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In this lavishly illustrated large coffee-table volume, writer Gorny and photographer Rosikon embarked on a two year investigative journey to seek the truth behind all the relics associated with the passion of Christ. The authors investigated a rich body of documentary evidence found in various museums, archives and churches surrounding sacred objects believed to have been preserved since Jesus' lifetime, exploring and collaborating with historians and scientists in their attempt to verify the relics' authenticity. They reach their conclusions not so much on the basis of faith as on the evidence supplied by historical sources and expert scientific opinion. The relics associated with the Passion - the suffering, death and burial of Christ - have long proved something of an enigma for the scientific community. Relics investigated, and photographed, for this glorious volume include: the Cross, nails, crown of thorns, pillar of scourging, Christ's tunic, the Veil of Manoppello, the Sudarium of Oviedo, the famous Shroud of Turin burial cloth and more.
Tragedy strikes on the opening night of the Fall Crafters Fair when a woman is killed in the parking lot of Daisy's Quilt Shop, and the only material witness is one of Melinda Byer's boys. The investigation takes a more bizarre turn when detective Shane Black becomes convinced the killer was actually after Callie. This time it's a madman loose in the largest crowd of the year, and he's looking for something or someone. If they can't figure out what, one of Deborah and Callie's close circle of friends may be next. Masked identities, antique quilts with hidden messages, an Amish boy whose handicap makes him stronger, one brave dog, and a possible hidden treasure ... this time it's nonstop action, danger, and a dash of romance.
On a student tour through Europe, Nancy discovers that their leader is on a secret mission to transfer ten refugee children from an iron curtain country to freedom! Before the mission is completed, Nancy receives an urgent message from her father concerning a missing entry in a foreign film festival. Undaunted and clever, Nancy pursues an intriguing clue found in a student’s wheelchair and finds herself in great danger.
Richard Belzer and David Wayne are back to set the record straight after Dead Wrong; this time they’re going to uncover the truth about the many witness deaths tied to the JFK assassination. For decades, government pundits have dismissed these “coincidental” deaths, even regarding them as “myths” as “urban legends.” Like most people, Richard and David were initially unsure about what to make of these ‘coincidences’. After all, events don’t “consult the odds” prior to happening; they simply happen. Then someone comes along later and figures out what the odds of it happening were. Some of the deaths seemed purely coincidental; heart attacks, hunting accidents. Others clearly seemed noteworthy; witnesses who did seem to know something and did seem to die mysteriously. Hit List is a fair examination of the evidence of each case, leading to (necessarily) different conclusions. The findings were absolutely staggering; as some cases were clearly linked to a “clean-up operation” after the murder of President Kennedy, while others were the result of ‘other forces’. The impeccable research and writing of Richard Belzer and David Wayne show that if the government is trying to hide anything, they’re the duo who will uncover it.
“Thought-provoking true-crime thriller…the book raises urgent questions of balancing public and private good that we’ll likely be dealing with as long as the title implies.”—Wall Street Journal A relentless detective and a civilian genealogist solve a haunting cold case—and launch a crime-fighting revolution that tests the fragile line between justice and privacy. In November 1987, a young couple from the idyllic suburbs of Vancouver Island on an overnight trip to Seattle vanished without a trace. A week later, the bodies of Tanya Van Cuylenborg and her boyfriend Jay Cook were found in rural Washington. It was a brutal crime, and it was the perfect crime: With few clues and no witnesses in the vast and foreboding Olympic Peninsula, an international manhunt turned up empty, and the sensational case that shocked the Pacific Northwest gradually slipped from the headlines. In deep-freeze, long-term storage, biological evidence from the crime sat waiting, as Detective Jim Scharf poured over old case files looking for clues his predecessors missed. Meanwhile, 1,200 miles away in California, CeCe Moore began her lifelong fascination with genetic genealogy, a powerful forensic tool that emerged not from the crime lab, but through the wildly popular home DNA ancestry tests purchased by more than 40 million Americans. When Scharf decided to send the cold case’s decades-old DNA to Parabon NanoLabs, he hoped he would finally bring closure to the Van Cuylenborg and Cook families. He didn’t know that he and Moore would make history. Genetic genealogy, long the province of family tree hobbyists and adoptees seeking their birth families, has made headlines as a cold case solution machine, capable of exposing the darkest secrets of seemingly upstanding citizens. In the hands of a tenacious detective like Scharf, genetic genealogy has solved one baffling killing after another. But as this crime-fighting technique spreads, its sheer power has sparked a national debate: Can we use DNA to catch the murderers among us, yet still protect our last shred of privacy in the digital age—the right to the very blueprint of who we are?
A medieval house, a dead body and some rather suspicious chocolate fudge? Call for Lady Swift! Autumn, 1920. Lady Eleanor Swift, accidental amateur detective and retired explorer, is determined to take a break from investigating murders. So when a local politician dies suddenly at an elegant dinner party at Farrington Manor, she tries her hardest not to listen to the raft of rumours around the village that he might have been poisoned by the fudge. It's the anniversary of the disappearance of her beloved parents and she's promised herself not to get mixed up with any more mysteries. She isn't sure they'd have approved. But when she arrives home to discover that Mrs Pitkin, the kindly cook from Farrington Manor, has been dismissed without wage or reference because the police consider her a suspect, Eleanor knows she needs to act. If there was a murder, then she needs to track down the culprit and clear Mrs Pitkin's name. Accompanied by her faithful partner in crime, Gladstone the bulldog, who has the best nose for sniffing out bones in the country, Eleanor sets out to find the killer. And when another body turns up and she finds poisoned fudge in the victim's house, Eleanor knows she's on the right track. But can she sort the truth from the lies before she becomes a witness to another murder - this time rather closer to home? An utterly charming cozy mystery! Warm and witty, fans of Agatha Christie, TE Kinsey and LB Hathaway will be totally hooked. Readers absolutely love Verity Bright! 'What a great cozy mystery! I am hooked! This is the best book, bar none, that I have read this year... An extremely witty, fast-paced mystery... I love the heroine, intrepid adventuress... I want to live at Henley Hall, I love Gladstone, the very funny bulldog, too cute! A most enjoyable read!' Reviews by Carol in Tallahassee ⭐️⭐️⭐️⭐️⭐️ 'So engaging. I loved reading this book, it was so easy to read and absolutely captivating. I cannot wait to read of the further adventures of Lady Eleanor and her beloved bulldog Gladstone. Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️ 'I liked Eleanor a lot, she's feisty and sweet... The ending had me a little teary, because she's finally come home... The best part of the book was that it made me feel cozy and warm. Looking forward to the next book! Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post
In a dark back alley, Boone and Andre witness a violent murder, and agree not to mention it. But the killers have different ideas and come after Boone and his friends, killing two of them. Boone is desperate to save himself but realizes to do so he will need to face the violent act in his past that continues to haunt him. Told in Norah McClintock's trademark suspenseful style and with spare black-and-white illustrations from Mike Deas, this compelling graphic novel looks into the darkness and forces us to face our deepest fears.
What was the early Church like? Contrary to popular belief, Rod Bennett shows there is a reliable way to know. Four ancient Christian writers - four witnesses to early Christianity - left us an extensive body of documentation on this vital subject, and this book brings their fascinating testimony to life for modern believers. With all the power and drama of a gripping novel, this book is a journey of discovery of ancient and beautiful truths through the lives of four great saints of the early ChurchClement of Rome, Ignatius of Antioch, Justin Martyr, and Irenaeus of Lyons. "A treasure! The early Church and its teachings come to life in this story. Did the first Christians believe what you believe? Buy this book, read the words of the early Church Herself, and fall in love with the historic Church that Christ Himself founded." - David Currie, Author, Born Fundamentalist, Born Again Catholic "Rod Bennett has immersed himself in the fascinating writings of four early Fathers of the Church and has made the discovery from reading them that sincere and attentive readers of them ought to make. The author's imaginative account of these four great Church Fathers is not only an excellent introduction to their work; it is a convincing rendering of what the early Church must really have been like. This is an important new contribution to Christian apologetics." - Kenneth Whitehead, Author, One, Holy, Catholic and Apostolic