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Interviews with the Pulitzer Prize-winning creator of Maus: A Survivor's Tale
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. Compelling and intimate, MetaMaus is poised to become a classic in its own right.
Daniel, whose family suffers as the Nazis rise to power in Germany, describes his imprisonment in a concentration camp and his eventual liberation.
A key player in the annexation of Austria in 1938, Odilo Globocnik was made Gauleiter of Vienna for seven months until the Nazi party forced him to resign because of his abrasive manner, murky financial dealings, and blatant incompetence. Due to a close personal relationship with Heinrich Himmler, however, Globocnik was named to the seminal post of Lubin SS and Police Chief from 1939 to 1943, where he built and was in charge of some 150 camps, including the Majdanek camp and the killing centres of Belzec, Sobibor, and Treblinka.
How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.
Could the Allies have prevented the deaths of tens of thousands of Holocaust victims? Inspired by a conference held to mark the opening of the US Holocaust Memorial Museum, this book brings together the key contributions to this debate.
Now available in paperback: “a moving account of one woman’s brave journey as she confronts her mother’s past in the cold reality of the present. Einhorn has written a unique holocaust story—part testimony and part detective story” (Martin Lemelman, author of Mendel’s Daughter). First aired as a segment of This American Life entitled “Settling the Score,” The Pages in Between is the moving story of Einhorn’s personal journey of reconciliation and discovery in modern-day Poland. Frustrated by her mother’s refusal to talk about her tragic and unusual childhood, Einhorn traveled to Poland to find the family that safeguarded her from the Nazis as an infant. What she uncovered was the legacy left behind by a sixtyyear- old promise made by her grandfather: to give the family that harbored her mother during the war everything he had—most importantly the deed to his own family’s house. In her attempt to fulfill that debt that saved her mother’s life, Einhorn comes face to face with the realities of present day Poland, where a dispute of this kind requires endless digging through painful and often hidden history. Along the way, she suffers her own personal losses and begins to question how much of the future should be jeopardized in order to right the wrongs of the past. Part family history, part personal and present coming of age memoir, The Pages in Between powerfully tells of a young woman’s quest for the “truth” about her mother’s life, and of learning the lesson that this truth might be impossible to find.
The “deeply researched, groundbreaking” first comprehensive history of the Nazi concentration camps (Adam Kirsch, The New Yorker). In a landmark work of history, Nikolaus Wachsmann offers an unprecedented, integrated account of the Nazi concentration camps from their inception in 1933 through their demise, seventy years ago, in the spring of 1945. The Third Reich has been studied in more depth than virtually any other period in history, and yet until now there has been no history of the camp system that tells the full story of its broad development and the everyday experiences of its inhabitants, both perpetrators and victims, and all those living in what Primo Levi called “the gray zone.” In KL, Wachsmann fills this glaring gap in our understanding. He not only synthesizes a new generation of scholarly work, much of it untranslated and unknown outside of Germany, but also presents startling revelations, based on many years of archival research, about the functioning and scope of the camp system. Closely examining life and death inside the camps, and adopting a wider lens to show how the camp system was shaped by changing political, legal, social, economic, and military forces, Wachsmann produces a unified picture of the Nazi regime and its camps that we have never seen before. A boldly ambitious work of deep importance, KL is destined to be a classic in the history of the twentieth century. Praise for KL A Wall Street Journal Best Book of 2015 A Kirkus Reviews Best History Book of 2015 Finalist for the National Jewish Book Award in the Holocaust category “[A] monumental study . . . a work of prodigious scholarship . . . with agonizing human texture and extraordinary detail . . . Wachsmann makes the unimaginable palpable. That is his great achievement.” —Roger Cohen, The New York Times Book Review “Wachsmann’s meticulously detailed history is essential for many reasons, not the least of which is his careful documentation of Nazi Germany’s descent from greater to even greater madness. To the persistent question, “How did it happen?,” Wachsmann supplies voluminous answers.” —Earl Pike, The Plain Dealer (Cleveland)
An Israeli rabbi and scholar conveys the spirit of the Talmud as he treats its composition, traditions, structure, and laws