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Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.
A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together.
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Lawson's radical new study about the nature of ourselves and the world challenges the dominant faith of today - science. Drawing on practical examples of closure, it exposes the central questions of contemporary philosophy.
This remarkable collection explores the legacy of Wittgenstein's work in contemporary American philosophy. The contributors (including several celebrated philosophers) take a variety of approaches to Wittgenstein; they discuss such topics as rule-following, realism about mathematics, the method of the Tractatus, the relation between style and content in Wittgenstein, and his distinction between sense and nonsense. Wittgenstein also is discussed in relation to subsequent philosophers such as Quine and Kripke.
Doing Philosophy at the Movies finds the roots of profound philosophical ideas in the relatively ordinary context of popular, mostly Hollywood, movies. Richard A. Gilmore suggests that narratives of popular films like Hitchcock's Vertigo, John Ford's The Searchers, Woody Allen's Crimes and Misdemeanors, the Coen Brothers' Fargo, and Danny Boyle's Trainspotting mirror certain epiphanies in the works of great philosophers. Via Plato, Aristotle, Kant, Nietzsche, Wittgenstein, and Zðizûek, Gilmore addresses such themes as the nature of philosophy, the possibility of redemption through love, catharsis, the sublime, and the human problem of death. Gilmore argues that seeing these movies through the lens of certain philosophical ideas can show how deeply relevant both philosophy and the movies can be.
Having visited Ireland regularly during the 1930s, Ludwig Wittgenstein resigned his Cambridge philosophy professorship in 1947 and moved there, living in a fishing village on the Atlantic coast and hotels in Dublin and the Wicklow Mountains. Although Wittgenstein spent some time out of the country, Ireland was effectively his base for three very productive years during which he worked on what would become one of his key books, the posthumously published Philosophical Investigations. Wittgenstein in Ireland represents the first sustained account of Wittgenstein's time in Ireland, placing it in its historical context. Wall pays a good deal of attention to the representation of the Irish landscape in which the Austrian philosopher found himself able to work; a large part of his writings were produced in the bleak landscapes of Ireland and Norway.
Updated edition of this important book, charting the development of Wittgenstein's philosophy of the mind, language, logic, and mathematics.
This book offers a lucid and highly readable account of Wittgenstein's philosophy, framed against the background of his extraordinary life and character. Woven together with a biographical narrative, the chapters explain the key ideas of Wittgenstein's work, from his first book, the Tractatus Logico-Philosophicus, to his mature masterpiece, the Philosophical Investigations. Severin Schroeder shows that at the core of Wittgenstein's later work lies a startlingly original and subversive conception of the nature of philosophy. In accordance with this conception, Wittgenstein offers no new philosophical doctrines to replace his earlier ones, but seeks to demonstrate how all philosophical theorizing is the result of conceptual misunderstanding. He first diagnoses such misunderstanding at the core of his own earlier philosophy of language and then subjects philosophical views and problems about various mental phenomena understanding, sensations, the will to a similar therapeutic analysis. Schroeder provides a clear and careful account of the main arguments offered by Wittgenstein. He concludes by considering some critical responses to Wittgenstein's work, assessing its legacy for contemporary philosophy. Wittgenstein is ideal for students seeking a clear and concise introduction to the work of this seminal twentieth-century philosopher.
Since the middle of the 20th century Ludwig Wittgenstein has been an exceptionally influential and controversial figure wherever philosophy is studied. This is a comprehensive volume on Wittgenstein where 35 scholars explore the whole range of his thought, offering critical engagement and original interpretation.