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Inspector Plonker is once more on the trail of his old enemy, Wolfgran, but this time he's going undercover. Disguised in a pantomime wolf suit, can the Inspector and his faithful sidekick Sergeant Snoop escape being throttled by Granny Riding Hood's nephew, blasted by the Chief of Police, hand-bagged by a bus queue full of very cranky old ladies and run over by the terrifying vets from TV's 'Pet Patrol'? And will they manage to stop the Big Bad Wolf before he gets to the Grand Gala Bingo Night and finally makes a meal of Little Red Riding Hood?
A sequel to the story of Little Red Riding Hood, Wolfgran is a wonderfully irreverent take on the world of fairy tales. Granny has sold her house to the three little pigs and moved into the Happy- Ever-After Home for Retirement Characters from Fairy Tales. But the Big Bad Wolf is still on her trail! Disguised as a little old lady, the Wolf is causing mayhem as he prowls the city streets, swallowing anybody who gets in his way, including several very polite policemen. Hot on his case are Chief Inspector Plonker, who thinks he has a werewolf on his hands, Sergeant Snoop, who has to melt down his darts trophy to make silver bullets, and a very clever little girl guide in a red hood. But will they get to the wolf before he gets Granny? And who will let all those little old ladies out of their cells in time for bingo? 'Finbar O'Connor's funny and well-written debut, Wolfgran ... will make a great stocking filler for eight to eleven year olds.' Dermot Bulger, Evening Herald
Millions of Christians around the world are becoming aware of an imminent reformation of global proportions within the church. God is changing this revered institution and is making a new collective awareness of an age-old revelation, a corporate spiritual echo that reflects God's desire for the church. In this book, Simson brings to light what God is saying to Christians everywhere. Researched across the globe, he presents the case for the reformation of the church's existence. In a world where the church is being ignored, it is time to bring the church to the people and not the people to the church. Whether it is what we know as church from the last five years or the last five hundred years, no one has truly been able to break free from the structures of the past. Many may see this book as radical, many may see it as a reforming of old ideals but all who read it will be challenged and their priorities refocused in a life-changing way.
The Return of the World Soul is the dramatic story of the struggle of two great minds. Carl Jung the father of depth psychology and Wolfgang Pauli one of the most exceptional physicists of the twentieth century transcend the limitations of their respective disciplines and discover a true unus mundus- a world that unifies and transcends the domains of inner and outer. Through the course of their many exchanges, Jung and Pauli envision a future in which there is not only a radical change in the nature of personal consciousness but a transformation of humanity as a whole.
Reprint of the original, first published in 1839.
The elusive and ungraspable in Rihms’s music Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm’s generosity in essays and introductions to his works, many aspects of the ‘inner sound’ of his music stay an elusive, ungraspable ‘chiffre’: a challenge for the analyst. With Foreword by Richard McGregor (Professor Emeritus, University of Cumbria)