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Propelled across the continent by notions of rugged individualism" and "manifest destiny," pioneer Americans soon discovered that such slogans only partly disguised the fact that building an empire meant destroying a wilderness. Through an astonishing range of media, they voiced their concern about America's westward mission. Drawing on a wide variety of evidence, Lee Clark Mitchell portrays the growing apprehensions Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A collection of photographic portraits of one hundred plants and animals currently on the Endangered Species list of North America. These portraits bear testimony to the beauty, diversity, and sacredness of life on this planet.
In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
In addition to being a medical, political, and social crisis, the AIDS epidemic in the United States also led to a crisis of artistic representation. This book reveals the important political and moral role of American photographers in the social discourse on AIDS based on the 1989 New York exhibition, “Witnesses: Against Our Vanishing” curated by photographer Nan Goldin.
Over the last five centuries, the story of the Americas has been a story of the mixing of races and cultures. Not surprisingly, the issue of miscegenation, with its attendant fears and hopes, has been a pervasive theme in New World literature, as writers from Canada to Argentina confront the legacy of cultural hybridization and fusion. This book takes up the challenge of transforming American literary and cultural studies into a comparative discipline by examining the dynamics of racial and cultural mixture and its opposite tendency, racial and cultural disjunction, in the literatures of the Americas. Editors Kaup and Rosenthal have brought together a distinguished set of scholars who compare the treatment of racial and cultural mixtures in literature from North America, the Caribbean, and Latin America. From various angles, they remap the Americas as a multicultural and multiracial hemisphere, with a common history of colonialism, slavery, racism, and racial and cultural hybridity.
At a time when the environment is of growing concern to students and general readers, nature writing is especially meaningful. This book profiles the literary careers of 52 early American nature writers, such as John James Audubon, Ralph Waldo Emerson, Caroline Stansbury Kirkland, Thomas Jefferson, Henry David Thoreau, and Mabel Osgood Wright. Each entry is written by an expert contributor and discusses the writer's life and works. Entries close with primary and secondary bibliographies, and the encyclopedia ends with suggestions for further reading. Global warming, pollution, and other issues have made the environment a topic of constant discussion these days. Many environmental concerns were treated by early American nature writers, who recognized the beauty of the natural world in an age of commercial expansion. Some of the most famous writers of the 18th and 19th centuries wrote about nature, and their works are stylistic masterpieces. At a time when students are being encouraged to read and write about nonfiction, these masterworks of early American nature writing are all the more important. This book gives students and general readers a welcome introduction to early American nature writers.
This Companion provides a comprehensive introduction to the literature of the American West, one of the most vibrant and diverse literary traditions.
Casting a wide net, this volume provides personal and professional information on some 445 American and Canadian naturalists and environmentalists, who lived from the late 15th century to the late 20th century. It includes explorers who published works on the natural history of North America, conservationists, ecologists, environmentalists, wildlife management specialists, park planners, national park administrators, zoologists, botanists, natural historians, geographers, geologists, academics, museum scientists and administrators, military personnel, travellers, government officials, political figures and writers and artists concerned with the environment. Some of the subjects are well known. The accomplishments of others are little known. Each entry contains a succinct but careful evaluation of the subject's career and contributions. Entries also include up-to-date bibliographies and information concerning manuscript sources.
This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.