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Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century “Cinderella” adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary “Cinderella” adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.
In this adaptation of the Grimm fairy tale, wheelchair-bound Cinderella perfumes her stepmother's gym socks by day and creates her own jewelry by night, until a fairy-godmother-in-training adds some magic that allows Cinderella to transform her life-- and meet the prince.
This wickedly wise (and wisecracking) parody of classic fairy tales redefines happily ever after for the modern feminist era. You know what? It's super creepy to kiss a woman who is unconscious. And you know what else? The way out of poverty isn't by marrying a rich dude -- or by wearing fragile footwear, for that matter. And while we're at it, why is the only woman who lives with seven men expected to do the cooking, cleaning, and laundry? Fairytales need a reboot, and comedy queens Laura Lane and Ellen Haun are the women to do it. In Cinderella and the Glass Ceiling, they offer a rollicking parody of classic (read: patriarchal) tales that turns sweet, submissive princesses into women who are perfectly capable of being the heroes of their own stories. Mulan climbs the ranks in the army but wages a different war when she finds out she's getting paid less than her fellow male captains, Wendy learns never to trust a man-boy stalking her window, Sleeping Beauty's prince gets a lesson in consent, and more. Busting with laugh-out-loud, razor-sharp twists to these outdated tales, Cinderella and the Glass Ceiling is fun, magical, necessary, and totally woke.
What if Cinderella never tried on the glass slipper? Unable to prove that she's the missing princess, and unable to bear life under Lady Tremaine any longer, Cinderella attempts a fresh start, looking for work at the palace as a seamstress. But when the Grand Duke appoints her to serve under the king's visiting sister, Cinderella becomes witness to a grand conspiracy to take the king—and the prince—out of power, as well as a longstanding prejudice against fairies, including Cinderella's own Fairy Godmother. Faced with questions of love and loyalty to the kingdom, Cinderella must find a way to stop the villains of past and present . . . before it's too late.
It's time to save Cinderella!Ready for a radical statement? Disney princesses aren't anti-feminist. Until the 1990s, Disney princesses were role models for little girls, teaching them how to grow up into strong, centered, moral women. But then something terrible happened. A vocal minority of viewers and film critics (let's call them "princess critics") got hold of the narrative. They called Disney princesses "drips," said they were "boring," and boiled their dreams down to "husband hunting." And Disney listened, churning out princesses who were virtue-signaling, man-hating puppets shouting the ideas of the princess critics. But the princess critics were wrong. Each chapter in this book covers one of the eleven "official" Disney princesses (plus Elsa and Anna from Frozen, who aren't yet "official"). In chronological order the book will explore the themes, tropes, and symbolism of these movies, and the ways in which the princess critics have influenced our perceptions of them. And then it will prove the princess critics wrong.Saving Cinderella rescues the Disney princess narrative from the princess critics, giving Disney fans everywhere the validation they need to proudly love the princesses they've always admired in secret.
CINDERELLA,NECROMANCER is CHIME meets ANNA, DRESSED IN BLOOD and was inspired by a real medieval grimoire of necromancy from 15th-century Germany. Ellison lost her mother at an early age. But since then, her father has found love again. He's happy and doesn't quite notice that Ellison does not get along with his new wife or her mean daughters. When Ellison discovers a necromantic tome while traveling the secret passages of her father's mansion, she wonders if it could be the key to her freedom. Until then, she must master her dark new power, even as her stepmother makes her a servant in her own home. And when her younger brother falls incurably ill, Ellison will do anything to ease his pain, including falling prey to her stepmother and stepsisters' every whim and fancy. Stumbling into a chance meeting of Prince William during a secret visit to her mother's grave feels like a trick of fate when her stepmother refuses to allow Ellison to attend a palace festival. But what if Ellison could see the kind and handsome prince once more? What if she could attend the festival? What if she could have everything she ever wanted and deserved by conjuring spirits to take revenge on her cruel stepmother? As Ellison's power grows, she loses control over the evil spirits meant to do her bidding. And as they begin to exert their own power over Ellison, she will have to decide whether it is she or her stepmother who is the true monster.
He was originally a normal Girl, but one day, he unexpectedly discovered that he had another identity, and thus obtained a large amount of wealth.Although the unexpected wealth had given her access to a circle she had never had contact with before, she believed that she was about to face the hatred of many people.Love was the most difficult thing to understand in this world, and only bystanders could see it clearly. "
Before the fairy tale. Before Cinderella met her prince. Before she ever put her foot into that glass slipper... There was Esmerelda. A fairy godmother living an isolated life in the mountains until a baby is left on her doorstep and changes everything. This prequel novel answers fan questions from the novels Cinderella's Dress and Cinderella's Shoes. Since the prequel is filled with spoilers, you may want to read the other two books first, and then come back to this one to read the backstory of how Cinderella's dress and shoes become a legacy. The Fairy-tale Inheritance series of books can be read in any order. Aside from the Cinderella books, they are all stand-alone novels. But if you'd like a reading order, you can follow this one: Cinderella's Dress Cinderella's Shoes Cinderella's Legacy (novella) Snow White's Mirror Beauty's Rose