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NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe
A written introduction by the academic and theatre director Anna Birch tells of the 10 year campaign to raise funds for and erect a statue on Newington Green in London in honour of the 'Mother' of feminism, Mary Wollstonecraft. The unveiling of the statue caused considerable public controversy with some viewers attempting to cover it up. The naked statue designed by artist Maggi Hambling upset many feminists who claimed that it undermined the works of Wollstonecraft and her belief in the equality of women while others praised the concept for honouring the spirit of womanhood rather than putting a representational artwork of Wollstonecraft on a plinth. Kaethe Fine's play 'Wollstonecraft Live!' was performed on Newington Green in aid of the fundraising campaign for the statue. The playtext depicts a staged film shoot which centers on a love story between the 18th century radical, Mary Wollstonecraft, and a 21st century actor cast as William Godwin who was Mary's lover for the last 5 years of her life. It includes eight characters: three Mary Wollstonecrafts, (the actor Cast as) Godwin, a Boom Operator, the Sound Mixer, the assistant Director, and the Casting Director interact with each other as they attempt to represent the story of Mary's life in a bio-pic. As they all rehearse a critical tracking shot for the film, power shifts from the absent Director, to the three Marys who have primarily functioned as production assistants. On set, the actor Cast as Godwin rehearses his lines, comprised of fragments from 'Memoirs of the author of a Vindication of the Rights of Woman', William Godwin's real biography of Mary written after she died giving birth to their daughter, Mary Shelley. The relationships in Mary's life, all tragically cut short by circumstance are exposed through real letters and contemporary dialogue, creating a fragmented narration of the time in which she lived, loved and died.
A manifesto for women's rights stresses the need for the education of women, defines the female character, and applies the egalitarian principles of the era to women.
Exploring the Lives of Women, 1558-1837' is an engaging and lively collection of original, thought-provoking essays. Its route from Lady Jane Greys nine-day reign to Queen Victorias accession provides ample opportunities to examine complex interactions between gender, rank, and power. Yet the books scope extends far beyond queens: its female cast includes servants, aristocrats, literary women, opera singers, actresses, fallen women, athletes and mine workers.The collection explores themes relating to female power and physical strength; infertility, motherhood, sexuality and exploitation; creativity and celebrity; marriage and female friendship. It draws upon a wide range of primary materials to explore diverse representations of women: illuminating accounts of real womens lives appear alongside fictional portrayals and ideological constructions of femininity. In exploring womens negotiations with patriarchal control, this book demonstrates how the lived experience of women did not always correspond to prescribed social and gendered norms, revealing the rich complexity of their lives.This volume has been published to commemorate the 30th anniversary of the Womens Studies Group 1558-1837. The group was formed to promote research into any aspect of womens lives as experienced or depicted within this period. The depth, range and creativity of the essays in this book reflect the myriad interests of its members.
In 1790 came that "extraordinary outburst of passionate intelligence," Mary Wollstonecraft's reply to Edmund Burke's attack on the principles of the French Revolution entitled a "Vindication of the Rights of Men." In this pamphlet she held up to scorn Burke's defence of monarch and nobility, his merciless sentimentality. "It is one of the most dashing political polemics in the language," Mr. Taylor writes enthusiastically, "and has not had the attention it deserves. . . . For sheer virility and grip of her verbal instruments it is probably the finest of her works. Some of her sentences have the quality of a sword-edge, and they flash with the rapidity of a practised duellist. It was written at a white heat of indignation; yet it is altogether typical of the writer that, in the midst of the work, quite suddenly, she had one of her fits of callousness and morbid temper, and declared she would not go on. With great skill Johnson persuaded her to take it up again; and with equal suddenness her eagerness returned, and the book was finished and published before any one else could answer Burke."
The Social and Political Philosophy of Mary Wollstonecraft brings together new essays from leading scholars, which explore Wollstonecraft's range as a moral and political philosopher of note, taking both a historical perspective and applying her thinking to current academic debates.
A Best Novel of Summer (New York Times Book Review) From the acclaimed author of Mr. Dickens and His Carol, a richly-imagined reckoning with the life of another cherished literary legend: Mary Wollstonecraft – arguably the world’s first feminist August, 1797. Midwife Parthenia Blenkinsop has delivered countless babies, but nothing prepares her for the experience that unfolds when she arrives at Mary Wollstonecraft’s door. Over the eleven harrowing days that follow, as Mrs. Blenkinsop fights for the survival of both mother and newborn, Wollstonecraft recounts the life she dared to live amidst the impossible constraints and prejudices of the late 18th century, rejecting the tyranny of men and marriage, risking everything to demand equality for herself and all women. She weaves her riveting tale to give her fragile daughter a reason to live, even as her own strength wanes. Wollstonecraft’s urgent story of loss and triumph forms the heartbreakingly brief intersection between the lives of a mother and daughter who will change the arc of history and thought. In radiant prose, Samantha Silva delivers an ode to the dazzling life of Mary Wollstonecraft, one of the world's most influential thinkers and mother of the famous novelist Mary Shelley. But at its heart, Love and Fury is a story about the power of a woman reclaiming her own narrative to pass on to her daughter, and all daughters, for generations to come.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.