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In this large and beautifully illustrated book Paul Mortimer draws on the experiences of re-enactors and modern experimental reconstructions to provide a fresh look at the arms and armour, as well as the culture and beliefs of Anglo-Saxon warrior society in the sixth and seventh centuries. He produces his own typologies of the various pieces of military equipment and discusses construction, decoration and functioning, as well as highlighting some specific fine and/or unusual examples. The latter half of the book discusses factors such as religion, the iconography of more decorative items, burial and kingship to complete the picture of warrior life.
Fully illustrated with over fifty photographs, this book describes the ancient fighting styles and mythical self-images of Germanic warriors from 200 BC - AD 1000 and presents vivid and fascinating survey that adds a colourful new dimension to our understanding of the history of Europe.
AD 642. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the fifth instalment in the Bernicia Chronicles. Perfect for fans of Bernard Cornwell. Oswald has reigned over Northumbria for eight years and Beobrand has led the king to ever greater victories. Rewarded for his fealty and prowess in battle, Beobrand is now a wealthy warlord, with a sizable warband. Tales of Beobrand's fearsome black-shielded warriors and the great treasure he has amassed are told throughout the halls of the land. Many are the kings who bow to Oswald. And yet there are those who look upon his realm with a covetous eye. And there is one ruler who will never kneel before him. When Penda of Mercia, the great killer of kings, invades Northumbria, Beobrand is once more called upon to stand in an epic battle where the blood of many will be shed in defence of the kingdom. But in this climactic clash between the pagan Penda and the Christian Oswald there is much more at stake than sovereignty. This is a battle for the very souls of the people of Albion. What readers are saying about the series: 'Historical fiction doesn't get much better than this' ANGUS DONALD, author of The Outlaw Chronicles. 'Matthew Harffy's tale of England in the Dark Ages is nothing less than superb' HISTORICAL NOVEL SOCIETY. 'Murder, betrayal and vengeance fuel tribal warfare and personal combat. Beobrand is the warrior to follow' DAVID GILMAN.
As the title suggests this book contains stories about many of the most prominent people of the Middle Ages, including Joan of Arc. The writer's style is clear and easy to read and the range of persons included is impressive.
Collected here in one omnibus edition are all four of John H. Haaren's Famous Men Series. Included are Famous Men of Greece, Famous Men of Rome, Famous Men of the Middle Ages, and Famous Men of Modern Times. These four books will entertain and enlighten your children. They will inform about Aristotle, Ptolemy, Ulysses, Pericles, Alexander the Great, Horatius, Camillus, Caesar, Cicero, Marcus Aurelius, Attila the Hun, Charlemagne, William the Conqueror, Edward the Black Prince, Joan of Arc, Lorenzo de Medici, Christopher Columbus, Galileo, Newton, Napoleon, Gladstone, George Washington, and many, many others.
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
AD 642. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the fifth instalment in the Bernicia Chronicles. AD 642. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the fifth instalment in the Bernicia Chronicles. Perfect for fans of Bernard Cornwell. Oswald has reigned over Northumbria for eight years and Beobrand has led the king to ever greater victories. Rewarded for his fealty and prowess in battle, Beobrand is now a wealthy warlord, with a sizable warband. Tales of Beobrand's fearsome black-shielded warriors and the great treasure he has amassed are told throughout the halls of the land. Many are the kings who bow to Oswald. And yet there are those who look upon his realm with a covetous eye. And there is one ruler who will never kneel before him. When Penda of Mercia, the great killer of kings, invades Northumbria, Beobrand is once more called upon to stand in an epic battle where the blood of many will be shed in defence of the kingdom. But in this climactic clash between the pagan Penda and the Christian Oswald there is much more at stake than sovereignty. This is a battle for the very souls of the people of Albion. What readers are saying about the series: 'Historical fiction doesn't get much better than this' ANGUS DONALD, author of The Outlaw Chronicles. 'Matthew Harffy's tale of England in the Dark Ages is nothing less than superb' HISTORICAL NOVEL SOCIETY. 'Murder, betrayal and vengeance fuel tribal warfare and personal combat. Beobrand is the warrior to follow' DAVID GILMAN.
From the Thorsdrapa to the Marvel Thor and Avengers movies, Odin, the dark and mysterious lord of Valhalla, looms over all of the ancient tales of the Vikings. With his brothers, he formed the world from the body of a giant and then went on to seek greater wisdom by sacrificing himself on a tree and trading one of his eyes with a witch. With this vast wisdom, he sits upon his throne, peering into the nine worlds, seeking anything that might threaten his people. He rides over the battles of mortal men, deciding who shall live and die, and collecting worthy souls to come and feast in his hall until the war at the end of time. This book retells the greatest of Odin's stories, and then places those stories within their historical and mythological context. It follows the figure of Odin through the centuries, showing how different times and cultures reinterpreted him, and explores the reasons why he remains such a popular figure today.
This book aims to reconceptualise the Graeco-Roman military phenomenon of the "war cry"; the term itself is inadequate for defining an ancient military practice that has been misrepresented in modern media and understudied by contemporary scholars. Gersbach introduces the term and paradigm "battle expression" to replace "war cry", which acknowledges the variety of undertakings, visual and sonic, that military forces from the Graeco-Roman world presented on the battlefield before, during or after battle. The "battle expression" was sophisticated in nature; it could include significant cultural song or dance that required high levels of rehearsal and execution. Conversely, battle expression types demonstrated spontaneous wit and humour on the part of a military force that aimed to capitalise on the experiences of a battle. These performances served a variety of purposes outside of instilling group cohesion among the participants and to intimidate the onlooking enemy. This book associates the psychological dimension of warfare, religious identity and military strategy supported by the High Command to this practice. In addition, the author draws comparisons with later historical periods, as well as the actions of modern-day European football supporters in stadiums, to reconstruct the atmosphere created by ancient military forces on the battlefield. The War Cry in the Graeco-Roman World is suitable for students and scholars of Classical Studies, particularly those interested in ancient warfare and military history, as well as those studying the history of warfare more broadly.