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A sensational murder, trial, and a young woman's execution in Depression-era New York At first glance, the 1932 Easter morning murder of Salvatore "Sam" Antonio had all the trademarks of a gang-related murder. Shot five times, stabbed a dozen more, Antonio was left for dead. His body was rolled into a culvert on Castleton Road outside of Hudson, south of Albany, New York. It was only by chance that the mortally wounded Antonio was discovered and brought to the hospital. He died in the emergency room without ever naming his assailant. William H. Flubacher of the New York State Police arrived at the hospital minutes after Antonio succumbed and immediately began his investigation by questioning the victim's wife, Anna Antonio. The vague details she offered, coupled with her utter lack of shock or grief upon hearing of her husband's brutal murder, convinced Flubacher that something was amiss. Soon, as James M. Greiner tells us in this absorbing book, Anna was accused of hiring two drug dealers, Vincent Saetta and Sam Feraci, to kill her husband. In Greiner's description of the trial itself, he seeks to show how flaws in the judicial system, poverty, and prejudice around the Italian American community in Albany all played a part in Anna's conviction and death sentence. Perhaps no other woman on death row endured the mental anguish she experienced; her execution was postponed three times--once when walking to the electric chair. The first complete history of this historically significant case, A Woman Condemned draws upon newly discovered New York State Police records, volumes of court transcripts, and period newspapers, leading readers to wonder if justice was really served.
"A Weak Woman in a Strong Battle provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society. The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects"--
The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.
Sunny Jacobs was only 27 years old when she and her partner, Jesse, were wrongly sentenced to death by the Florida courts for the murder of two state policemen in 1976. This book demonstrates the human capacity for resilience and generosity of spirit. It focuses not on the horrors Sunny endured but on the ways in which she triumphed.
Serial poisoners, crimes of passion, brutal slayings and infanticide; this new book examines the stories and subsequent trials behind the most infamous cases of British female killers between the early part of the nineteenth century and the 1950s. Among the cases featured here is that of Sarah Dazley, hanged in 1843 for poisoning her second husband; Mary Ann Cotton, who murdered up to twenty-one people, including many members of her own family; Amelia Dyer, the 'baby farmer' who murdered countless numbers of children; Susan Newell, who murdered her newspaper boy; the execution, in 1923 of Edith Thompson for the murder of her husband, a crime she swore she knew nothing about; and, Ruth Ellis, who gunned down her boyfriend outside the Magdala Tavern in 1955, the last woman to lawfully hang in Britain. Retired police detective Paul Heslop has carefully and objectively analysed each of these prominent British cases. His narrative includes post-trial material as well as the executions of the offenders. Finally, he offers his 'verdict', taking into account all the circumstances so that there are times when justice itself is put on trial.
Innocent, guilty, coerced, framed. These are the stories of dozens of women who found themselves on the wrong side of the law. Whether innocent or not, these women were all indicted for murder of some sort; most of them ended up facing execution. From Britain’s late medieval period through the following 600 years, this book explores the world of murderous female crime and pulls you in to the lives of these women. It situates their stories on the timeline of British crime and relates their terrible deeds to the criminal world and proceedings of the times they lived in. Enjoy this glimpse into the history of Britain’s criminal underbelly and the women within it, who showed what desperation, lack of mental health support, and cruelty, could lead to.
In Reforming Women, Lisa Shaver locates the emergence of a distinct women’s rhetoric and feminist consciousness in the American Female Moral Reform Society. Established in 1834, the society took aim at prostitution, brothels, and the lascivious behavior increasingly visible in America’s industrializing cities. In particular, female moral reformers contested the double standard that overlooked promiscuous behavior in men while harshly condemning women for the same offense. Their ardent rhetoric resonated with women across the country. With its widely-read periodical and auxiliary societies representing more than 50,000 women, the American Female Moral Reform Society became the first national reform movement organized, led, and comprised solely by women. Drawing on an in-depth examination of the group’s periodical, Reforming Women delineates essential rhetorical tactics including women’s strategic use of gender, the periodical press, anger, presence, auxiliary societies, and institutional rhetoric—tactics women’s reform efforts would use throughout the nineteenth century. Almost two centuries later, female moral reformers’ rhetoric resonates today as our society continues to struggle with different moral expectations for men and women.