-term impacts and trajectories, taking it up to the Berlusconi era and the present day.
'Rich. . . eclectic. . . a feast' Telegraph This landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century. Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events. This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.