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Focusing on the tension between the purity and impurity of the "devadasis"--a handful of female devotees of the Hindu temple and cult of Jagannatha at Puri--this book examines ideas about kingship, power, sexual purity, the role and status of women, and other central concerns of Hindu religious and cultural life.
This richly illustrated, non-technical reconstruction of "folk religion" in ancient Israel is based largely on recent archaeological evidence, but also incorporates biblical texts where possible.
This book on post-colonial theory has a wide geographic range and a breadth of historical perspectives. Central to the book is a critique of the very idea of the 'postcolonial' itself.
In a cultural history which considers the transformation of south Indian institutions under British colonial rule in the nineteenth century, Pamela Price focuses on the two former 'little kingdoms' of Ramnad and Sivagangai which came under colonial governance as revenue estates. She demonstrates how rivalries among the royal families and major zamindari temples, and the disintegration of indigenous institutions of rule, contributed to the development of nationalist ideologies and new political identities among the people of southern Tamil country. The author also shows how religious symbols and practices going back to the seventeenth century were reformulated and acquired a new significance in the colonial context. Arguing for a reappraisal of the relationship of Hinduism to politics, Price finds that these symbols and practices continue to inform popular expectation of political leadership today.
Drawing on textual, iconographic and archaeological evidence, this book highlights a historically documented (but often ignored) instance, where five single women were elevated to a position of supreme religious authority. The women were Libyan and Nubian royal princesses who, consecutively, held the title of God's Wife of Amun during the Egyptian Twenty-third to Twenty-sixth dynasties (c.754-525 BCE). At a time of weakened royal authority, rulers turned to their daughters to establish and further their authority. Unmarried, the princess would be dispatched from her father's distant political.
"Examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. ... Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories."--Jacket flap.
Reveals the tradition of goddess worship in early Judaism and how Jesus attempted to restore the feminine side of the faith • Provides historical and archaeological evidence for an earlier form of Hebrew worship with both male and female gods, including a 20th-century discovery of a Hebrew temple dedicated to both Yahweh and the warrior goddess Anat • Explores the Hebrew pantheon of goddesses, including Yahweh’s wife, Asherah, goddess of fertility and childbirth • Shows how both Jesus and his great rival Simon Magus were attempting to restore the ancient, goddess-worshipping religion of the Israelites Despite what Jews and Christians--and indeed most people--believe, the ancient Israelites venerated several deities besides the Old Testament god Yahweh, including the goddess Asherah, Yahweh’s wife, who was worshipped openly in the Jerusalem Temple. After the reforms of King Josiah and Prophet Jeremiah, the religion recognized Yahweh alone, and history was rewritten to make it appear that it had always been that way. The worship of Asherah and other goddesses was now heresy, and so the status of women was downgraded and they were blamed for God’s wrath. However, as Lynn Picknett and Clive Prince reveal, the spiritual legacy of the Jewish goddesses and the Sacred Feminine lives on. Drawing on historical research, they examine how goddess worship thrived in early Judaism and included a pantheon of goddesses. They share new evidence for an earlier form of Hebrew worship that prayed to both male and female gods, including a 20th-century archaeological discovery of a Hebrew temple dedicated to both Yahweh and the goddess Anat. Uncovering the Sacred Feminine in early Christianity, the authors show how, in the first century AD, both Jesus and his great rival, Simon Magus, were attempting to restore the goddess-worshipping religion of the Israelites. The authors reveal how both men accorded great honor to the women they adored and who traveled with them as priestesses, Jesus’s Mary Magdalene and Simon’s Helen. But, as had happened centuries before, the Church rewrote history to erase the feminine side of the faith, deliberately ignoring Jesus’s real message and again condemning women to marginalization and worse. Providing all the necessary evidence to restore the goddess to both Judaism and Christianity, Picknett and Prince expose the disastrous consequences of the suppression of the feminine from these two great religions and reveal how we have been collectively and instinctively craving the return of the Sacred Feminine for millennia.
Ancient India has been a land of wisdom, riches and mysteries. Its fabled saints, philosophers, ascetics, its multiplicity of Gods & religions, complex rituals and even snake charmers and magicians never ceased to fascinate the world. Socio-religious tradition of Devadasis or the 'Brides of God' as they were known in India, is one such tradition, shrouded in mystery that attracts attention. It compels a curious mind to take a closer look to learn more and understand its realities. These women are generally referred to by the term devadasi which literally means 'female servant of the deity'. This work bears on many topics such as origin, belief, development, ceremonies, organization, functions, activities, paramours, sexuality, historical survey, statistical analysis, preventive measures and the pathetic stories of devadasis. Because it was conceived as a study of women, culture and religion, it must be borne in mind that all these concerns are dealt with as they arise out of a close attention to the practices of the devadasis.
"Remarkable...mesmerizing...compelling.... An entire world unfolds in Tolstoyan tide of event and detail....Give yourself over to the world Ms. Tan creates for you." —The New York Times Book Review Winnie and Helen have kept each other's worst secrets for more than fifty years. Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949. The Kitchen God's Wife is "a beautiful book" (Los Angeles Times) from the bestselling author of novels like The Joy Luck Club and The Backyard Bird Chronicles, and the memoir, Where the Past Begins.
God's Ex-Wife is a "novoir" (part novel/part memoir) in which anecdotes from both authors' lives are woven into a work of fiction, though every character in the story was inspired (at least in part) by an actual person who left an impact on David, Jessica, or both. We never stop learning, and everyone who enters our life is a teacher of sorts (though life itself is the ultimate teacher!) God's Ex-Wife, despite the name, is not about religion; It's about choice, identity, love, education, friendship, and HOPE. It has never been harder to be young in America, especially as a misfit. There is a whole country between New York and Los Angeles, and much of that region is little more than ""The MoFN"" (Middle of F**king Nowhere). This book is offered as a beacon to the young people in those places who-- because of their sexuality, their race, or merely their independent spirit -- have never ""fit in."" We see you. We appreciate you. And we do NOT want you change. But we do want you to leave. You want it too, and we want to empower you to do that. The MoFN (Middle of F**king Nowhere) is no kind of place for a big, Jewish girl with strange clothes, or her only friend: a gay boy with even stranger clothes. But for now that's exactly where Debbie and Phil are stuck. Growing up in the 90's in a cold New England town with nothing to do, no exposure to the world beyond, or experience with people of color (who will eventually play a huge role in their lives), and bullied on a daily basis, they turn to their love of writing and performing , initially as an escape from their monotone misery, and an antidote to their boredom. It is only through the efforts of Mrs. Rosen, Debbie's eccentric and sophisticated mentor, that they realize how far their talents might actually take them. But is there more to Debbie's weirdness than just punk rock and black nail polish? Long since divorced from religion, she is not exactly big on faith. So how does Debbie know what she knows? She can't even answer that herself.