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When Alex tries to use magic to hide her less-than-stellar wizard school report card from her parents, she accidentally turns them into guinea pigs instead! Things only get worse when Alex's brothers, Justin and Max, inadvertently let the animals loose. Will Alex be able to reverse the spell, or will her parents be rodents forever? Plus, when Alex and her brothers befriend a mischievous new student at wizard school, the results are disastrous!
Alex is tired of being compared to her older brother Justin, so she decides to enlist the help of a genie to make him just go away. But when the spell goes awry and Justin disappears for good, will Alex be able to summon her powers and get her big brother back? Plus, when the kids get a visit from their favorite uncle, their father decides to let them in on a very important magical secret!
From the creators of the New York Times bestselling Wildwood Chronicles comes an original, humorous, and fast-paced middle grade novel about a band of child pickpockets—imagine The Invention of Hugo Cabret meets Oliver Twist. It is an ordinary Tuesday morning in April when bored, lonely Charlie Fisher witnesses something incredible. Right before his eyes, in a busy square in Marseille, a group of pickpockets pulls off an amazing robbery. As the young bandits appear to melt into the crowd, Charlie realizes with a start that he himself was one of their marks. Yet Charlie is less alarmed than intrigued. This is the most thrilling thing that’s happened to him since he came to France with his father, an American diplomat. So instead of reporting the thieves, Charlie defends one of their cannons, Amir, to the police, under one condition: he teach Charlie the tricks of the trade. What starts off as a lesson on pinches, kicks, and chumps soon turns into an invitation for Charlie to join the secret world of the whiz mob, an international band of child thieves who trained at the mysterious School of Seven Bells. The whiz mob are independent and incredibly skilled and make their own way in the world—they are everything Charlie yearns to be. But what at first seemed like a (relatively) harmless new pastime draws him into a dangerous adventure with global stakes greater than he could have ever imagined.
Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1 Youth and Media -- 2 Then and Now -- 3 Themes and Theoretical Perspectives -- 4 Infants, Toddlers, and Preschoolers -- 5 Children -- 6 Adolescents -- 7 Media and Violence -- 8 Media and Emotions -- 9 Advertising and Commercialism -- 10 Media and Sex -- 11 Media and Education -- 12 Digital Games -- 13 Social Media -- 14 Media and Parenting -- 15 The End -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Mal, Evie, Jay, and Carlos are the offspring of some of the most terrible villains of all time. They're offered a chance to leave the Isle of the Lost, where they have been imprisoned all their lives, and go to prep school in the idyllic kingdom of Auradon with all of the "good" kids. There, they must choose whether or not to follow in their parents' evil footsteps. Watch out Auradon--here come the Descendants!
Excuse Me While I Ugly Cry by debut author Joya Goffney is a story of an overly enthusiastic list maker who is blackmailed into completing a to-do list of all her worst fears. It’s a heartfelt, tortured, contemporary YA high school romance. Fans of Jenny Han’s To All the Boys I’ve Loved Before and Kristina Forest’s I Wanna Be Where You Are will love the juicy secrets and leap-off-the-page sexual tension. “A hilarious and swoonworthy story.” —Kristina Forest, author of Now That I’ve Found You “A fun, emotionally rich romance with a sweet, imperfect character who will win your heart.” —Liara Tamani, author of All the Things We Never Knew Quinn keeps lists of everything—from the days she’s ugly cried, to “Things That I Would Never Admit Out Loud” and all the boys she’d like to kiss. Her lists keep her sane. By writing her fears on paper, she never has to face them in real life. That is, until her journal goes missing . . . Then an anonymous account posts one of her lists on Instagram for the whole school to see and blackmails her into facing seven of her greatest fears, or else her entire journal will go public. Quinn doesn’t know who to trust. Desperate, she teams up with Carter Bennett—the last known person to have her journal—in a race against time to track down the blackmailer. Together, they journey through everything Quinn’s been too afraid to face, and along the way, Quinn finds the courage to be honest, to live in the moment, and to fall in love. A Junior Library Guild Gold Standard Selection Epic Reads Recommended Pick at Target A Kirkus Children's Best Book of 2021
Masterpiece Robot pays tribute to the power of a child’s vivid imagination, which can transform a suburban autumn backyard into a futuristic battleground and Laura’s lively siblings into unwitting but enthusiastic participants in a fight for a planet’s survival. We begin in Laura’s bedroom where she is struggling to find her way into the story she wants to write, and we end there with Laura putting the finishing touches on her triumphant tale. When Laura—a.k.a. Masterpiece Robot—heads into the backyard with her little sister Molly—a.k.a. Sidekick—her active imagination places them instead on patrol around the perimeter of a dystopian city, guarding against super villains. Then older sister Amber—a.k.a. Valerie Knick-Knack—throws handfuls of fallen leaves at them, unknowingly initiating a battle for the ages. The transitions back and forth from suburbia to dystopia in this story within a story are deftly rendered with contrasting palettes. The rollicking interactions of the sibling heroes and villains make Masterpiece Robot pure fun to read. Lexile Level 900 Fountas and Pinnell Level V
"A deftly-plotted tale about ambition and belonging, Bright Ruined Things takes Shakespeare’s The Tempest and brilliantly reimagines its themes of family and love. Cohoe writes with a magic that dazzles and cuts right to the core." - Chloe Gong, New York Times bestselling author of These Violent Delights Forbidden magic, a family secret, and a night to reveal it all... The only life Mae has ever known is on the island, living on the charity of the wealthy Prosper family who control the island’s magic and its spirits. Mae longs for magic of her own and to have a place among the Prosper family, where her best friend, Coco, will see her as an equal, and her crush, Miles, will finally see her. But tonight is First Night, when the Prospers and their high-society friends celebrate the night Lord Prosper first harnessed the island’s magic and started producing aether – a magical fuel source that has revolutionized the world. With everyone returning to the island, Mae finally has the chance to go after what she’s always wanted. When the spirits start inexplicably dying, Mae realizes that things aren’t what they seem. And Ivo, the reclusive, mysterious heir to the Prosper magic, may hold all the answers – including a secret about Mae’s past. As Mae and her friends unravel the mysteries of the island, and the Prospers’ magic, Mae starts to question the truth of what her world was built on. In this YA fantasy, Samantha Cohoe wonderfully mixes magic and an atmospheric setting into a fantastically immersive world, with characters you won’t be able to forget.
Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins (born 1949), best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in Southwest England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, while also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.