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Sean Farrell - thief, petrol smuggler and all-round scoundrel - just got shafted by the love of his life. Nora ran off with twenty grand, a gram of coke, and his favourite leather jacket, leaving him with little more than a hangover and a Dido soundtrack.But Nora's sights are on the two hundred grand Farrell supposedly stashed somewhere in the middle of Northumberland, and she's enlisted the help of her old boyfriend, a former hit man, to retrieve it.Farrell hooks up with an old Army mate, the shoplifting, rotgut-swilling arsonist Jimmy Cobb, and sets off after them. When this pair catch up with Nora and her ex, there's going to be hell to pay... 'cause nobody messes with Farrell and Cobb.Wolf Tickets is hardcore Ray Banks - ballsy, breathless and brutal. "From what I've learned of the backstory of the life of this novel, it's a bit of a wonder that I ever got to read it at all. And it would have been a crying shame of a brutal crime if I hadn't, because I do like a bit of crime fiction once in a while, and when I do, I like it to be spectacular. Wolf Tickets is spectacular." - Kate Of Mind"Wolf Tickets is the novel where Ray Banks delivers the most straight-up hard-boiled thrills per page than in anything he's written to date." - Spinetingler Magazine"Ray Banks has a way with words and seems to capture a real humanist feel to this violence-laden plot. The comedic undertones accentuate the dual character leads' persona and penchant for easy violence. As much as I enjoy a dark crime novel, a laugh here and there really balances things out; Ray Banks is one of the best in the business." - Just A Guy That Likes To Read"Ray Banks writes with harshness, humour and elegance, and his punchy dialogue teems with vigorous authenticity." - The Times"Tough and assured . . . Banks is updating the noir novel with an utterly original sensibility." - Publisher's Weekly"Bleakly, desperately funny, Ray Banks offers us a glimpse of what Samuel Beckett might have read like had he turned his hand to crime fiction." - Crime Always Pays"Saturday's Child is a knock-out, written with the kind of energy and passion that far too few writers can muster. Fresh and fierce, it raises the bar for hardboiled fiction on both sides of the Atlantic." - New York Times Bestseller Laura Lippman, author of What The Dead Know"Banks wields language with a knifefighter's precision, with much the same result. From the first words to the last, this book flashes brilliantly." - Don Winslow, The Power Of The Dog and Savages"Banks is part of the post-Rankin generation for whom hardboiled is not just a state of mind but a reality. Tough-guy colloquial prose and a pace fast enough to skin a rabbit, at the service of a tale of down-and-dirty realism: this is fiery stuff." - The Guardian"...terrific, brooding and chilling prose" - Tom Adair, The Scotsman"...a fine example of energetic, visceral and compelling storytelling... This is properly thrilling stuff." - The Big Issue In Scotland Ray Banks is the author of nine novels, including Angels of the North, Inside Straight and Saturday's Child.
This paperback edition of A Place on the Corner marks the twenty-fifth anniversary of Elijah Anderson's sociological classic, a study of street corner life at a local barroom/liquor store located in the ghetto on Chicago's South Side. Anderson returned night after night, month after month, to gain a deeper understanding of the people he met, vividly depicting how they created—and recreated—their local stratification system. In addition, Anderson introduces key sociological concepts, including "the extended primary group" and "being down." The new preface and appendix in this edition expand on Anderson's original work, telling the intriguing story of how he went about his field work among the men who frequented Jelly's corner.
An irreverent lexicon of the seemingly infinite ways we call bullshit, written by a McSweeney's columnist and etymologist, illustrated by a New Yorker-contributing cartoonist. What's the difference between "balderdash" and "drivel"? Where did "mumbo-jumbo" come from? How should you use "meadow mayonnaise"? What's "felgercarb" and which popular TV show coined it? There are hundreds of common and rare terms for bullshit in English, including borrowings from German, turn-of-the-century sailors, The Simpsons, and beyond. Bullshit is everywhere, but not all of it is created equal. Mark Peters's Bullshit: A Lexicon is the handy guide to identifying and calling BS in all of its many forms, from "bunk" and "claptrap" to "applesauce" and "gobbledygook." Packed with historical facts, pop culture tidbits, and definitions for each term, Bullshit is perfect for humor readers, language lovers, and anyone looking to describe life's everyday annoyances.
Sweet Bitter Blues: Washington, DC’s Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins’s story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic “down home” blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards’s famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins’s recollections and supplemented by Matheis’s research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition.
The Routledge Dictionary of Modern American Slang and Unconventional English offers the ultimate record of modern American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer lively examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. This informative, entertaining and sometimes shocking dictionary is an unbeatable resource for all language aficionados out there.
The book you are holding results from years of research carried out as I traveled the world as a rock musician followed by living abroad as a minister. Did you know that all the music ever created in the West has its origin in just twelve sounds? From rock to bluegrass, to gospel to the intricate arrangements of classical, it all came from only twelve notes. That happened because musicians found an infinite number of tonal combinations to use within the twelve-note scale. What today's social ills have in common with music is that they exist because of a failure on our part to have a similar vision for the Ten Commandments. That vision is one of limitless applications for them. This book approaches the Ten Commandments in the same manner that musicians approach the twelve-note scale--with a desire to create something fresh, building on what has come before. This book uses the "ten sounds" to create a different melody to sing in the areas of racial injustice, disability, gender inequality, and to bring healing to the wounds that linger on in some communities because of unjust activities engaged in by some of our forebearers.
The Black Menorah first came to my imagination in 2004. At first I drew it in my notebooks and painted it on my clothes. In 2010 I created the mosaic. In 2014 I refurbished the mosaic and grouted it with glitter grout. Thats also when the story-poem came to me. I wrote the poem in three daysthose three nights I had nightmares. I was visited by a very angry and ugly demon. I think of the black menorah as a symbol of my faith, more than the cross or Star of David. What is the black menorah? It is a shadow of whats to come. What does the black menorah mean? It stands as a testament that good will always prevail over evil, that light will always conquer darkness, and the next right decision will always be better than the next wrong decision. Simply putdont give up.